However, among the many ink marks in Zhu Yunming, only one is the original printed by Taoist priest and Zhu Yunming, that is, the Poems of Yan Style (see photo) collected in Shanghai Library today, and now it is appearing in the "Famous Manuscripts Exhibition of Ming and Qing Dynasties" held by the museum. Zhu Yunming (1460- 1526), whose real name is Xizhe, has many nicknames. Yan Ti Poetry Atlas was written on the precious Jinsushan scripture collection paper, and recorded Zhu Yunming's "Song of Two Babies" and other 13 self-written poems. There are 24 pages in the album 12, and the paper core is 30 cm long and 18.6 cm wide. At the beginning of the volume, there is the title "Literary Talent" of Master Week (15 14- 1595), and at the end of the volume, there are the famous Wu Xueren (1508- 15865438) and Huang Jishui (65438). Fang (18 15- 1889) recorded the complete book of paintings and calligraphy in Mengyuan.
Zhu Yunming has a profound knowledge of calligraphy, especially good at copying calligraphy. The calligraphy of Zhong, Wang, Su, Huang, Mi, Zhao and the sages of the Ming Dynasty can all reach a remarkable level. Because of too much temporary study and frustration in his career, he sometimes becomes impetuous and angry. Therefore, everyone who knows him thinks that some of his books, especially cursive scripts, often have the shortcoming of "lack of dominance, although they were in the past, they were rarely melted away" (in the words of Mr. Qi Gong). On the contrary, when he devotes himself to one or two schools, he always writes a wonderful story of "Yoga Yu is better without intention".
Poems of Yan Style changed the habit of "not focusing on one's mind" and "rarely melting away", and adopted the combination of fa element (poem) and Huang (court slips), thus "only when you travel far can you become a family", leaving a beautiful structure handed down from generation to generation (see the postscript of this volume).
Su Shi, a great calligrapher, famously said, "Being beautiful without heart", so his calligraphy can be immortalized by "innovating statutes, being mysterious and bold". It is precisely because of Zhu Yunming's solid statutes that he was able to fulfill Su Shi's famous saying "I would rather have no heart" in the context of "being busy", "enjoying leisure", "being interested in profit but favoring personal interests" and "blending paper and ink" (in the words of Sun's Book Spectrum) and leave it to the world with this pure but calm and free pen. This volume is printed with Collected Taoist Scriptures and Zhu Yunming. Only one copy is seen, so it is inevitable that there is a distinction between authenticity and falsehood. The author has visited Zhu Yunming collected by Qi Shuyu, a famous collector in Shanghai, many times, and printed the original script Song of Qionglin Yushu (the book was printed and published by Shanghai Painting and Calligraphy Publishing House when Yunming was 39 years old). This book is mostly accompanied by valleys, but its brushwork is very similar to Colorful Poetry Album, which is more sophisticated and can be regarded as. And "Yan's Painting Collection" has been circulated; In Zhu Yizun's Poem of Quiet Living in the Early Qing Dynasty, it was mentioned that Zhu Yunming wrote Song of Eternal Sorrow. In addition, the book has been protected by four famous writers: Zhou, Chen, Huang and Wang. Therefore, Yan Ti Poetry Atlas will undoubtedly be an original work, and it should be an extremely rare masterpiece handed down by Zhu Yunming.