Yu Xueshu, who was confused by the late king and wandered in art, was in a weak position. As much as I love this, it's difficult to get started. I got my best friend Shao Jie, and I fell under Mr. Yu Zhongying's door (PalaceNo.), so I crossed the bridge of calligraphy and achieved a little success.
My teacher is from Pixian, Sichuan. He was a general of Sichuan Army in the Republic of China. He is in the army, but he is famous for his elegance. Calligraphy and poetry were directed by Mr. Shi in the late Qing Dynasty, while painting and seal cutting were the responsibility of the old man Qi Baishi. Under the chance of the times, I contacted Zhang Daqian, Xu Beihong, Xie Wuliang and others to sharpen my artistic skills. Because people are honest and upright, they are very famous in Bashu.
Mr. Meng's teacher dotes on him and teaches him carefully. The study of calligraphy began with Tang, Chu and Yu. He knew the rules and straightened his hands and feet. Mr. Wang said: "When you are young, you should learn more books, strengthen your character and manage your savings for a rainy day." If you don't stand, you don't know calligraphy, brushwork, yin and yang, and pen as the body. Writing at school, learning grass at dusk, afraid of falling into slick, will eventually become vulgar. Learn from the ancients, you can learn the law, and you can be called the same as today's celebrities. The difference is obvious and not obvious; Learn from the present, learn from Buddhism, and talk about being a disciple of the present. Without ambition, I accidentally entered the side door. "He added," Although words can last for a hundred days, books can't. They are accumulated by learning. There are laws in cursive script, but not in running script, and kung fu is outside the words. "Sir, the gist of Yu, generally speaking, can actually be used as a preparation for reading books.
Under the guidance of his former teacher, he laid the foundation stone in regular script, traced back to the North Monument, traced back to the Han and Wei Dynasties, and lived in Huang Tingjing and Zhong in small script. The rules were made, but they overflowed into grass. The running script originated from the preface to the sacred teachings of Huairen Ji, which is diligent in Yan's writings, interesting, seeking common ground while reserving differences, and achieving the effect of * * * dividing trees. The cursive script obeyed Wang's seventeen posts, and the appreciation turned to be a turning point, and turned to the wisdom and courage of Qian Wen Zi, the book spectrum and so on. The first teacher teaches students, giving priority to inspiration, followed by demonstration. The works are used to open their minds after learning and teach students in accordance with their aptitude. I have benefited a lot from following my teacher for thirteen years. I think what I have gained is not the simple repetition of pen and ink skills, but the domestication of personality and the independence of personality, that is, the independence of books. I deeply feel that the study of calligraphy or the formation of personal style will never happen overnight. All this must be based on the recognition and practice of our national traditional culture, which is the conscious motivation to pursue art. It cannot be separated from the rich atmosphere of China, and it is impossible to abandon the accumulation of Chinese characters and calligraphy for thousands of years, with different forms, basic frameworks and cultural attributes. Chinese characters are the source of all Chinese civilizations, the direct basis and the only carrier of calligraphy creation. Stripping the form, sound and meaning of Chinese characters and dismembering their carriers are contrary to the origin of China culture, and the core is gone. What can a man say about the art of calligraphy?
The emergence and development of two-week inscriptions on bronze, Qin Zhuan and Han Li, epitaphs of Wei and Jin Dynasties, regular script of Tang Dynasty and cursive script of Song Dynasty all came into being with social politics, economy and culture, and stood tall from generation to generation, reflecting each other. Although there are differences in aesthetic concepts in different times, China people's cultural attributes run through, helping each other rather than opposing each other. It is the condensation of thousands of years of hard work and wisdom of our ancestors, so we should not give up easily. As far as the classification of calligraphy styles is concerned, the establishment of seal script, official script, regular script and cursive script itself profoundly shows the innovation of Chinese characters in different stages, conforms to the diversity of social practical and aesthetic needs, and embodies the inclusiveness of Chinese culture. This cultural phenomenon is unmatched by any country in the world. As for the two inscriptions, a vast sea of words, a scholar, spent a lifetime, it is impossible to be perfect. Therefore, the fancy renovation divorced from the cultural origin of China is equivalent to a game that anyone can play, and there is no art at all. In my opinion, the creation and development of contemporary calligraphy lacks not innovation, but the deepening and inheritance of classics.
The study of calligraphy can only follow its laws, know its way, combine its own real aesthetic needs, choose its good ones and follow them, and gradually get better in the "negation of negation"
Like this, I am 50 years old, and I know it well. Exhibition is not for art, calligraphy is not only a sustenance of life for me, but also a pleasure to enjoy. Based on the contemporary, with a normal heart, write ordinary words, this is the rest of the faith. After a pleasant year, Geng Yin held his first solo exhibition in manjusri temple in January, which was strongly encouraged by Master Zong Hua and others. This chapter of grass is the heart of calligraphy of life.