The ancient poem "ode to fishing music" Jingkou Gubeiting Nostalgia "

Yong Yule Jingkou, Gu Beiting, Huaigu Song and Xin Qiji, heroes are nowhere to be found, and Sun Zhongmou is located. Pavilions and pavilions, singing stage, wind and rain will always blow away romantic feelings. The setting sun shines on the grassland covered with grass and trees. People say that this was once the place where Emperor Wu of Song lived. Looking back, how powerful he was when he led the Northern Expedition and recovered lost ground! Yuan Jia hurriedly sealed the wolf in Xu, but he won and hurried back. I have been back to the south for forty-three years, and I still remember the war scenes in Yangzhou. Looking back, there is a crow club drum under the Beaver Temple. Who can ask: Lian Po is too old to eat?

This poem is rich in content and profound in meaning, which is not comparable to ordinary works of visiting ancient times. The poem shows the author's deep love for the motherland, eager yearning for heroic achievements and passion for fighting, while the compromise and surrender to the ruler and reckless invasion of the army show the author's deep anxiety and indignation, and every word is permeated with the author's deep affection.

The topic is "Miss Today, Miss Today, Politics with Words". Poets either satirize the present from the past, quote historical lessons, or borrow ancient analogies, all of which contain worries about state affairs and feelings about their own experiences. From landscape to ancient history, from ancient history to immediate facts, nostalgia and injury to the present are organically combined, and scenery writing, narration, discussion and lyric are integrated into one, which can be said to be the most important characteristics of Xin Huaigu's ci. Because the poet has the ideal of killing the enemy and serving the country in his heart, but his ambition is hard to pay, and the years have gone by, and the boss has accomplished nothing, and his heart is intertwined with complex emotions of generosity, grief and indignation. Therefore, when he climbed the beautiful mountains and rivers of the motherland, many things came to mind, and he often wrote desolate and tragic poems, which reflected an important aspect of the poet's patriotism.

In artistic expression, the use of allusions is appropriate and natural, which is not only suitable for Gu Bei's pavilions, but also suitable for the ideological content of longing for the Northern Expedition, and more suitable for the author's complex thoughts and feelings of advocating the Northern Expedition but opposing the reckless Northern Expedition. Borrowing from the past and comparing the present, history and reality, the ancients and themselves are integrated into an inseparable whole, without a trace of rigid piling up. At first glance, the historical figures in Sun Quan, Emperor Wu of Song and Liu Yilong have nothing to do with historical stories, but in fact, their contents and thoughts and feelings are completely unified. These allusions are clear in center, profound in meaning and intriguing. At the same time, the allusions used in the poems are full of impassioned or desolate and tragic feelings, which appropriately convey the poet's complex feelings at that time, such as lofty aspirations and worrying about the country and the people, and have a touching power. Although there are many allusions, they are used properly, which is also the outstanding feature of Xin Qiji's nostalgic poems.

In artistic style, he is bold and solemn, gloomy and desolate.