Appreciation of Fan Ceng's Classic Calligraphy Works
Pictures of Fan Ceng's Classic Calligraphy Works 1
Pictures of Fan Ceng's classic calligraphy works 2
Picture 3 of Fan Ceng's Classic Calligraphy Works
Fan Ceng's classic calligraphy works Figure 4
Fan Ceng's personal data
Fan Ceng (1938.7.5-), a native of Nantong, Jiangsu. He is a great scholar, thinker, master of Chinese studies, master of painting and calligraphy, writer and poet in China. At present, he is the president and professor of Peking University Chinese Painting Research Institute, a lifelong researcher of China Academy of Fine Arts, the only tenured professor of Nankai University and Nantong University, and a member of UNESCO? Special adviser on multiculturalism? Honorary Doctor of Literature, University of Glasgow, UK, and Honorary Doctor of Literature, university of alberta, Canada. He is a cultural master who combines poetry, calligraphy and painting, literature, history and philosophy, Confucianism, Buddhism and Taoism in contemporary China. He has published more than 60 kinds of poems, calligraphy and painting, philosophy, etc. 160, among which 1 19 kinds are treasured by the National Library. What does Fan Ceng stand for? Return to Classics and Nature? Practice? Take poetry as the soul and books as the bone? The aesthetic principles of Chinese painting have made great contributions to the development of Chinese painting. Neoclassicism? This is the first of its kind. 1984, Okayama Fan Ceng Art Museum was established; 1986, donated and presided over the Oriental Art Department of Nankai University; In 2008, Fan Zeng Art Museum of Nantong University was unveiled; 20 1 1 won the lifetime achievement award of China Prize for Art and Literature. There are twenty-four words in self-evaluation: I love painting and can write; I resigned and expressed myself quite well; I am good at reading history and have a little understanding of the changes of ancient and modern times.
A little knowledge of calligraphy how to use ink sticks
Ink stick is a long strip used on the ink table when studying ink, from which ink comes.
Ink sticks are used to grind ink. In ancient times, rich scholars and grandfathers asked very young people and maids to help them grind ink. Modern people have a fast pace of life and few people use it.
1, even and fast and moderate: when grinding ink, the force is too light and too heavy, and if it is too fast and too slow, the ink will be rough and uneven. Too light force, too slow speed, wasting time, floating ink; If the force is too heavy and the speed is too fast, it will appear rough and dull. The correct method should be? Finger press, hard? Don't be too hasty
2. Moderation: Let me clarify here that even Dong Qichang's light pen is written in thick ink, and the difference is the amount of ink dipped, not the depth of ink. If the ink contains too much water, the pen will spread quickly when it touches the paper, forming ink clouds of different sizes and shapes. How can you have a stroke? But don't overdo it. It's terrible to write with ink as thick as half jelly. You also need to remember to use white paper, especially thick ink. If you use colored paper, it can be a little lighter.
3. Grinding as you use it: The ink must be reground, because if the ink is left for more than one day, the glue and coal will gradually separate, and the ink is neither bright nor durable, so it is easy for Su Mo to fade when used as a book. Some ready-made inks sold in the market are sticky and sticky, some are too low in concentration, paper is easy to melt when dropped, and there are many preservatives, which are easy to damage the nib and should not be used.
4. Put it in the box: take out the ink immediately after grinding, and don't put the inkstone. Otherwise, the glue is easy to stick to the inkstone pool, and it is not easy to fall off after drying, and it can also prevent the ink from softening due to moisture, resulting in double loss. You can't expose yourself to the sun to avoid drying. So it's best to put it in a box, which is the best way to prevent moisture and avoid direct sunlight and dust.