"Man Ting" Time: Song Author: anonymous Jinghui, lights, dawn with a bad atmosphere.
"Sacrificing Father in Shangyuan Drama" Time: Song Author: Wang Anshi-chariots and horses are together, ten thousand lamps are warm in spring.
Wandering in the White Clouds, Feeling Four Ways, Traveling with Cambodian Scholars Time: Modern Author: Ning Tiaoyuan-Flowing in the south of the Yangtze River at night, brightly lit.
"Snow to Zhu in the Early Yuan Dynasty" Year: Song Author: Li Fu-The lights are turned on and have fun, and nine strangers are willing to relax.
"The First Year: Song Author: Bowen Shao-Once upon a time, I traveled in Shengchuan, and the characters in the city were complacent. The spring breeze is full of lights, and the bright moon is ten miles ahead.
With a bachelor's degree from Yan Di and Liang Kuang, he wrote four quatrains and two poems. Time: Song Author: Su Song-the lake returned, depressed, rosin dew brush towel. There are thousands of lights in Shahe, and the moon is full of shade.
Jiang Lou Xi Wang Zhao Ke
Bai Juyi
At night, looking east on the upper floor of the river, the sea is connected with the sea as far as the eye can see; The feeling of mountains and rivers is wide and long.
The city lights up around, and a galaxy sinks into the center of the water.
On a sunny day, the wind blows against the old trees, rustling as if it were raining; On summer nights, the moon hangs all over the ground, just like autumn frost.
Can you cool off in Jianglou? It's much cooler than the military trade club school.
Poetry notes? Note: The wind blows the old trees, but it is sunny and rainy. Moonlight, smooth sand, summer night cream ②? Sunny rain: the wind blows the old trees, and the rustling is like rain, but the sky is clear, so it is called "sunny rain". ② Summer Night Frost: The moonlight is flat and the sand is as white as frost, but it is a summer night, so it is called "Summer Night Frost". ? The seven laws of "Looking at Xijiang Tower and Inviting Guests" were written in the secretariat of Hangzhou. These two sentences mean that the wind blows the old trees, the sound is like rain, and the moon is as white as frost. Write a cool and beautiful summer night, lifelike, lifelike. Sunny Rain and Summer Night Frost have novel metaphors, unique wording and high artistic conception. ? Su Shi said that "Bai Gong's poems in his later years are wonderful" and "the wind blows the rain on the old trees, and the sand frost shines on the summer night and the moon". What is rare? "The wind blows the ancient trees on sunny days and rains, and the moon shines on the sand and frosts on summer nights." The beauty of a word is that there is no rain in sunny days and no frost in summer days. The wind blows old trees like rain, and the moon shines like frost. The coolness produced by association and imagination is enough to cool off the heat. The word "Wang" is dominant in the whole poem. The first pair of couplets is a vision, grand and lofty; Write close-ups of couplets, dim lights, and the milky way flashing, all overlooking; The ancient trees are blown by the wind, and the moon shines on the sand, which is fresh and pleasant, and the scenery that is difficult to write is like the eyes. From far to near, all the scenery is shrouded in the word "evening". ? Appreciation? In the third year of Tang Muzong Changqing (823), Bai Juyi was appointed as the secretariat of Hangzhou. This poem is an impromptu work of inviting friends to drink at night. This is a very measured and stable seven laws, focusing on writing and enjoying the scenery. The level of describing the scenery is very clear, just like gouache that emphasizes perspective. The first two sentences highlight the momentum of climbing high and looking far, focusing on mountains and rivers, which are connected with water and water are connected with the sky, stretching across the country. Zhuan Xu wrote the light and brightness in the night from the perspective of overlooking; Thousands of lanterns and a galaxy complement each other and decorate the scenery of Qiantang. In the sentence of Xinghe, the poet painted the reflection in the water, which added a bit of clarity and freshness. The two sentences of the neck couplet began to be mixed with the illusion of the senses, and the romantic moon was written by metaphor and exaggeration: the sound of the wind blowing leaves was quite like rustling autumn rain, and the moon was as white as frost. At the same time, the poet literally reminds readers that it is summer and sunny nights, and emphasizes that the feeling of cool autumn is only a means to cool off the heat. So naturally, the last two sentences of the conversation between guests and guests in the evening were introduced, and the meaning of "inviting guests" was deducted. ? If this poem is compared to a painting of Linjiang Tower looking at the west, then the idea of this poem is the order of painting. The poet started from a distance and outlined the landscape of Yuhang with rough lines. Then he looked around at the lights in Hang Cheng, and naturally he received the Milky Way, where Jianglou was located. So he slowly turned his pen from the vast sky to the description around the pavilion, and then he saw the characters in Hua Xia from the wind and moonlight. The scenery is far and near, but the feeling is getting thinner and thinner. It can be said that "the mount can serve all kinds of scenery", which has both eyesight and pen power. ? Of the two couplets in this poem, the couplet of "Thousands of Lights" is very beautiful. Scattered lights and a galaxy are reflected in the water, which is the change of "sea" and "mountain" from evening to night, giving people a magical dream feeling, which is quite appreciated by future generations. The famous sentence "A bright moon in Chengjiang" in Huang Tingjian's poem "Climbing to the Moon Pavilion" seems to be influenced by white poetry. ? The poem describes the mountains and rivers in the east of Hangzhou and the beautiful night scene in Hangzhou, which is magnificent and open. In the hot summer evening, the poet boarded the Wanghai Tower and looked east, and the sea and the sky were the same; The Qiantang River and the mountains along its banks are "wide and long". Poets write night scenes from two angles of light and sound: the Milky Way, the moonlight and Xia Feng, so they are vivid and dazzling. The last sentence ends with "inviting guests" and sticks to the theme.