Emperor Qianlong's love for Song porcelain is beyond words. "Where can I get moss after the rain? Pick it and wash it to make it cool. " In the poem, moss is like glaze, and raindrops are like lines. In the imagination of Emperor Qianlong, celadon was as clean as moss marks washed out by rain, cool and comfortable. And "lines are like ice cracks and dark lines, colors are like clear blue and flat", and Ru Ci's opening film is compared to ice cracks and glaze color is compared to blue, and the picture is beautiful and elegant, which is unique in the poem.
"The ancient bottle is inclined to be ruthless, and the bottom of the Third Ring Road is antique. Buron Kiln won, and the beauty recalled the old days. " This poem is a compliment to the ancient bottle of Jun kiln. Emperor Qianlong skillfully personified the ancient bottle, and a picture of a beautiful woman looking back on the past came to the fore. Jun kiln porcelain is known as the "crown of ancient porcelain" because of its clear bone appearance and bright glaze color. This poem by Emperor Qianlong not only praised the artistic value of Jun kiln, but also expressed his recollection and nostalgia for history.
"Pink-green fixer is the most vivid, and bamboo leaves win. Nothing is more natural than flowers, which are generated straight into the sky. " Emperor Qianlong's love for Ding Yao porcelain is also beyond words. Ding Yao white porcelain is famous for its high whiteness, moist glaze color and exquisite ornamentation. Emperor Qianlong praised it for its snow-covered and eye-catching patterns. The so-called "not to compare flowers with nature, but to produce directly from heaven" praised the beauty of Ding kiln porcelain to the extreme and thought that it had reached the realm of harmony between man and nature.
Emperor Qianlong's admiration for Song porcelain is not only reflected in his poems, but also in his collection and appreciation. He ordered the imitation of Song porcelain and personally participated in the design, integrating the aesthetics of Song porcelain into the production of Qing porcelain. Under his influence, the porcelain-making technology in Qing Dynasty reached a new peak, and many excellent works such as pastel and enamel appeared, all of which showed the emperor Qianlong's love and admiration for Song porcelain.
Emperor Qianlong's admiration for Song porcelain not only affirmed the artistic value of porcelain itself, but also inherited and developed the traditional culture of China. Through the poems of Emperor Qianlong, we can appreciate the unique charm of Song porcelain and feel the deep affection of Emperor Qianlong for China traditional culture and his pursuit of beauty.