Zhang Guangxing's achievements and honors.

Zhang Guangxing has devoted himself to the research and dissemination of China traditional culture and oriental aesthetics for a long time, and devoted a lot of efforts to the study of calligraphy theory and the creation of calligraphy. Presided over the completion of 3 key scientific research projects at or above the provincial and ministerial level, with projects under research 1; Published academic monographs such as Outline of Chinese Studies, From Tradition to Modernity, Research on Cultural Celebrities in the Early Qing Dynasty, Introduction to Writing, and Talking about Qi People's Affairs 15; He has published nearly 200 academic articles, such as The Great Beauty of Laozi and Zhuangzi and the Art of Calligraphy, The Nature of Taoism and the Beauty of Calligraphy, and Cold Thoughts on the Current Calligraphy Fever. Zhang Guangxing's calligraphy art is based on solid knowledge and knowledge. With his profound attainments in aesthetics and culturology, he insists on closely integrating calligraphy art with traditional culture, philosophical thinking and aesthetic mentality, so that calligraphy can return to "cultural dignity". As he said in his poem, "A calligrapher must never neglect his study and training, but work hard at his internal skills. The light was turned on at five o'clock in the middle of the night. Why don't you worry? " Another cloud says, "Calligraphers work hard outside the book, so don't run around for small money. Confucius said that' Poetry Cloud' entered the marrow, and' Golden Wind Tang Yun' wrote a pen. " In the long-term artistic practice, the artistic style of "vigorous and chic" has gradually formed (Han Han: Preface to Ten Contemporary Famous Painters in China). Someone commented: "Zhang Guangxing's calligraphy is natural as a whole. Between the lines, it not only reveals a strong book spirit and literary popularity, but also contains the power of the North Monument and Gu Zhuo." (Zhang Mingjun: "Freedom is my teacher", published in the first edition of China Culture News on March 29, 2005)

Zhang Guangxing went to the United States, Switzerland, South Korea, Japan, Taiwan Province and other countries and regions for academic exchanges and cultural dissemination. China Culture Newspaper, Competition Newspaper and Painting and Calligraphy Garden made special reports on his artistic achievements. His calligraphy, seal cutting works and theoretical articles have received rave reviews at home and abroad, especially by Korean, Japanese and Taiwan Province artists. "In my opinion, Zhang Guangxing is the kind of person who can sit on the bench. He doesn't like to make public, nor does he like to make public himself. I often hear him say four words:' Not quiet and not artistic'. But in recent years, he suddenly became a hot figure in the book world. His calligraphy seal cutting works and theoretical articles are sought after by many artists and collectors at home and abroad, which reminds me of a sentence-'I want to accumulate more, and I want to get faster' ... Zhang Guangxing impressed me most with two points: First, he insisted that the innovation of calligraphy art must be based on theoretical innovation, reducing blindness and enhancing rationality. At present, he is engaged in the research of "the value system theory of calligraphy art". The second is to pay attention to the innovation of artistic practice. " (text)

In the spring of 2009, at the invitation of Korean disciples, he successfully held a solo book exhibition in Seoul.

In June 2009, 5438+ 10, together with Ouyang,,, Zhang Biao and others, was selected as the "Top Ten Contemporary Books in China" in the special issue of China Nationality of the State Ethnic Affairs Commission to celebrate the 60th anniversary of the founding of the People's Republic of China.

20 1 1 April, Zhang Guangxing Calligraphy Art Exhibition was successfully held in Huantai County, my hometown (reported by cctv-4 and People's Daily).

20 1 1 In April, the calligraphy work "Qingqing-Yan Shu" was selected as the national ceremony.

On may 20 1 1, he was invited to Silla university, Qi Ming university and north Korea university for academic exchange to spread the traditional culture and calligraphy art of China.

July 20 12, invited to attend the 40th Celadon Art Festival in Jin Kang, and attended the opening ceremony as a calligrapher in China. During the art festival, more than 30 celadon calligraphy works were exhibited in an independent exhibition hall set up in South Korea, which was well received by artists from all over the world.

20 13 1 month, invited to participate in the 20 12 "gathering three rural figures" award party held by the agricultural channel of CCTV to comment on the winners.

20 13 years 1 month, the monograph "On Qi Qi Ren Qi Shi Yi Yan" was published by Zhonghua Book Company.