His brushwork is magnificent and his posture is changeable. Inadvertently, his palm is forgotten, which is the most vivid and perfusion feature.
The pen moves the snake, and the iron hits the silver hook.
Pick up the pen and daub it a few times, and a dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
The words written by teacher Huang are as fragrant and fragrant as petals.
Xiao Ming wrote with a pen for ten years, which is a symbol of time. Every stroke is powerful.
Gu Mo gently grinds a few wisps of fragrance, and the new bath in the inkstone pool is full of light, strong or tactfully, or like a graceful beauty, or like a vigorous and brave man, or like a spring breeze blowing on your face, or like a deep cold north wind entering the customs.
Its color, its shape, its shade and dryness, its breaking and turning, its thickness and concealment are infinite, and its weather is countless.
Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi. In order to be ethereal and far from the real interest, the secular glitz is often omitted in the brushwork.
Look at its strength without losing, its posture without showing, and its pen is flowing.
One move, one look, take off your horse and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
Show paper with a pen, and the pen will walk the dragon. Draw straight like a sword, bend a pen like a vine, fall to the tip of a dangerous peak, and leave green leaves like the wind. It is a clever combination of points and lines, creating a new road, writing life to the fullest, and blending the joys and sorrows of life.
If it is Liu Gongquan's style, it is as strong as bone, vigorous and powerful-vigorous and rigorous and meticulous. Thin and powerful, regular script is attractive, strong and powerful, beyond the dust and refined. The horizontal elders are thin and stretched, and the short ones are strong and powerful.
If it's Yan Zhenqing style, it's sinewy and round-it's a kind of brush with seal, which hardens the fine into vigorous and vigorous, with broad and magnificent structure, vigorous and awe-inspiring bones, vigorous and vigorous lines and refined atmosphere.
Words should have backbone, meat should be covered with tendons, tendons should hide meat, and posts should be beautiful and moist.