At the top of this picture, Xiao Zhuan inscribed a poem, which said, "I once read Du Fu's poems quickly and never sighed for them again." Songyang saw cypress trees in Han Dynasty today, but he couldn't learn to walk. Named after Gongsun for a long time, Yingchuan Song Yue is nearly a foot. There is no horse in Yingchuan, and Song Yuelong is still dead. The world is like your life, and the second theory is destroyed by one. It just rained and then it got cold, and the sound of flowers blossomed all over my ears. Golden jade festival dance, Rui Fengxiang gather together. There is golden millet paper under the table. If you want to write the reason, write the shape. Fu Qiubo, Prince Zhou, are you soaring in the wind and rain? It would be helpful if it were more convenient. I have visited Songyang Academy, where there are two cypress trees, one is a tall branch of Gu Gan and the other is a tall branch of Yang Guifei. Gan Long Wu Geng Mengdong Shuo Fish Log. "
Under the white seals of "a few hours of pleasure" and "not far from knowing"; Introduction of Zhu Changfang's Sketch Seal and Clock. This picture is in the center of Zhong Zhong's seal on the ancient Greek emperor Zhu and Zhu Changfang, the treasure of Bagua Palm. Zhu Fangyin's "Tai shang huang Dibao" on the upper right; Zhu Fangyin, the "smell of taste" on the trunk; On the lower left, there are printed the white edge of "Mathematical Classics" and Zhu Changfang of "Youliu Art Garden"; There is a picture of Zhu Fangyin *** 10 on the lower right, which was collected by Baodi in Shiqu.
By comparing the physical photos, we can see that Gan Long's works faithfully and vividly reproduce the form and spirit of Bai Han. It has a history of more than 1000 years, with simple appearance, mottled skin, thick trunk, knotty branches and raised galls. The roots are rotten and hollow, but the clouds in Li Zhuo are dry. Three or two branches on the crown of the tree are inclined to escape, just like Kun Peng spreading his wings, and the branches are full of vitality and dazzling. In the picture, the angle of looking up and the most spectacular and touching side of Bai Han are selected, and Bai Han's mental outlook, though old, young and full of vigor, is depicted through precise and slightly trembling strokes. And this appearance also pinned Gan Long's hope for her mother's longevity and well-being. In Qunfangpu, there is a saying that cypress trees last longer than pine trees because it takes thousands of years to plant cypress trees. Moreover, Gan Long's mother's birthday is on 1 1. Therefore, the significance of painting cypress in Songyang has surpassed the documentary itself.
This year, Gan Long drew the White Cold Map of Songyang more than once, and recorded four pictures in Shiqu Baodi and the real thing. Of these four paintings, except the Bai Han Atlas recorded by Yanchunge, the third part of Baodi in Shiqu, which has been lost, the other three paintings were made in the winter of 1750. Its completion time is: Ju Ben in Mengdong, Ju Axis Ben in the Continuation of Shiqu Baodi in the middle of winter, Liang and Wang Youdun in the Horizontal Axis Ben in Lari, and imperial poems of the same name. The last two pieces are in the Palace Museum.
All three works adopt the same composition, that is, they do not face the decaying hole of the tree roots, but take advantage from one side. Except for the word "Bai Han" in the "Giant Axis Edition", the image of Bai Han in the third edition is almost "copied". It can be inferred that Bai Han's image should have been painted by Gan Long when he was in Songyang Academy, and these three maps of Bai Han were all made and processed from this sketchbook. It does not rule out the assistance of ci ministers or court painters, because in the creation of many dry dragon imperial pens collected in the Forbidden City, many of them are situations in which others first outline the manuscript with light ink and thin lines, and then dry dragons draw it, or dry dragons draw it first, and then others clean up and beautify it. Even if they are all written by painters or ci ministers, Qianlong will sign and seal without any obstacles, but this kind of work is many feet big and pays attention to pen and ink. But whether it is handwritten or not, it will not lose its historical and cultural value.
I carefully compared these three books and found that there was little difference in the methods of baking and dyeing the leaves of the three trees. Although Ju Shu is the smallest, it is more naive and clumsy than the other two books in terms of trunk and branch strokes, especially when compared with Giant Axis Book, which is quite different in painting skills.
In addition, although they all adopt the same theme and composition, there are still considerable differences between the three paintings, except the differences in creation date, work scale and seal, and the differences in the status and content of Gan Long's calligraphy. Although the books in Juben and Hengben are both Songs of Cypress in China, the calligraphy of the former is just above the cypress, almost as wide as the painted cypress. The latter wrote songs and inscriptions on the upper left of cypress; The inscriptions on the poems of the two pictures are also quite different. The "Horizontal Axis Edition" said: "When you visit Songyang Academy this autumn, you will see two trees, Han and Bai, the biggest of which is especially melancholy, and the title is article, and you will return home. In the winter night, I took the opportunity to restore this picture, dating back to my previous trip. I was eager to write the original again, and I was determined by the years. Gengwu Lari Imperial Pen ". However, the "Giant Axis Book" is three feet wide and reads "Ode to Cooper". It says, "Song Yang, Yu Yu, Mei Mei Academy, Xianbai Tingsheng, Han Yan, Dai Ji. At the beginning of the bandits, the tin name was first seen. This is a loud slap in the face and a sign of arrogance. In the history of Wei, Zhou Dian in the province. Looking back, I wish you a feast. Return to the painting, Gong Xuan. Bye. When you are screaming, you will see people for a long time. Phoenix and phoenix, resplendent and magnificent. Yi Yan Gu Zhi, with the increase of remote computing. If you call the third, you will live forever. Gan Long Wu Geng's "A Mid-winter Moon's Praise", which can be found on page 7 of "Praise" in Volume 28 of the Early Collection of Letters from the Emperor Gaozong of Qing Dynasty.
For the paintings and calligraphy works of emperors in the Qing Dynasty, it is not surprising that many books are repeatedly created with the same theme or composition, especially the works of Qianlong. For example, there are at least one or two pictures of the old dynasty, such as Four Friends, which are similar to each other. There are as many as four volumes of The Lion Forest, three volumes of The Song of Qi, Dong Qichang's The Book of Cooper and The Picture of Cooper, as well as The Imperial Appreciation of Two Cities, The Game between Huang Ting and the West Lake, and so on. Most of these works have one thing in common, that is, whenever he values something, whether it is his imperial objects or unforgettable beauty, he always takes pains to describe it. Compared with hundreds of poems in four "The Lion Forest" and the "The Lion Forest" copied by Beijing and Chengde at a cost of tens of thousands of dollars respectively, Gan Long painted four "The Picture of Songyang and Baihan".
Gan Long's Song Yang Bai Han Tu is more about form than content, and symbols are more important than images than documentary. Although his paintings are comparable to Du Fu's Gu Bai Xing, there is no "poetic history" to express the injustice. His paintings do not reflect the evolution and present situation of the Millennium Academy with pen and ink. Instead, he borrowed the classics of Bohe in Han Dynasty and proudly showed his paintings to the world, making his poems and paintings his footprints and showing the "civilization" in the prosperous times.