⑵ ⑵ (yān): Mountain.
③ Sakamoto (BN): Slope.
(4) Becoming a butterfly dream: Zhuangzi dreamed of butterflies in Zhuangzi's Theory of Everything. Li Shangyin's "Jinse" has "Saint Zhuangzi daydreaming, Butterfly bewitched". "You walk with me and don't change your old clothes for a spring." The first couplet of a poem is always about the suffering of wandering in the rivers and lakes. The images of "hat" (umbrella and straw sandals) and "clothing requisition" are closely related to travel life, and have accumulated emotional contents related to feelings and thoughts, so the poet's choice of these two images left readers with hints of feelings and thoughts.
A person wandering, only "Li" as a companion, its loneliness can be imagined The word "going astray" not only means that there are many forks in the road, but also means that the author is wandering aimlessly and aimlessly. Liu An's "Huai Nan Zi said Xun Lin" recorded: "Andy cried when he saw Kui Road, because he could go south and north." Kuilu is a branch road. When Andy saw the wrong road and didn't know where to go, he cried bitterly, so it is not difficult to imagine the poet's sad mentality when he was "walking on the wrong road". "Spring" indicates time, indicating that the author has been running around like this all spring. "Old clothes" means that the author is wearing clothes that he used to wear in rivers and lakes, which means that before "spring", he lived outside and kept running around. The sadness of a wanderer's journey is drawn through the continuation of time. Just the first two sentences, I wrote all the hardships of my journey, and it is needless to say that a wanderer is wandering and bored.
"It's raining all over the mountains and yellow mud, and Tianjia whiteboard buckles the night." The topic of Zhuanlian is devoted to the life situation of running around day and night. Write a sentence about trudging in the rain and writing about the hardships of a journey. Climbing on the "mountain ridge" in heavy rain is unbearable, and walking on the "Huangniban" is even more unimaginable. Write a sentence about staying at Tian's home for the night, and write a simple accommodation. From the board, we can think of the poverty of Tian family, and the suffering of wandering in the home is self-evident.
"Sleeping in the frog's voice, my heart came back from the dream of becoming a butterfly." Neck couplets are connected with couplets, which describe the scene of the poet spending the night at Tian's home. The word "croak" describes the unique sound of the country at night. It turned out that after nightfall, everything was quiet, only the warm breeze sent frogs in the distance. Lying in bed, listening to the frog's chorus, it should be a little pleasant. However, how did a poet who trudged in the rain for a day get such elegance? "Frog" and "chaos" are the poet's empathy, out of emotion. In "Frog", I can fall asleep slowly, which shows the fatigue of running around for a day from another side. Because of the hardships of the journey, I will naturally feel homesick, so the next sentence is written in my dream to return to my hometown. Even dreaming about going home, you can imagine the homesickness. However, people can only "return" in their dreams, and the pain of their mood can be imagined. Zhuangzi's theory of everything: "The dream of Zhou Zhuang in the past was a butterfly, lifelike." Here, I use the allusions of Zhuang Zhou and become a butterfly to express my confusion and disappointment. "Body" is opposite to "mind", which means being in Jianghu and at home. From this, we can understand why the poet has to live away from home for many years. Because poets are not satisfied with their fame, they have to circulate in rivers and lakes and make a living by offering poems and performing arts. It is difficult to return to China, but he just doesn't want to state it here.
On the basis of the former couplets, the couplets are upgraded to express homesickness. The poet is wandering around, and since he is homesick, he is looking forward to receiving letters from home. Unfortunately, even this is better than nothing. As a result, I wandered around the rivers and lakes, and my whereabouts were uncertain. The result was that "ten letters went to the countryside less than nine." The fact that he is unwilling to accept but has to accept is hard to describe in words for this homesick poet who has lived in other places for many years. Hongyan was a symbol of letters in ancient times. When you are far away from home, you will naturally think of entrusting geese to deliver books. Therefore, when you see geese flying in the air, you will naturally feel more homesick. The phrase "flying south in a wild goose" is both a situational language and a love story. Homesickness is intangible and abstract, and geese are tangible. Combining abstract feelings with concrete images makes intangible homesickness tangible, thus receiving vivid artistic effects. When I was here, I witnessed Zheng Hong, and my heart has gone with him, but I hate that I can't grow wings and be detained in another country, so some people think that animals are worse than animals. Wild geese fly freely all over the world, bringing endless troubles, but they are heartless. They can't bring home letters, but only increase their sadness. Xin Qiji's Zhu Yingtai is Near says: "It is his spring that brings sadness. Where does it lead? But I can't understand it. " This idea is very novel. Feng Qufei's imagination of "not sending a small silver hook" deepened in Thought. He hoped that Zephyr would "bring sorrow" and "send him a small silver hook", but it failed in the end. The couplets are very similar to Feng Qufei's poems. Writing the word "self" gives the objective scenery a strong subjective color, which fully embodies the author's helplessness and helplessness. Wang Shaohua wrote in Appreciation of China's Famous Literary Works: Selected Poems: The whole poem is purely self-narrative, lyrical by borrowing scenery, natural and healthy, light language and heavy emotion, full of charm, quite full of late Tang flavor.