Wan Yuanqiu's "The Vast Thousand-Character Poetry"
It is reported that "The Vast Thousand-Character Poetry" has been published for a long time. This poem is different from Zhou Xingsi's Thousand-Character Poetry. It is a poem with one sentence every other sentence. A four-character metrical poem with a thousand words and all in Ping tone. The basic rhythm of the poem is "Ping Ping Ze Ze, Ze Ze Ping Ping (Ping)."
The whole poem can be divided into "True Zhang Zhongqin seeks Ni" "Qiao Shaoguang" is a nine-yin poem with 30 sentences and 120 characters per tone. The nine-yin poem is actually 1,080 characters, which is the number of Dayan. The reason why it is called a thousand-character poem refers to Zhou Xingsi's thousand-character essay.
"Zhenyin" writes about heaven and earth humanities, "Zhang Yin" writes about history and humanities, "Zhongyin" writes about social humanities, "Qinyin" writes about self-cultivation and humanities, "Mouyin" When writing about social humanities, "Niyin" writes about life humanities, "Qiaoyin" writes about nurturing humanities, "Shaoyin" writes about management humanities, and "Guangyin" writes about eulogies and writing humanities.
It is said that the author of the poem declared: The poem is waiting for "the dragon and the phoenix come together, waiting for the phoenix to come to the ceremony", that is to say, waiting for someone in the world to write "the true time when Zhang Zhong personally sought Niqiao". The separation of nine sounds It is a 270-line, 1080-word four-character metrical poem with sentence one in Chinese and all in oblique tones. The basic rhythm of the poem is "廄廄平平, 平平廄廄(组廄)." If you can really see the phoenix dancing in China, you can naturally see the dragon. Soar into space.
It is said that the original text of the poem has been torn apart by different people. There are two tones for Liu Ying, one for Zhang Ying, one for Takahashi from Japan, one for Nina from the United States, one for Marina from the UK, and others. I don’t know where the three tones are. It takes eight people to align to connect to the original text. I only collected the uneven eight tones on Baidu as follows:
Heaven and earth mix dust, the universe initially expands and solidifies, the sun, moon, stars, yin and yang The whole world is once formed
The wind is fast, the mountains are high, the sea is deep, the cold is coming, the summer is coming, the rain is falling, the clouds are rising, the spring, autumn, winter and summer are growing. Wood, water, fire, northwest, northeast, south, central, earth, each swore an alliance, fought, contracted, and expanded
Li fled, Yue defeated Shun, Yao, Gang, Shang Jun destroyed Jie's leader, Yin Tang defeated the people, defeated Zhou, and Zhou sent King Wu
…………………… Livestock, Farming, Farming, Machinery, Textiles, County and City Work, Fair Trading of Assets, and Prosperity
…………………
Accumulate good deeds and teach children to act in a famous way, and they will change their mistakes in school, learn to listen, and be strong I am so lazy that I am always sad
Study, educate your mind, be smart, study hard, practice day and night, be focused and master your skills
………………
Well Paintings in the corners of the city, Zhulou, banquets, banquets, harp music, and singing voices. How many sleepless nights, dreams, cups, and bottles to soothe sorrows
Taiwan recruits phoenixes to caress the seats, smells the chirping of plum blossoms, apricot-colored orchids, and the soft fragrance. It is appropriate to face-to-face, gain wealth, and seek advice< /p>
……………………
Evening mist, morning light, birds noisy, birds chirping, peaks, light green trees, bamboo smoke, faint greenness, cuckoos chirping
Houseside misty beach The turbulent stream, the Jinjiang River, the beautiful patches of scales, the red and green of the village, the vague singer
………………
The oriole calls the dawn swallow, dances in the fragrant green countryside, the quiet branches are luxuriant, and the oriole sings the song on the sandy beach Tingcoat Silk Willow Curved Bridge
Swinging oars, green ripples, shaking lotus disks, floating red silk beads, splashing fish, leaping egrets holding their mouths low
………………< /p>
The Chongyue River is flooded with thunder and lightning, floods are flowing all over the river, Hongtao is dredging, channels are being expanded, and there are droughts and floods in the reservoir.
Guozhen mustard, rice, wheat chaff, chickens and dogs barking, Runxiangrao Town, Runxiangrao The leaves of the forest are filled with the sounds of hundreds of birds, and the nests
………………
The giant palace, the daylight, the Qiong Palace, is brilliant and auspicious, reflecting the auspiciousness, lingering in the window, collecting books, and gathering tables in formal form< /p>
………………
In order to obtain this first poem in the past five thousand years, I will pay 10,000 yuan for the original text of "The Vast Thousand Word Poem". If anyone has the complete poem You can come to me to cash in, one thousand for one note, two thousand for two notes, and so on, I will never break my promise.
The vastness of classical poetry can touch my heartYe Lin
Published time: 2009-07-01 15:45:52 Clicks: 1231 times Font size Large, Medium, Small Print Close
The Chinese character I am most afraid of in my life is the name of Western medicine. "Telmisartan", "meloxicam", "naglinide", they are neither meaningful nor pictographic, and have no sense of beauty. They are extremely difficult to remember. I eat them every day, but when I look at the name, I feel... Upset. It is really hard to understand why the medical community is obsessed with this name. This is a waste of Chinese language. I am also afraid that I will encounter the English symbols of abbreviations inserted in newspapers, such as "CDP" and "AIG", and I will not understand what they mean. Even an intellectual who knows English has become illiterate.
Chinese characters themselves are so beautiful, some are pictographic, some are onomatopoeic, and some are pictorial. Lu Xun was a master of language and literature. He pointed out that Chinese characters have "three beauties": beauty of meaning, beauty of sound, and beauty of form. "Beauty of thought touches the heart," "beauty of sound touches the ear," and "beauty of form touches the eye." It can be seen that Chinese characters have beautiful shapes, beautiful sounds, and even more beautiful meanings. I sometimes compare it with English. I always feel that English is backward, primitive, very childish, and far less rich than Chinese. For example, there is a difference between human nails and animal claws. Human nails cannot be called claws.
However, in English, they are always called nails, treating humans and animals the same, with no difference. There are many such examples.
I love Chinese, and I love Chinese poetry even more. Because poetry has the most beautiful language, the broadest meaning, the largest capacity, and the richest imagination. It can not only express your thoughts, but also reach your heart. It can express beautifully what you want to say but cannot say in your heart. Not only is it beautiful, but it can also improve your character and make you noble. This power can only be achieved by the language of poetry.
For example, we elderly people like the phrases "Being old is useful" and "Being old is useful". The wording is clear, clear and concise, but it is not poetry. Poetry is quite different. You see, Cao Cao's poem said: "I am an old man, I am aiming for thousands of miles"; Liu Yuxi's poem said: "Don't let the mulberry trees bloom in the evening, the sky will be covered with clouds"; Li Shangyin's poem said: "God's will pity the grass, and the world will be late again." Eyes"; Cen Shen's poem said: "The autumn wind is thousands of miles away, the sunset is yellow and the clouds are high"; my favorite is Du Mu's poem: "Stop and sit in the maple forest at night, the frost leaves are as red as the February flowers." Comparing a person's old age to the maple leaves in autumn, and comparing the maple leaves in autumn to the flowers in February, what a beautiful comparison! They all integrate the natural scenery and the human soul, so that heaven and man can become one, and nature can be materialized and objectified, becoming a poetic realm and poetic sentiment. The power of poetry is so fascinating!
In contrast, I really don’t like to hear the disgraceful phrase “use your remaining heat”. After death, the body temperature will remain cold for an hour or two. This is called residual heat. Everyone is dead, the residual heat is of no use! How to play? In fact, this is disrespectful to the elderly. People are treated as dead while they are still alive. The same thing is to encourage the elderly to do something good in their old age. Why is it difficult to say, but you have to say this? And it sounds disgusting. There is no sense of aesthetics.
This does not mean that the times should not move forward and that youth cannot come from blue; that is absolutely not what it means. Poets also have their own opinions on this; Li Shangyin's poem said: "Tonghua is thousands of miles along the Danshan Road, and the young phoenix's voice is clearer than the old phoenix"; Liu Yuxi's poem said: "Please don't play the songs of the previous dynasty, and listen to the newly translated willow branches." "; He also has a poem that is even more profound: "Thousands of sails pass by the side of the sunken boat, and thousands of trees spring in front of the diseased trees." This tells the law of social evolution. Of course, the meaning of poetry is always very broad and can be easily used by all kinds of people. I remember that Zhang Chunqiao during the "Cultural Revolution" posted these two lines of Liu Yuxi's poems in his office. Knock down veteran cadres, they have ulterior motives.
When poets write poems, they always entrust their best feelings with the best things in nature. It beautifies nature, imagination, and moral sentiments. For example, Zhang Ruoxu's swan song "Spring River with Flowers and Moonlight Night" was praised by the poet Wen Yiduo as "a single piece that overwhelms the entire Tang Dynasty". This poem integrates emotion and scenery. To describe the scenery is to describe the emotion, and the emotion arises from the scenery. At the same time, the scenery is described with an emotional tone, making the scenery sentimental. Using aria-like language to describe scenes was a unique skill of the Tang Dynasty poets. Please see, the first four sentences of "Spring River with Flowers and Moonlight Night" seem to describe the scene, but in fact they are full of emotion: "The tide of the Spring River is connected to the level of the river, and the bright moon on the sea rises with the tide. The twinkling waves follow the waves for thousands of miles, but where is the spring? There is no moonlight”. Then, the poet further lamented: "The river and the sky are the same color without dust, and there is a lone moon in the bright sky. Who on the bank of the river sees the moon for the first time, and when does the moon on the river shine on people for the first time?" He then further expressed his philosophical life feelings: "The white clouds have gone away. Long time ago, there was so much sorrow on the Qingfeng Pond. Who is missing the moon tower tonight? "Finally, his sigh reached its peak: "I don't know how many people are returning by the moon, and the falling moon shakes the trees in the river with love." What a heavy sigh! It is full of love, but not a word leaves the scene. The falling moon shook down all the sadness in the sky, spreading all over the Spring River and the flowers and trees along the river. How touching and beautiful! "The falling moon shakes the trees all over the river with love" is a famous saying through the ages. This famous poem follows Chen Sui Dynasty Yuefu music and expresses the sincere and touching emotions of farewell. It is full of life emotions, the language is fresh and beautiful, and the rhythm is melodious. It is said that Zhang Ruoxu only left two works in his life, and this is the most famous one among them.
Sometimes, poets also like to use dangerous pens and heavy sentences to vividly and touchingly describe the dangers of the world, the ups and downs of life, and the brutality of war. The poet Li He loved to use dangerous sentences. In "The Journey of the Governor of Yanmen", "Dark clouds threaten to destroy the city", which is still used many times today. I especially love to read his famous lines such as "The drums are heavy with frost but the sound of the cold cannot be heard" and "The swallow's fat freezes purple at night". They seem to be describing scenes and objects, but they are actually describing feelings and the heavy mentality of a strong man before his death. , is the objectification of the strong man’s own thoughts. These soul-stirring poems are so well written that each word is imbued with the poet's life experience. The vivid image and profound poetic sentiment express the mentality of a strong man in a profound way. No wonder people in the Song Dynasty called Li He a ghost. It was very accurate.
Poets are very serious about writing poems. It is said that Li He spent the whole day looking for words and sentences in a spell, riding on a horse with pen and paper in his arms, and immediately recorded what he found. There is also Jia Dao, a famous bitter poet. When he wrote poems, there was a saying that "it takes three years to get two lines, and one poem brings tears to his eyes." Once he wrote a poem "Inscribed on Li Ning's Residence in Seclusion", which included the sentence "The bird stayed in the tree beside the pond, and the monk knocked on the door under the moon". I have been hesitant whether to use the word "knock" or "push" in the next sentence. After much deliberation, I accidentally bumped into the ceremonial team of a high official on the road. He was caught and interrogated, and the whole story was revealed. Unexpectedly, this high official turned out to be Han Yu, who had been in power for eight generations.
The two began to study, and finally Han Yu advocated using the word "knock" to contrast the silence of the night with sound, which was more artistic. It became a good story for a while. There is another story. Qi Ji, a famous monk in the Tang Dynasty, wrote a poem about plum blossoms, "Early Plum Blossoms", which included "In the deep snow in the front village, several branches bloomed last night." After reading it, his friend Zheng Gu suggested The word "number" was changed to the word "一", because only when "one branch blooms" is it considered an early plum blossom. Qi Ji admired Zheng Gu very much and called Zheng Gu "one-character master". This serious creative attitude can create a prosperous poetry era in the Tang Dynasty. This is thousands of times better than our popular songs today, which just hum nonsense like "I love you," "I love you to death," "I love you to death," and "Can't live without you." Such vulgar pop songs will only cause people to have rampant desires, lower their spirits, and even encourage social crime and murder. This realistic situation forces me to think wildly. Under the conditions of market economy, does social modernization have to pay a heavy price for moral corruption? Being materially wealthy but spiritually humbled, is this tragic antinomy an unchangeable necessity of social development? In theoretical politics, philosophers and politicians can write and talk as much as they like; but in reality, the situation is becoming increasingly serious and intensifying, and the situation seems to be out of control. I cannot answer this question, and it is not included in this article. I had to let the person in charge handle it.
I don’t want to go on any further. I can’t finish it if the length is doubled. There are 50,000 Tang poems, can you finish them? The world of classical poetry is boundless in territory, boundless in beauty, and boundless in spiritual charm. It is endless to teach people and endless to learn. In short, in our society today, I think the easiest spiritual way out is this one: move closer to classical literature and poetry. Due to five thousand years of accumulation, the traditional humanistic spirit has become a deep-rooted mindset and is indestructible. Traditional moral norms, Confucianism's entry into the world, Taoism's entry into the world and rebirth, and Buddhism's rebirth and rebirth into the world. The integration of the three religions is reflected in classical poetry, which is still very noble and beautiful. A Spring and Autumn folk song says: "The water in Canglang is clear, so I can wash my tassel; the water in Canglang is turbid, I can wash my feet." Regarding poetry, I firmly believe that "the vastness of classical poetry can touch my heart." I had no choice but to seek refuge in the temple of classical poetry. However, I don’t regret it. I still want to say: Love classical poetry. Compared with those popular songs that are popular, it will make your soul more beautiful, your moral character higher, and maybe you can live longer.
(The author is a retired cadre of Station 203)