Haoduan means the bottom of the pen. The meaning of "penetrating through the end of the pen" is similar to "penetrating through the back of the paper", and "penetrating through the back of the paper" has two meanings:
From: Shuidiao Getou ·Watching the Moon at Jinshan Mountain
Song Dynasty: Zhang Xiaoxiang
The mountains and rivers are majestic, windy, dew and cold. Send a message to Sister Yue, please lend me a jade mirror to look at it. Fish and dragons roar in the secluded valley, the reflected stars shake, and the sea air fills the night. Silver towers surged up, threatening the Purple Mountain. ?
Indicates independence, flying clouds, flying clouds and crowns. Rinse the ice and wash the snow, and gaze at the smallest speck in a thousand miles. Looking back at the Three Mountains, I heard that the immortals laughed at me and asked me to return all my desires. Wave your hand and go away, the phoenix will be more beautiful than the phoenix.
Translation:
The mountains and rivers are so majestic and majestic, with little dewdrops and gentle breeze, and I feel a slight chill. I asked someone to send a message to the moon. Can you lend me a mirror so that I can see the beautiful scenery under the moon?
The fish and dragons in the deep valley made their mournful calls for a long time, the stars reflected on the water also swayed with the microwaves, and the water mist on the sea filled the night for a long time. Looking from a distance, the buildings on Purple Mountain under the moonlight look like a silver palace.
Using Feixia as a jade pendant, wearing a high crown on his head, he is alone in the world and overlooks the earth. The moonlight is as white as ice and snow, and the land it shines on is bright and clear, and the scenery thousands of miles away can be seen clearly.
Looking back at the Three God Mountains on the sea, it seemed as if all the immortals were smiling at me and inviting me to swim with them. Riding in the carriage covered by phoenix feathers driven by the luan bird, he waved and drove away.
Appreciation of Works
Zhenjiang Jinshan Temple is a famous ancient temple with many chanters since the Tang and Song Dynasties. The poem "Jinshan Temple" written by Mei Yaochen of the Northern Song Dynasty perfectly outlines the majestic appearance of Jinshan Mountain standing in the Yangtze River in the Song Dynasty. In the poem "Visiting Jinshan Temple", Su Shi even used vigorous brushwork to describe the empty and graceful evening scene in the middle of the river. Zhang Xiaoxiang's poem injects more transcendent artistic illusion.
The first part of the poem describes the magnificent Yangtze River on an autumn night. The starry sky is reflected and sways with the waves, presenting a fantastic natural scene. The two sentences "Jiangshan" directly describe the majesty of the Jinshan Mountain in the river on an autumn night. They not only describe the majesty and majesty of the river and mountains, but also highlight the feeling of wind, dew and spring cold when climbing at night. The writing is extraordinary. In the two sentences "Send a Voice", the poet is surrounded by majestic mountains and rivers, galloping around with fantastic imagination, and uses personification to give objective objects a strong subjective emotional color.
The three lines of "Secret Valley" carry on the above meaning and specifically describe the peculiar scenery of the river reflected by the moonlight seen in the mountain climbing temple. From the perspective of the poet, he can not only see the stars and moon in the sky, but also the reflection in the vast sky. On the river surface, images of various shapes emerge as the microwaves shake, and through the endless night fog that permeates the river surface, one can seem to hear the roaring and wailing sounds of fish and dragons hidden in the deep water ravines.
The two sentences "surging" come from the above "reflecting stars". "Baiyinque" describes the rolling white waves emerging on the river, which look like fairy palaces under the moonlight. Then it was transferred from the river to the mountains. The mountain is in the river, and the temple is on the mountain, just like the water rising up. The description of the wonders of Jinshan Mountain here produces an artistic effect that seems both realistic and illusory.
The film focuses on expressing the author's thoughts that are immersed in the beautiful scenery and floating away from the world. It is not only a sketch of the author's own portrait, but also an exposure of the poet's heart. "Expressing independence" and "cutting the cloud crown" are respectively adapted from Qu Yuan's "Nine Songs·Mountain Ghost" "Expressing independence on the mountain" and "Nine Chapters·She Jiang" "Guan Qie Yun Zhi Cui Wei" respectively, showing that the poet is independent The cool and unrestrained demeanor on the top of the golden mountain.
"Feixia Pei" is adapted from Han Yu's poem "Tiao Zhang Ji" "Begging for Feixia Pei, and I will stand tall with you", which is described from the perspective of clothing. If these three sentences are external descriptions, then the two sentences "washing ice" reveal the natural scenery that penetrates the inner feelings of the poet. The poet is immersed in the moonlight as white as ice and snow, and his eyesight seems to be able to see through the tiny scenery thousands of miles away.
The following five sentences of "Looking back" are full of ecstasy and ecstasy. It is not uncommon for predecessors to integrate three mountains into the realm of poetry. However, there are not many hallucinations like the one in this poem. The poet's conception beyond normality is full of romance, as if the gods are smiling at him and asking him to go with him. This is to move the strong inner feelings into virtual objects and transform them into the emotions of the soul to create a wonderful artistic realm.
The last two sentences of the conclusion are respectively adapted from Li Bai's "Send Off a Friend" "Waving to leave, Xiaoxiao Banma Ming" and Han Yu's "Send Off to Dr. Yan in Guizhou" "It is far better to go to the immortals, and the flying Luan will not have time to fly." The poetic meaning of the poem is transformed from being idle to flying luan, ascending to immortality, showing the scene of riding on a canopy made of phoenix feathers and using luan birds to drive, which makes it more interesting to travel to immortality. The virtual scene at the end and the real scene at the beginning echo each other, forming a whole that combines reality and reality, and blends scenes.
Chen Yingxing said in "Preface to Mr. Yu Hu's Elegant Poems": Zhang Xiaoxiang "has written hundreds of long and short sentences, which are calm and relaxed to read. They are really not words that cannibalize people with fireworks. Although I am not as good as Jing Jing, I still can't read them." His graceful and unrestrained appearance is as natural as the pen of a god, and he can still imagine the spirit of moving toward the sky. "The so-called "non-fireworks cannibalism" generally refers to this type of poetry. The scattered and ecstatic emotions expressed in this poem not only show the author's broad mind and unique heroic spirit, but also vividly reflect the personality and style of his poems.