The running script Luo Shen Fu is one of the representative works of Zhao Ziang's calligraphy style. Written in the same soft and mellow pen and ink, it is easy to enjoy and develop. It can be compared with the article, just like seeing his elegant and gentle immortal demeanor through the book. So what he wrote has always been called a model by calligraphers. The fine-print running script is easy to write, romantic and elegant, with the style of Jin people, which shows his understanding of the calligraphy of the "two kings"
Before and after Fu on Red Wall vividly, completely and richly presents the brushwork system of two kings and one vein. Zhao Mengfu writes on paper. When the paper is delicate, the brushwork used will be relatively complicated, and when the paper is rough, the brushwork used will be relatively simple. "Before and after the Red Cliff Fu" was written on high-grade paper at that time, so Zhao Mengfu's superb technology can be vividly displayed. Such obvious, rich and natural information will give us great enlightenment.
Fu before and after Chibi is rich in brushwork but not drastic, which is suitable for beginners. In the past, most of our comments on Zhao Mengfu were "simple brushwork, but difficult to learn and master". I think this kind of evaluation is extremely irresponsible, and it is difficult to learn and master any post, and it is also difficult to write in print. This is nonsense. As for Zhao Mengfu's pen simplicity, I want to rehabilitate him here.
First of all, Zhao Mengfu's brushwork is not simple and rich, but it is not complicated. Almost all the techniques in the two kings system can be reflected in Zhao Mengfu's writing, but Zhao Mengfu didn't use these techniques too complicated and fancy, which has a lot to do with Zhao Mengfu's personality, experience and political environment, and it can't be simply explained with a pen. And this kind of rich and little change is the most suitable for beginners.