Each of us should have a grateful heart, be grateful to our motherland, be grateful to our parents, and be grateful to those who have helped us. Below are the calligraphy works about gratitude that I have compiled for you. I hope they are useful to you!
Appreciation of calligraphy works about gratitude
Calligraphy works about gratitude Picture 1
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The usual methods of using the brush in calligraphy
The usual methods of using the brush, that is, rising and closing, forward and backward, lifting and pressing, etc. Writing method is the method of writing that expresses the content and form of the art of calligraphy. It is called a common method not only to show its general and normal nature, but also to distinguish it from special-purpose, analogical and other writing methods.
1. The starting and closing of the pen, that is, the start and end of writing, is naturally the primary method of writing. The so-called "the beauty of a painting lies in the beginning and end" should be paid special attention to. Starting a pen is also called writing, writing, and writing. When starting the pen, you must be careful in front of the pen. You must lift the pen and move it in the air according to the size of the font. When you start the pen, you must fold it to hide the exposure, and turn it backwards and forwards. You must be steady, decisive, and clean. If there is any dissatisfaction, you can write back or make up for it the next time you write, but you can't change the pen easily, let alone the pen lying on the paper, losing the vitality. Dong Qichang said: The starting point of the pen should be lifted to prevent it from stiffening. , but it has not been passed down through the ages. The basic principle of retracting a pen is as Mi Dai said: "Nothing droops, no shrinkage, no direction retracts." We must also pay attention to the actual situation and slowness, slow down and quickly return, return to the front to grab, and go forward to grab in the air. Whether it is to keep the pen down or to hide it back, the pen must be kept, the draw should be moderate, the virtual and the real are clear, the momentum is magnificent, and it is natural. As for the specific method of opening and closing, you should study and study it in conjunction with certain fonts and calligraphy styles to avoid misunderstanding and misuse.
2. Yin and Yang Since calligraphy originated from symbolic philosophy and corresponds to the black and white colors of Tai Chi diagram, calligraphy sages attach great importance to the inherent connection between calligraphy and yin and yang. Cai Qi and Wang Xizhi both relied on divine calligraphy to reveal the principle of calligraphy's Dao Tongli, that is, the principle of yin and yang mutually reinforcing, complementing and hiding each other. Hold the pen to the edge and write calligraphy to reflect its artistic characteristics. The calligraphy sages of the past dynasties also believe that calligraphy is an art of harmony between nature and man that draws on the body in the near and draws on the objects in the distance. Therefore, the dialectical theory of yin and yang mutually reinforcing each other has not only become an important category of calligraphy, but also the main factor in the dialectical use of brushwork. The methods of starting and retracting, forward and reverse, lifting and pressing, slowing down, hiding and revealing of the pen also have a distinct dialectical nature. This shows that the method of writing is not a mechanical method of death, but a dialectical method of living. It is exactly what the calligraphy sages have explained and embodied: to achieve the dangerous feelings and adapt to the situation. ?When you rise, you are not alone; when you fall, you are not alone; when you are facing you, you are not close; when you are facing you, you are not far away. ?Violate but not violate, be harmonious but different, stay late forever, banish the persistent disease, poverty and abnormality in the smallest detail, and be in harmony with the mood on the paper. ?It can be seen that when studying and learning how to use pen, one should deeply understand the meaning and function of yin and yang dialectics, so as to rise from writing to the realm of calligraphy art. If we only understand it from the form of "yin is internal, yang is external", "left is yang, right is yin", etc., it will be impossible to understand the true meaning of yin and yang theory, and it will be impossible to use the writing method vividly.
3. The use of square and round circles in square and round calligraphy complement each other, which is not only an important category of calligraphy, but also an important method of brushwork. Because the square and round brushstrokes are particularly important and complex, the situation is also particularly complicated. In the discussion of the center and side forwards' strokes, although the important situation of fangyuan's strokes is also clarified, there are still some plots that need to be explained or clarified. ?The method of using the pen is to use both the square and the circle. The circle must be vigorous and sharp, and the circle must be flexible and tactful. ("Ten Principles on Calligraphy") is indeed a penetrating and dialectical statement of truth. Only with this kind of writing, Only in order to meet the requirements of penmanship.
However, we must also know that the authors of books and treatises such as "Guang Yi Zhou Shuang Yi" all describe the round and square strokes formed by the center and side strokes as being written by Teton's strokes, which is obviously not consistent with the true situation of the strokes. As for the turning technique, although it is related to the square and circle, because the writing methods of various fonts are different, it should be studied and studied in combination with certain fonts to avoid misunderstanding and misuse.
4. Shunting and reverse writing methods are a pair of writing methods with obvious unity of opposites. Since calligraphy is an art that originates from nature and is based on human nature, it must be natural and reasonable. The order of strokes must be sequential and the direction of movement must be in the right direction. This is called "stroke order". However, the law of movement is that if there is a smooth movement, there must be a reverse, forming a corresponding writing method. The method of moving the pen smoothly is: start the pen in a straight line, touch the paper with the tip, move the pen in a vertical position, sway and shine forward, and then close the pen to follow the trend, so as to write smooth and beautiful strokes. The method of adverse luck that corresponds to good luck is: starting the pen against the person, folding the front and touching the paper, moving the pen to take the counter trend, advancing slowly to fight, and closing the pen to reverse the trend. The so-called "reverse makes it tight, and tight makes it strong". The strokes are written vigorously and vigorously. Thus, through the complementary use of forward and reverse strokes, the artistic effect of violation but not violation, harmony but difference, and the unity of nature and man can be reflected. However, this is mainly an explanation of the method of writing in forward and reverse directions. In the process of writing, there are not only situations such as up and down, reverse up and down, reverse up and forward, up and down, etc., but also the up and down must be intricately blended. They are complementary to each other, so as to meet the requirements of calligraphy.