Li Bai left more than 900 poems to later generations. These brilliant poems show his mental journey all his life, and they are artistic portraiture of social reality and spiritual life in the prosperous Tang Dynasty. Li Bai was ambitious all his life, and he expressed his yearning for fame and fortune unabashedly. This is vividly expressed in Fu Liangyin, Reading Biography of Zhuge Wuhou, and Love Cai Sheren Bear. Li Bai liked Ren Xia since he was a teenager, and wrote many ranger poems, among which Knight Rider is the representative work. Three years of political life in Chang 'an had a profound influence on Li Bai's creation. There is a sharp contradiction between his political ideal and the dark reality, and unspeakable pain and resentment accumulate in his chest. Angry wrote good poems, so he wrote a series of nostalgic people, such as "Difficult to Go", "Antique" and "Answering the King for Twelve Nights". A famous sentence that is sad for a person's life and difficult to send away. Li Bai lived a wandering life for most of his life, traveled to many famous mountains and rivers all over the country, and wrote a lot of beautiful poems praising the great rivers and mountains of the motherland to express his feelings of loving freedom and yearning for liberation. In this kind of poetry, the strange mountains and rivers complement his rebellious and unruly character. This kind of poetry occupies a large number in Li Bai's poetry works, and has been passed down through the ages, among which "Climbing Mount Tianmu in a Dream" is the most outstanding masterpiece. With dripping and carefree poems, the poet freely spread the wings of imagination, wrote various spiritual adventures and pursuits, and truly liberated the repressed soul in his dreams. And "Oh, how can I seriously bow and scrape to high-ranking people and people in high positions? They will never stand being shown an honest face!" His poems show the poet's lofty sentiments and become an important basis for future generations to examine Li Bai's great personality.
As a great poet who loves the motherland, cares about the people and never forgets the reality, Li Bai is also very concerned about the important issue of war. Enthusiastic praise is given to the soldiers guarding the border (such as "Xia Sai Qu"), and the wariness of the rulers is mercilessly lashed (such as "Battle of the South of the City" and "Song of Ding Du"). Li Bai also wrote many Yuefu poems, describing the hard life of laborers and expressing their concern and sympathy (such as Long March and Midnight Wu Ge). ).
Li Bai's poems and songs have the artistic charm of "the pen falls and shakes the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature of his poems. As a romantic poet, Li Bai mobilized all romantic skills and realized the perfect unity of poetry content and form. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. For example, when he entered Beijing as an official, he said, "Laugh to the sky. Are we Artemisia people? " When I miss Chang 'an, "the wind blows my heart and hangs Xianyang trees in the west." Such poems are very infectious.
Extreme exaggeration, apt metaphor and amazing fantasy make people feel highly real. Reading these poems, such as "But since the water is still flowing, even though it is cut with a sword, it is even more worrying to raise a glass to dispel the sorrow" and "The white hair is three thousands of feet, and the sorrow is as long as long", readers can't help being infected by the poet's long sorrow and endless melancholy. Li Bai's artistic expression is particularly prominent in his poems, such as Climbing Mount Tianmu in a Dream, Difficult Road to Shu, etc.
In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce a fantastic, magnificent and moving artistic conception, which is why Li Bai's romantic poems give people a heroic, unrestrained and elegant charm. His language is clear, lively and meaningful, just as two of his poems say, "clear water gives birth to hibiscus, and it is naturally carved."
Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.
Li Bai is one of the poets in China, and most of his poems are the best. We have a firm belief to remember, respect and admire Li Bai.
Attachment: Li Bai's Violet Lay Man. Mian Governor Long (now Jiangyou, Sichuan) was born.
In his youth, Li Bai studied in a wide range. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed hundreds of books and became a "good swordsman". Believing in Taoism, having the idea of transcending the secular; At the same time, he has the political ambition to make contributions. The poems he wrote in Shu as a teenager are rarely preserved, but they show outstanding talent. Li Bai traveled in eastern Sichuan when he was about twenty-five or six years old. In the next ten years, he roamed many places in the middle and lower reaches of the Yangtze River and the Yellow River. In the 18th year of Kaiyuan (730), he once arrived in Chang 'an to strive for a political way out, but failed. In the first year of Tianbao (742), he was called by Xuanzong to worship Hanlin in Chang 'an as a minister of civil affairs and participated in drafting documents. Less than two years later, he was forced to resign and leave Beijing. During this period, Li Bai's poetry and song creation tends to be mature. 1 1 years later, continue to wander in the middle and lower reaches of the Yellow River and the Yangtze River. "Wandering around the world, it is suitable for poetry and wine." He still cares about state affairs and hopes to be re-appointed by the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became good friends. They didn't meet again after breaking up the next year. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai lived in seclusion in Xuancheng (now Anhui) and Lushan Mountain. In the second year1February, he was invited to the Lee Shogunate in Wang Yong, hoping to eliminate the rebellion and restore national unity. After Wang Yong angered Su Zong and was killed, Li Bai was also found guilty, imprisoned in Xunyang (now Jiujiang, Jiangxi) and soon exiled to Yelang (now Tongzi, Guizhou). On the way, I was forgiven and came back. I was 59 years old. Living in Jiangnan area in his later years. At the age of 6 1, I heard that Qiu Li Guangbi led an army out of the city to attack the Anshi rebels and went north to join the army to kill the enemy. He turned back halfway due to illness. The following year, he died in the apartment of his uncle Dangtu (now Anhui) county magistrate Li.
Li Bai's poems have been lost a lot, and there are still more than 900 poems with rich contents. Li Bai cared about national affairs all his life, hoping to make contributions to the country, but he was not satisfied with the dark reality. His 59 antiques are representative works in this field. The dark corruption in Tang Xuanzong's later politics was widely exposed and criticized, which reflected the grief and indignation of talents who had nowhere to go. A lot of words are ironic, and the spirit is very high. Li Bai is eager to make contributions and serve the country, but he does not envy wealth. What do you think of are bells and drums, treasures and treasures? . After making contributions, he will follow the example of Lu Zhonglian, a senior scholar in the Warring States period, and quit without respect. His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems show concern and sympathy for people's lives. This content is often combined with criticism of rulers. Some of his Yuefu poems reflect women's lives and sufferings, which focus on thinking about women and remembering people, as well as the grievances of businessmen, abandoned wives and maids. His "Lodging in Wusongshan Mountain, Uncle Xun", "Song of Protection" and "Song of Autumn Pu" describe the lives of farmers, boatmen and miners respectively, showing concern for the working people. Li Bai wrote many poems describing natural scenery in his life. His poems "It's difficult to ascend to heaven through the Shu Road", "The water of the Yellow River can't be moved out of the sky and into the ocean, and it will never return" ("Into the wine"), "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days" ("Looking at Lushan Waterfall") and so on are all famous sentences that have been passed down through the ages. This kind of poetry, just like some of his works praising Dapeng birds, shows his lofty aspirations and broad mind, and reflects his desire to pursue extraordinary things from the side. Other poems, such as Qiudeng Xuancheng Xie Tiao North Building, Sitting alone in Jingting Mountain and Journey to Qingxi, are good at depicting quiet scenery, fresh and meaningful, and their styles are close to those of Wang Wei and Meng Haoran. Li Bai also has many poems about love and friendship. His Yuefu poems often express euphemistic and profound love from the perspective of female inheritors. There are also some poems about giving gifts and missing your wife, and their feelings are quite deep. Li Bai donated a large number of works to his friends, including many excellent works. Some of these poems show a distinct political attitude, and more often they show daily farewell and lovesickness, such as the Yellow Crane Tower's farewell to Meng Haoran, Du Fu of Dunmenmen, hearing that Wang Changling moved to Longbiao Kiln for this purpose, reminiscing about the past, visiting the army, giving Wang Lun and so on. Deep feelings, vivid images and strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, among which more is the negative nihilism of promoting life as a dream, eating and drinking, and the religious superstition of seeking immortals to visit the Tao and alchemy. Some of his poems about women and love are vulgar. In Li Bai's poems, exaggerated and vivid metaphors are widely used. His poems, such as "But since the water is still flowing, even though we cut with swords and raise our glasses to drown our sorrows" and "White hair is three thousands of feet, and sorrow is like a beard" (Song of Autumn Pu, article 15), depict his deep worries after the failure of political activities in Chang 'an, which are widely circulated. For example, he wrote "Poetry is a gift from the north window, and a thousand words are not as good as a glass of water" ("Answering the Twelve Cold Nights of the King") and wrote his own talents; "I would like to cross the Yellow River, but the ice will choke on the ferry, and Taihang Mountain will be covered with snow" ("Difficult to Travel"), which is difficult to write a career; "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun" ("To Wang Lun"), and writing about the deep friendship between friends all impress readers with distinctive and prominent images. The imagination of Li Bai's poems is very rich and amazing. His "Strong winds blow my heart, and fairy trees hang in the west" ("Jin Xiang sends Wei Ba to the West") and "My heart is full of worries about the bright moon, and I stay in the West with the wind" ("I heard that Wang Changling moved to Longbiaoyao to leave") all show his nostalgia for Chang 'an and his poetry friends with strange imagination. Fu Liangyin, Antique and Lotus Mountain in the West respectively express the destruction of Chang 'an City and the ravages of Anshi Rebellion on the Central Plains through fantasy. Farewell from afar shows the hidden worries about the political situation in the later period of Tang Xuanzong through the wandering fantasy legend. They are vivid and meaningful. With the help of myths and legends, Shu Dao Nan and Meng Deng Tian Mu Shan have built a colorful and thrilling realm. The rich imagination of Li Bai's poems is particularly prominent in the long seven-character poems, which are obviously influenced by Qu Yuan. In terms of genre, Li Bai is good at classical poems and quatrains with relatively free form, and doesn't like to write metrical poems. 59 pieces of Antique are his representative works of five dynasties. The five ancient poems in his Yuefu have inherited the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, and their writing style is simple and vivid, full of the poet's enthusiasm.
His seven-character ancient poems (including Yuefu seven-character songs and general seven-character poems) are more creative. The scenery is magnificent, colorful, lyrical and changeable. From the literary origin, this kind of poetry is most influenced by Qu Yuan's works, and it is difficult for Bao Zhao to imitate it. Li Bai is good at quatrains. His quatrains were improved on the basis of Yuefu folk songs in the Southern and Northern Dynasties, which made him more alert. "Thinking on a Quiet Night" and "Yu Jiefen" and other five wonders are implicit and meaningful. There are also excellent works, clear and concise language, harmonious and beautiful timbre, lyrical scenery and simple explanations. For example, See you Meng Haoran on the way to Yangzhou from the Yellow Crane Tower, Looking at Lushan Waterfall, Looking at Tianmen Mountain, Making a White Emperor City as early as possible, and Presenting Wang Lun. Are well-known masterpieces. The evaluation of the seven-character quatrains in the Tang Dynasty has always been that Li Bai and Wang Changling are best at blending scenes; Li Bai concentrated on the study of the Seven Laws, with only a dozen books and few excellent works. There are more than 70 poems about five laws, some of which are well written, which shows that he can write metrical poems, but he doesn't like to write more. Although Li Bai's Yuefu poems use the old Yuefu theme, they can be innovative. Those who wrote poems with the theme of old Yuefu in the Tang Dynasty made the most outstanding achievements. Some of his poems and quatrains are full of Yuefu poems, although they don't use Yuefu themes. The greatest feature of his poetic language can be said to be "clear water produces hibiscus, which is naturally carved". Specifically, the language is straightforward and natural, the syllables are harmonious and smooth, natural and unpretentious, and it exudes the flavor of folk songs. This is mainly due to the study of Yuefu folk songs in Han, Wei and Six Dynasties. But he didn't just learn and imitate the language of folk songs, but improved it on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only pure and natural, but also bold and unconstrained in language. Du Fu's poem "Memories of Li Bai in Spring" praised Li Bai's poems as "fresh" and "elegant", which revealed the remarkable characteristics of his language style. Li Bai's poems have a far-reaching influence on later generations. Han Yu and Li He in the Tang Dynasty, Ouyang Xiu, Su Shi and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty, Qu Dajun, Huang Jingren and Gong Zizhen in the Qing Dynasty all benefited from and were influenced by Li Bai's poems to varying degrees. Li Bai also wrote several poems. There are 12 poems in Zunqian Collection and 7 poems in Hua 'an Miao Ci Selection. Among them, "Qingpingdiao" has three songs "Clouds Want Clothes, Flowers Want Capacity", and the genre is actually a quatrain of seven words, which was sung with music at that time. Other long and short sentences handed down by Li Bai are not very credible. Among them, Bodhisattva Man, Smoke in the Desert of Pinglin, Hubei and Yan are the most famous, but whether these two sentences are Li Bai's works is quite doubtful by later generations. There are more than 60 essays by Li Bai today. Many antithetical sentences did not get rid of the popular parallel prose fashion at that time. But the language is natural and fluent, which is similar to its poetic style. Among them, Hanshu Jingzhou and Preface to Peach Blossom Garden (Li) were selected by later generations and widely read.
Li Bai's anthology compiled by the Tang people has not been handed down now. Thirty volumes of Li Taibai's Collected Works in the Northern Song Dynasty were engraved in Suzhou and called Su Ben. Later, there was a Shu edition copied according to Su Ben, which was the earliest extant Li Baiji. During the reign of Kangxi, Miao Yue copied it and called it Miao Edition. The earliest annotation for Li Bai's Collection was Yang Qixian's Collection of Li Hanlin in the Southern Song Dynasty, with a total of 25 volumes and rich annotations. Qu Tuiyuan and Zhu Jincheng's "Li Bai Ji Zhu" is by far the most detailed one in Li Bai Ji Zhu. Research on Li Bai's works: After the May 4th Movement, before the founding of the People's Republic of China, there was Li Bai, a Taoist poet, and there was a study of Li Bai. Since the founding of New China, there have been Chronicles of Zhan Li Bai, Poems of Li Bai, and Studies of Li Bai in Wang Yunxi. In addition, there are many individual papers, some of which were selected as representative papers by Zhonghua Book Company, and compiled into Collected Papers on Li Bai's Studies, which were published in the 1960s.
Interviewee: Yu Mulin-Shusheng Grade 3 12-3 15:59.
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Commentator: hz sunshine beautiful girl-Tong Sheng first class
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I like Ren Xia in 1980, and wrote many poems about knight errant. Knight Rider is a masterpiece of this kind of poetry. After three years of political life in Chang 'an, the poet is also very concerned about the important issue of war. Enthusiastic praise for the soldiers defending the frontier (such as Song of the Frontier), and domination. ...
Commentator:180275252-the first level of probation.
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Li Bai (70 1-762), whose word is Taibai, is the most outstanding poet in the prosperous Tang Dynasty, and also a great romantic poet in the history of China literature after Qu Yuan, and is known as the "Poet Fairy". He had a rough experience and complicated thoughts. He is not only a brilliant poet, but also a ranger, assassin, hermit, Taoist and counselor. Confucianism, Taoism and Rangers are all reflected in him. "Retire after success" is the dominant thought that dominated his life. Li Bai left more than 900 poems to later generations. These sparkling poems, tables
Commentator:180275252-the first level of probation.
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Responder: Haifeng 2798- Trainee Magician II 12-3 13:39.
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Responder: Lin Yuan H- Trainee Magician II 12-3 13:40.
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Introduction of Li Bai
Li Bai, the word Taibai, was a great poet in Tang Dynasty in China. His poetic style is bold and unconstrained, his imagination is rich, his language is natural and fluent, and his temperament is harmonious and changeable. He is good at absorbing nutritious folk materials from folk songs and myths and forming his own unique magnificent color, which is the new peak of active romantic poetry since Qu Yuan.
First, good Ren Xia, hi Zongheng.
Li Bai was born in the first year of Chang 'an of Wu Zetian in the Western Regions (AD 70 1). At the age of five, he settled in Qinglian Township, Changlong (now Jiangyou County, Sichuan Province) with his family.
When Li Bai was young, he liked Ren Xia and had a good time. Mianzhou, where Changlong is located, has been an active place of Taoism since the end of Han Dynasty.
Therefore, Li Bai often went to Daitianshan to talk to Taoist priests from his youth.
Later, he lived in seclusion in Sleeping Mountain with a hermit named Dongyanzi, studied hard and stayed out of the city for many years. They keep many rare birds in the mountain forest where they live. These beautiful and docile birds, accustomed to being kept, fly in regularly for food, as if they can understand human language, and even peck the grain in people's hands when they call. I'm not scared at all. This incident was passed down as an anecdote, from far to near, and finally Mianzhou secretariat personally went up the mountain to watch the birds eat. Seeing that they can direct the bird's actions, the secretariat decided that they had Taoism, so they wanted to recommend them to take the Taoist exam. However, both of them politely refused.
Zhao Kun, a famous strategist at that time, was also a good friend of Li Bai. He wrote ten volumes of long and short classics in the fourth year of Kaiyuan (AD 7 16). Li Bai was only sixteen at that time. Zhao Kun's militaristic works, which studied the similarities and differences of the Six Classics, analyzed the world situation, emphasized the way of rise and fall, and created chaos, aroused Li Bai's great interest. He is bent on making contributions in the future.
Second, travel with a sword.
In the 13th year of Kaiyuan (AD 725), Li Bai went to Shu to "serve the country with his sword and leave his relatives for a long journey". He took a boat out of the gorge along the river and drifted away, and the mountains in his hometown gradually disappeared beyond recognition. Only the water flowing down from the Three Gorges still followed him, pushing his boat and sending him to a strange and distant city.
1 Jiangling was lucky to meet Sima Zhen.
Li Bai didn't expect an extraordinary meeting in Jiangling. He actually met Sima Zhen, a Taoist priest revered by san huang.
Sima Frame, a Taoist priest in Tiantai, not only learned a whole set of Taoist spells, but also wrote a good seal script, and his poems were as elegant as immortals. Xuanzong respected him very much. On one occasion, he called him to the Inner Temple to consult the scriptures, built a balcony for him to view, and sent his sister Princess Yu Zhen to learn Taoism from him.
Li Bai was naturally very happy to see the favored Taoist priest, and sent his own poems for his review. Li Bai is handsome and has extraordinary qualifications. Sima Zhen appreciated his poems at first sight, and he was even more amazed when he read them. He praised him as a "saint, but he could wander freely". Because he saw that Li Bai was not only extraordinary in appearance, but also outstanding in talent and articles, and he did not attract contemporary attention. This is a talent he has never met in the opposition for decades, so he is praised with the highest praise from Taoism. That is to say, he has "immortal roots", that is to say, he has an innate immortal factor, which is similar to what Zhang later praised him as "fallen immortal", and they all regarded him as an extraordinary person. This is the overall impression of Li Bai's demeanor and poetic style.
Li Bai rejoiced in Sima Zhen's high praise. He is determined to pursue such an eternal and immortal world as "wandering octupole". In addition to his excitement, he also wrote a great poem "Dapeng meets rare birds", which is a metaphor for Dapeng and boasts of its greatness and swiftness. This is the first article that Li Bai became famous in the world.
He set off from Jiangling and started his flight thousands of miles away.
2. Burying friends in Dongting
Li Bai went south from Jiangling, passed Yueyang, and then went south to reach one of the destinations of this trip.
However, while boating in Dongting Lake, an unfortunate thing happened. Li Bai's traveling companion Wu Guide came from Shu and died of a sudden illness. Li Bai is very sad. He fell down beside his friend and shouted, "Behind the tears is blood." Because he cried so much, passers-by cried for it. He was really helpless when he met such misfortune during his trip. Li Bai had to bury Wu Guide in Dongting Lake for the time being, and continued to swim eastward by himself, determined.
Li Bai came to Lushan Mountain and wrote the poem Looking at Lushan Waterfall.
3. A trip to the south of the Yangtze River
Li Bai came to Jinling, the ancient capital of the Six Dynasties. This place is a place where people live in the dragon's nest and the palaces of the Six Dynasties are vividly visible. This not only aroused many feelings of Li Bai, but also aroused his pride in his time. He thinks that the old cities are dilapidated and there is nothing to see. It is not as good as the emperor's rule, and the world is peaceful.
Although the domineering spirit of Jinling has disappeared, the children of Jinling received Li Bai with deep feelings. When Li Bai bid farewell to Jinling, Wu Ji raised a glass, and Jinling's children warmly welcomed him, frequently raising glasses to persuade him to drink. The feeling of farewell flows through people's hearts like a flowing river, which is unforgettable.
After Li Bai bid farewell to Jinling, he went to Yangzhou from the riverside.
Yangzhou was an international city at that time. Li Bai had never seen such a busy city, and spent some time with his fellow travelers. In midsummer, Li Bai and a few young friends wrote "grasshoppers are under the ocean, next to Oubei Avenue, looking at the green water on the horizon and the green hills on the sea", which is very pleasant. In autumn, I fell ill in Huainan (where Yangzhou is located). He was sick in the field, and his thoughts were full of sighs.
Li Bai went to Gusu after recovering from illness in Zhunnan. This is the place where Fu Cha, the king of Wu, and beautiful women sing and dance day and night. Li Bai missed the past and wrote an epic poem "Wu Qiqu". This poem was later praised by He, calling it "making the gods cry". It can be seen that Li Bai's Yuefu poems sometimes use old topics, but they are innovative.
Of course, the scenic spots and historical sites in Gusu aroused Li Bai's nostalgia for the past, and the beautiful and simple Wu Ji and Yue Nv made Li Bai admire them. At the foot of the mountain where the stone was used to wash the yarn, Li Bai left a beautiful sketch on the stone with his own wonderful pen.
Li Bai returned to Jingmen from the west.
He stayed in Jingmen for three months. Although he is homesick, he has achieved nothing in his career. He finds it difficult to go home. Finally, he decided to roam again.
First, he came to Dongting Lake and buried Wu Zhidao's bones in Jiangxia (now Wuchang, Hubei). He met Hangrong monk in Jiangxia, and learned about Meng Haoran from him, so he went to Xiangyang to visit Meng Haoran and wrote the famous five-rhythm poem "A Letter to Meng Haoran".
Soon, Li Bai arrived in Anlu and settled down in the Taoist temple of the little beast. But seclusion here is not a long-term solution, and he still wants to find opportunities for promotion. When Li Bai lived in Shoushan, he made friends with officials through lobbying to improve his reputation.
Li Bai's literary talent was appreciated by Xu, the prime minister of Wuhou, and was recruited as his son-in-law. Li Bai and his wife, Xu, live a happy married life under Taohua Rock in Baizhao Mountain, which is close to the Xu family. However, the beautiful life of husband and wife did not make Li Bai's ambition to go out and start a career decline. Based on Anzhou's wife's family, I traveled many times and got to know some officials and nobles. In the 22nd year of Kaiyuan (AD 734), I paid tribute to them.
3. Once in Chang 'an
Feudal emperors often hunted in winter. After Xuanzong ascended the throne, he hunted many times, and every time he took foreign envoys to show off his strength to scare neighboring countries. In the 23rd year of Kaiyuan (AD 735), Xuanzong hunted fiercely again, which happened to be Li Bai's journey to the west, hoping to win Xuanzong's appreciation with his "Great Hunting Fu".
His "Great Levy" hopes to "show things widely", but "Sheng Chao gardens are remote and barren, and the situation is very different from that of the previous generation", boasting that the present dynasty was far superior to the Han Dynasty, and finally promoting the mysterious burial of Taoism, which was in line with Xuanzong's mood of advocating Taoism at that time.
The purpose of Li Baixi's visit is to present a gift. In addition, he also took this opportunity to visit Chang 'an and appreciate the scenery of the imperial city, which is called "pilgrimage to all countries". He lives at the foot of Mount Zhongnan and often climbs up to overlook it. When he reached the north peak of Mount Zhongnan, he showed a great country style. He deeply feels that living in such a country is extraordinary, so he is quite proud. But when he thought about it,
After Li Bai entered Chang 'an, he met Zhang Qing of Wei State and gave a poem to Princess Yu Zhen through him. The last two sentences say, "When there are few people, the Queen Mother wants to meet", wishing her immortality. Li Bai also said in his poem "Seeing Zhang Qing off" that he was in a very difficult situation and wanted to be introduced and would like to work for the imperial court. So he approached the upper class of the ruling class step by step.
Li Bai also met He in Chang 'an this time. Li Bai once went to the Purple Pole Palace, only to meet He there. He has read He Lao's poems. This meeting, he naturally went to visit immediately and presented a poem in his sleeve. He appreciated the difficulty of Shu Dao and the five strange songs, excitedly took off the scarab from his belt and invited people to go out for a drink with Li Bai. Li Bai's magnificent poems.
A year later, Li Bai was still a guest in Chang 'an and had no chance to take office. He felt a little depressed. His friends sincerely invited him to live in seclusion with others in the green hills, but Li Bai had no intention of going. This time I went to Chang 'an, holding the ideal of making contributions, but I didn't land, which made Li Bai feel disappointed and a little resentful. He went to the door of the maharaja's house to petition, but he was extremely dissatisfied and only sent it out.
Fourth, the Hanlin sacrifice.
In the first year of Tianbao (AD 742), Xuanzong read Li Bai's poems and admired them very much, so he called Li Bai into the palace. On the day when Li Bai entered the palace to meet him, Xuanzong came down to meet him and said, "Give the food to the front with the Qibao bed and the spoon made by himself." Xuanzong asked about some contemporary affairs, and Li Bai learned a lot through half a life's study and long-term observation of society. Immediately let Li Bai worship the Hanlin, whose duty is to draft a proclamation and accompany the emperor. Every time Xuanzong gave a banquet or outing, he ordered Li Bai's attendants to write poems on the spot. Although it is not a record of merit, his words have been passed down to later generations, boasting to later generations with great fanfare. Li Bai was so prized by Xuanzong that his colleagues envied him, but some people were jealous of him.
At the beginning of Tianbao, Xuanzong took the leaders and envoys to the Wen family to hide and hunt every winter, and Li Bai's natural entourage followed. On the spot, he wrote fu to promote Xuanzong's virtue and praise the power of the holy dynasty, which won Xuanzong's appreciation. At this time, Xuanzong fell in love with Yang Yuhuan, and every time he played with her in the palace, Xuanzong asked Li Bai to write some musical words and create new songs to sing. Li Baihuai's idea is "national justice"
When Li Bai was in Chang 'an, he not only worshipped Hanlin and accompanied Wang, but also often walked in Chang 'an. He found that the country was prosperous, but there was a deep crisis. That's the overbearing eunuch and the arrogant consort closest to the emperor. They hung over Chang 'an and China like dark clouds, giving Li Bai a strong sense of oppression.
At the same time, Li Bai's dissolute behavior was slandered by Zhang Tan, an academician, and there was some bad blood between them. The favor of eunuchs and consorts suddenly cooled Li Bai's enthusiasm for "helping the poor". Although he was in Chang 'an, he didn't have a chance to display his management and beauty skills.
Li Bai was deeply moved by the corruption of state affairs and the slander of his colleagues. He wrote a song "Hanlin Read Ci and Express His Feelings to Literati" to express his intention of returning to the mountain. Unexpectedly, at this time, the gold was given back, which seemed to surprise Li Bai. This time, it seems that Li Bai said something inappropriate.
This return to the mountain is really a decent exile.
Fifth, travel again.
1 Roaming in Song Liang
In the summer of the third year of Tianbao (AD 744), Li Bai went to Luoyang, the eastern capital. Here, he met Du Fu, the two greatest poets in China's literary history. At this time, Li Bai was famous all over the country, and Du Fu was in his prime, but he was trapped in Los Angeles. Li Bai is eleven years older than Du Fu, but he did not stand in front of Du Fu with his talent. Du Fu, an "old friend" who was "sexually ambitious and addicted to alcohol", did not bow his head in praise of Li Bai. They have established a profound friendship on an equal footing. When they were in Luoyang, they met next time in Liang and Song Dynasties (now Shangqiu, Kaifeng) to visit Taoism and seek immortality.
This autumn, the two arrived in Liang Song as scheduled. They express their feelings here and comment on the present through ancient times. They also met the poet Gao Shi here, who has not left the throne. However, these three people have their own ambitions and the same ideals. They swim, comment on literature and poetry, talk about the general trend of the world, and are all worried about the hidden dangers of the country. At this time, Du Li was in the prime of life, and their study on creation was of great significance to them.
In the autumn and winter of this year, Du Li broke up again and went to find a Taoist teacher to make a real coffin (Taoist secret) and taught Taoist priests to make coffins. Li Bai went to Zizhou (now Jinan, Shandong Province) to teach a Taoist coffin. Since then, he has officially performed Taoist rituals and become a Taoist. Later, Li Bai went to Anling County, Dezhou, and met this
In the autumn of the fourth year of Tianbao (AD 745), Li Bai and Du Fu met for the third time at the east foot. In just over a year, they met two or three times and their friendship became deeper and deeper. They went to qi zhou to visit Li Yong, a world-famous essayist and calligrapher at that time. Just this winter, they broke up and Li Bai was going to revisit Jiangdong.
2. Go east to wuyue.
Li Bai left Donglu and took a boat from Rencheng to Yangzhou along the canal. As he was anxious to meet Yuan Danqiu in Huiji, he didn't stay much.
After arriving in Huiji, Li Bai first went to mourn the death of He. Soon, Kong also arrived in Huiji, so Li Bai, Yuan Danqiu and Kong visited Yudong, Lanting and other places of interest, boated in a quiet lake, and traveled back and forth between rivers and streams, improvising about the beautiful mountains and rivers and beautiful women in this area.
In Jinling, Li