"Weeds" in The Book of Songs
Weed tendrils, dew shining on the grass. A beautiful woman is walking on the road, very beautiful. It's perfect for me to meet a real coincidence. Wild weeds grow in rows, and dew is round and round on the grass. A beautiful woman is walking on the road, with clear facial features and beautiful and moving. I didn't expect to meet the real Joe, and she was both happy. -There are creeping weeds in Zheng Feng of the Book of Songs.
There are many beautiful sentences in The Book of Songs. Today I'm going to talk about the four words "there are creeping weeds in the wild", which is also my favorite sentence. I think these words fully show the natural and simple human beauty that flashes out in an instant. It also reflects the hero's high artistic accomplishment.
The story takes place in the wild, the air should be good, and the perspective is wide, which makes people relaxed and happy. This is a place full of romance, imagination, freedom and vitality. The first word "wild" brings us endless artistic conception. The creeping weed behind highlights a detail that can be described as coarse and fine, which makes people feel very real and seems within reach. This is only half a sentence, and a beautiful artistic conception full of reverie will be vividly portrayed. The second half of the sentence is full of dew, which means that the grass leaves are covered with dew, and the dew is full and crystal clear, which is a more detailed description. Although this description is also a description of objective things, it actually begins to express the delicate mood of the protagonist at that time.
The second sentence is beautiful, young and graceful. A beautiful girl appeared. How beautiful is this girl? There is no specific description, but an artistic abstract summary with a sentence "Yang Qingwan Xi", leaving everyone with endless imagination. This half sentence can be regarded as a further expression of the hero's inner desire for beauty.
The third sentence, meeting each other late, suits me. The first half of the sentence shows that we met unexpectedly, and it also shows that such a beautiful girl is a strange girl. This strange and unexpected encounter provides a very appropriate aesthetic distance between the protagonist and the beautiful girl. Strange girl, I think the word itself is a beautiful poem. The second half of the sentence suits me very well, and finally reveals the protagonist's mind very clearly. This is the girl of my dreams!
This kind of confession not only makes us feel the surprise of the protagonist, but also makes us feel abrupt, but from the heart, natural and simple. This is because the first two naked and elegant second half sentences have actually laid a good foundation. We can regard the first half of each sentence as an objective description, while the second half is a portrayal of the hero's heart. First describe the external situation in half a sentence, then follow up with half a sentence to show the subtle world inside, and constantly promote the expression of the inner world. Then by using repetition, I further expressed such a good wish of "being with my son".
From "zero exposure", "young and frivolous", to "following my will" and then to "hiding with my son", we can fully understand the subtle psychological activities of the hero at that time. Both "to my liking" and "hiding my son" should be instantaneous psychological activities, and also a short psychological process from "to my liking". Ah, this is my dream girl. I am willing to live with her for a long time and share this wonderful life. At such a moment, the eternal beauty of human nature shines. The author captured all this well and fixed the beauty of human nature in an instant.
Poetry is natural, beautiful and vivid, with a long charm, skillful and clumsy, a few sentences, delicate and vivid. For such a poem, it seems that no amount of appreciation and praise is superfluous. You must read it again and again and appreciate it carefully, and beauty lies in it.