Year: Song Author: Chen Zao School: Category:
The courtyard is deep and the beauty lies in Yuntang.
When the flowers fall and the day is quiet, the dream of recommending a golden stove grows longer.
A butterfly in love with flowers
Year: Song Author: Ouyang Xiu Style: Word category:
How deep is the yard? [ 1]
Ruyan Liu, [2]
Curtains have no multiplicity.
Yule Carved Saddle Patrol Metallurgy Department, [3]
The building is too high to see Zhangtai Road. [4]
March storm,
The door covered the dusk,
There is no plan to stay in spring.
Tears ask flowers,
Red flies over the swing. [5]
To annotate ...
How much: How much.
[2] stack of cigarettes: describe the dense willow trees.
[3] Yule: A horse title made of jade. Carved saddle: Carved saddle. Youyechu: refers to the brothel in Gelou.
[4] Zhangtai: the name of Chang 'an Street in Han Dynasty. There is a saying in The Biography of Zhang Han that "Walking on a horse, stepping on the street". The Biography of Mrs. Yao Zuo and Mrs. Zhang Liu recorded the affair of Liu, a prostitute. Later, Zhangtai was used as a place where geisha lived together.
[5] Red: fallen flowers.
This word was written in late spring by Forever in My Heart, and it is very popular to get married together. The "courtyard" is deep, the "curtain" is heavy, and it is also a "willow pile of smoke", which is both thick and dense-living in this gloomy and quiet environment, the heroine is depressed and imprisoned physically and mentally. The three words "deep" overlap, and writing it is banned, which is similar to the pain of being imprisoned. It not only implies the loneliness of the heroine, but also has a deep feeling of resentment. Therefore, Li Qingzhao was greatly praised, and once drafted his language as "Deep Courtyard". Obviously, the heroine's material life is rich. But her mental pain is self-evident.
The following sentence in "Jade Music Carving Saddle" shows the ruthless ravages of reality on her soul step by step: her lover is unlucky, but she doesn't return; Spring goes and spring comes, and time is like water. At the end of the article, I asked myself tearfully. Hua didn't speak and didn't shy away from answering. Didn't "Flying Flowers Over the Swing" show her fate more clearly than words? Flowers in tears are like flowers, and people are like flowers. In the end, flowers are inseparable from people, and it is difficult to avoid the fate of being abandoned. This kind of brushwork, which completely uses the environment to hint and contrast the characters' thoughts, is deep and gentle, full of twists and turns, and truly shows the inner pain of the nobles living in a claustrophobic state.
Of course, tracing back to the source, there is a saying in the article that "a hundred tongues ask flowers for silence" ("Poems of Cherishing Spring"), and Yan Yun also has a saying that "flowers are asked for silence all day" ("Falling Flowers"). Ouyang Xiu's words may be detached from this, but not only the language is more beautiful, the meaning is deeper, the realm is muddy and the charm is long.
Set comments
Li Qingzhao's word order: Ouyang Gong's "Butterfly Loves Flowers" has the sentence "How deep the courtyard is". I love it and use it.
Its language is deep in the courtyard.
Yu Biyun's Selected Interpretation of Ci Poems in the Tang, Five Dynasties and Two Song Dynasties: This word is deep and the word "Fei Hong" is almost unknown.
Only send spring. Or see "Yangchun Collection". Yi Lee's stability is the slogan of June 1 Day. Yi Anyun:
"Yu Ji likes this word." It's called Deep Courtyard, and its voice is Old Linjiang Fairy.
Mao Shuxian's On Ancient and Modern Ci: Yong Shu's Ci said, "Tears ask flowers without words, and red flies over the swing." This can be described as a layer.
Deep and muddy. What is this? Tears because of flowers, this meaning also; Begging for flowers because of tears is also a meaning; The flowers are silent, which
A layer of meaning; Not only did he say nothing, but he also fell and flew over the swing, which was meaningful. The sadder people are, the more annoying flowers are, and the more they talk.
Shallow and deep, there is no effort in description, which shows that it is not deep and muddy.
-
With vivid images and simple language, this poem expresses the complex inner feelings of women in boudoir tactfully, profoundly and delicately, and is the representative work of in my heart forever.
The word "deep" in the first sentence of this word overlaps words, which makes the whole word written with deep feelings and gives birth to far-reaching artistic conception. The poet first described the heroine's residence in detail. The sentence "The willow piles up smoke, but the curtain disappears" seems to be a series of Tik Tok shots in a movie, drifting away and deepening from far to near. As the camera pointed out, I first saw clusters of willows passing by my eyes. "Smoke Piles of Willow" is a scene of fog on the willow cage in the morning. With the word "heap", it is dense and foggy, just like an ink painting. When the willow trees pass by, the poet shakes the camera to the courtyard and curtains. This curtain is not heavy, but it is very heavy. He doesn't count the weight. In a word, "there is no duplication." "No multiplicity", that is, there are countless weights. The phrase "no repetition" makes people feel that this yard is simply extremely deep. At this point, the author used the phrase "You Le Carves Saddles and Wanders Fairy" to draw her attention to her husband. Then he folded the pen and wrote, "The building is too high to see Zhangtai Road". It turned out that the woman in this word was alone in a tall building, and her eyes looked through heavy curtains and piles of willow smoke at the place where her husband often swam.
The first film of Ci was mainly about scenery, but "all scenery Ci is sentimental" (Wang Guowei's Ci on Earth). In the deep courtyard, a imprisoned and isolated soul has been seen. The next word rewrites feelings, rain and wind are crazy, urging the end of spring and the heroine to be honored. She wants to catch spring, but the wind and rain are ruthless and can't catch spring. So she felt helpless: "Tears ask flowers silently, and red flies over the swing", so she had to pin her feelings on flowers with the same fate as her. These two sentences contain infinite feelings of hurting spring. A Qing Dynasty Mao commented: "Tears ask flowers without words, and red flies fly over the swing." This is deep and muddy. "(quoted from Wang's On Ancient and Modern Ci) He means that it is often difficult to have both language and feelings, but these two sentences of European Ci unify it. The emotional levels of these two sentences are as follows: the first layer writes that the heroine is crying because of flowers. It is a common feeling of ancient women to look at flowers and shed tears and hurt the moon. At the moment, the woman is remembering her husband walking along Mazhangtai (Zhangtai Street in Chang 'an in Han Dynasty, which was used by later generations to refer to the place where she traveled), but she can't see it. In her eyes, there are only flowers destroyed in the storm, which reminds her of her fate and she can't help crying. The second layer is about begging for flowers because of tears. Tears are caused by sadness and need to be vented. This object has been transformed into a flower at this moment, or the flower has been transformed into a person. So the heroine asked the flowers spoonily. On the third floor, the flowers were silent. Then the poet wrote a fourth story: the flower not only didn't speak, but also flew over the swing, as if she had deliberately abandoned her. People walk on the stage, flowers fly on the swing, and sentient beings are indifferent to her. How can I not make people sad! This writing method of comparing and contrasting the subjective feelings of characters with the reaction of objective scenery is precisely to deepen feelings.
Poets dig deep into feelings layer by layer, not deliberately carving, but naturally generating and unfolding like bamboo shoots with buds and knots. In the natural and simple language, there are deep and true feelings.
This word has far-reaching artistic conception. Scenery and emotion are described in ci, and they are so integrated that they are natural and form a complete artistic conception. The poet's description of artistic conception is also hierarchical. From the environmental point of view, it is from the outside to the inside, with deep rooms to set off deep feelings, with gloomy and miserable colors to render lonely and sad emotions. In terms of time, the first part is about foggy morning, and the second part is about stormy dusk, which opens the hearts of characters one after another from morning till night. Three sentences later, Yu Pingbo, a close friend, commented: "The season of' March dusk', the climate of' wind and rain' and the moment of' dusk' are three layers of rendering, forcing out the sentence of' nothing to do'." ("Selected Interpretation of Tang and Song Ci") Late spring, stormy dusk; Sitting behind closed doors, I feel particularly scared. Artistic conception is like poetry, but poetry can't describe its appearance; It is a painting, but painting can't convey its spirit; Only through this elegant pen can you draw just right. Especially the conclusion, close friend Wang Guowei thinks this is a kind of "self-existence". The so-called "realm follows me" means "seeing things from me, so everything is my color" ("Words on Earth"). In other words, flowers are sad and silent, reflecting the unspeakable pain of women in ci; Red flies over the swing, setting off a woman's last sympathy for her partner and sense of loss. But the tenderness of feelings and the depth of artistic conception are particularly fascinating.
Linjiangxian
Year: Song Author: Li Qingzhao Style: Part of Speech:
How deep is the courtyard,
Cloud Window Fog Pavilion Spring Festival Evening,
Who are you haggard and spoiled for?
It's good to dream at night,
I think it's the southern branch.
Jade thin sandalwood light infinite hate,
South building Qiang tube is not allowed to blow.
Who knows when the fragrance blows away,
The warm wind came late,
Don't eat apricot blossom fat.
To annotate ...
How much: How much.
[2] stack of cigarettes: describe the dense willow trees.
[3] Yule: A horse title made of jade. Carved saddle: Carved saddle. Youyechu: refers to the brothel in Gelou.
[4] Zhangtai: the name of Chang 'an Street in Han Dynasty. There is a saying in The Biography of Zhang Han that "Walking on a horse, stepping on the street". The Biography of Mrs. Yao Zuo and Mrs. Zhang Liu recorded the affair of Liu, a prostitute. Later, Zhangtai was used as a place where geisha lived together.
[5] Red: fallen flowers.
This word was written in late spring by Forever in My Heart, and it is very popular to get married together. The "courtyard" is deep, the "curtain" is heavy, and it is also a "willow pile of smoke", which is both thick and dense-living in this gloomy and quiet environment, the heroine is depressed and imprisoned physically and mentally. The three words "deep" overlap, and writing it is banned, which is similar to the pain of being imprisoned. It not only implies the loneliness of the heroine, but also has a deep feeling of resentment. Therefore, Li Qingzhao was greatly praised, and once drafted his language as "Deep Courtyard". Obviously, the heroine's material life is rich. But her mental pain is self-evident.
The following sentence in "Jade Music Carving Saddle" shows the ruthless ravages of reality on her soul step by step: her lover is unlucky, but she doesn't return; Spring goes and spring comes, and time is like water. At the end of the article, I asked myself tearfully. Hua didn't speak and didn't shy away from answering. Didn't "Flying Flowers Over the Swing" show her fate more clearly than words? Flowers in tears are like flowers, and people are like flowers. In the end, flowers are inseparable from people, and it is difficult to avoid the fate of being abandoned. This kind of brushwork, which completely uses the environment to hint and contrast the characters' thoughts, is deep and gentle, full of twists and turns, and truly shows the inner pain of the nobles living in a claustrophobic state.
Of course, tracing back to the source, there is a saying in the article that "a hundred tongues ask flowers for silence" ("Poems of Cherishing Spring"), and Yan Yun also has a saying that "flowers are asked for silence all day" ("Falling Flowers"). Ouyang Xiu's words may be detached from this, but not only the language is more beautiful, the meaning is deeper, the realm is muddy and the charm is long.
Set comments
Li Qingzhao's word order: Ouyang Gong's "Butterfly Loves Flowers" has the sentence "How deep the courtyard is". I love it and use it.
Its language is deep in the courtyard.
Yu Biyun's Selected Interpretation of Ci Poems in the Tang, Five Dynasties and Two Song Dynasties: This word is deep and the word "Fei Hong" is almost unknown.
Only send spring. Or see "Yangchun Collection". Yi Lee's stability is the slogan of June 1 Day. Yi Anyun:
"Yu Ji likes this word." It's called Deep Courtyard, and its voice is Old Linjiang Fairy.
Mao Shuxian's On Ancient and Modern Ci: Yong Shu's Ci said, "Tears ask flowers without words, and red flies over the swing." This can be described as a layer.
Deep and muddy. What is this? Tears because of flowers, this meaning also; Begging for flowers because of tears is also a meaning; The flowers are silent, which
A layer of meaning; Not only did he say nothing, but he also fell and flew over the swing, which was meaningful. The sadder people are, the more annoying flowers are, and the more they talk.
Shallow and deep, there is no effort in description, which shows that it is not deep and muddy.
-
With vivid images and simple language, this poem expresses the complex inner feelings of women in the boudoir tactfully, profoundly and delicately, and is a masterpiece in in my heart forever.
The word "deep" in the first sentence of this word overlaps words, which makes the whole word written with deep feelings and gives birth to far-reaching artistic conception. The poet first described the heroine's residence in detail. The sentence "The willow piles up smoke, but the curtain disappears" seems to be a series of Tik Tok shots in a movie, drifting away and deepening from far to near. As the camera pointed out, I first saw clusters of willows passing by my eyes. "Smoke Piles of Willow" is a scene of fog on the willow cage in the morning. With the word "heap", it is dense and foggy, just like an ink painting. When the willow trees pass by, the poet shakes the camera to the courtyard and curtains. This curtain is not heavy, but it is very heavy. He doesn't count the weight. In a word, "there is no duplication." "No multiplicity", that is, there are countless weights. The phrase "no repetition" makes people feel that this yard is simply extremely deep. At this point, the author used the phrase "You Le Carves Saddles and Wanders Fairy" to draw her attention to her husband. Then he folded the pen and wrote, "The building is too high to see Zhangtai Road". It turned out that the woman in this word was alone in a tall building, and her eyes looked through heavy curtains and piles of willow smoke at the place where her husband often swam.
The first film of Ci was mainly about scenery, but "all scenery Ci is sentimental" (Wang Guowei's Ci on Earth). In the deep courtyard, a imprisoned and isolated soul has been seen. The next word rewrites feelings, rain and wind are crazy, urging the end of spring and the heroine to be honored. She wants to catch spring, but the wind and rain are ruthless and can't catch spring. So she felt helpless: "Tears ask flowers silently, and red flies over the swing", so she had to pin her feelings on flowers with the same fate as her. These two sentences contain infinite feelings of hurting spring. A Qing Dynasty Mao commented: "Tears ask flowers without words, and red flies over the swing." This is deep and muddy. "(quoted from Wang's On Ancient and Modern Ci) He means that it is often difficult to have both language and feelings, but these two sentences of European Ci unify it. The emotional levels of these two sentences are as follows: the first layer writes that the heroine is crying because of flowers. It is a common feeling of ancient women to look at flowers and shed tears and hurt the moon. At the moment, the woman is remembering her husband walking along Mazhangtai (Zhangtai Street in Chang 'an in Han Dynasty, which was used by later generations to refer to the place where she traveled), but she can't see it. In her eyes, there are only flowers destroyed in the storm, which reminds her of her fate and she can't help crying. The second layer is about begging for flowers because of tears. Tears are caused by sadness and need to be vented. This object has been transformed into a flower at this moment, or the flower has been transformed into a person. So the heroine asked the flowers spoonily. On the third floor, the flowers were silent. Then the poet wrote a fourth story: the flower not only didn't speak, but also flew over the swing, as if she had deliberately abandoned her. People walk on the stage, flowers fly on the swing, and sentient beings are indifferent to her. How can I not make people sad! This writing method of comparing and contrasting the subjective feelings of characters with the reaction of objective scenery is precisely to deepen feelings.
Poets dig deep into feelings layer by layer, not deliberately carving, but naturally generating and unfolding like bamboo shoots with buds and knots. In the natural and simple language, there are deep and true feelings.
This word has far-reaching artistic conception. Scenery and emotion are described in ci, and they are so integrated that they are natural and form a complete artistic conception. The poet's description of artistic conception is also hierarchical. From the environmental point of view, it is from the outside to the inside, with deep rooms to set off deep feelings, with gloomy and miserable colors to render lonely and sad emotions. In terms of time, the first part is about foggy morning, and the second part is about stormy dusk, which opens the hearts of characters one after another from morning till night. Three sentences later, Yu Pingbo, a close friend, commented: "The season of' March dusk', the climate of' wind and rain' and the moment of' dusk' are three layers of rendering, forcing out the sentence of' nothing to do'." ("Selected Interpretation of Tang and Song Ci") Late spring, stormy dusk; Sitting behind closed doors, I feel particularly scared. Artistic conception is like poetry, but poetry can't describe its appearance; It is a painting, but painting can't convey its spirit; Only through this elegant pen can you draw just right. Especially the conclusion, close friend Wang Guowei thinks this is a kind of "self-existence". The so-called "realm follows me" means "seeing things from me, so everything is my color" ("Words on Earth"). In other words, flowers are sad and silent, reflecting the unspeakable pain of women in ci; Red flies over the swing, setting off a woman's last sympathy for her partner and sense of loss. But the tenderness of feelings and the depth of artistic conception are particularly fascinating.