Liuyong, Wang Haichao
Southeast shape wins, Sanwu city, Qiantang has been prosperous since ancient times. Smoke willow painting bridge, wind curtain and green curtain, interlaced with 100 thousand people. Clouds and trees surround the bank and sand. The raging waves roll with frost and snow, and the natural hazards are endless. The city is full of jewels, and every household in Luo Qi is competing for beauty.
Thick lakes overlap and are clear. There are Sanqiu cassia seed and Shili Lotus. Qiang tube clear sky in Wan Li, night, enjoy the lotus. A thousand riders have high teeth. While listening to Xiao Gu's drunkenness, he enjoyed the clouds. The map of the future will be good. I will go back to Fengchi to boast.
Enjoy 1
Contrary to Liu Yong's consistent style, this poem describes the prosperity and magnificence of Hangzhou with great colors, which can be described as "calming the weather and describing the music to the end" (see Chen's "Xie Zhi Zhai Ti"). This long and slow poem is a masterpiece handed down by Liu Yong.
The first three sentences, starting from the title, cover the whole article with great momentum. First of all, it points out the importance and long history of Hangzhou's geographical location, and reveals the theme of singing. Sanwu, Old Finger, wujun and Huiji. Qiantang, namely Hangzhou. Known as the "Capital of the Three Wu Dynasties", it is said to be an important city in the southeast and the Three Wu Dynasties. Among them, the words "Xing Sheng" and "Xing" are the finishing touch. From the beginning of "Smoke Willow", it describes the victory and prosperity of Hangzhou from all aspects. "Willow Painting Bridge" describes the beauty of the street river bridge; "Green curtains inside" describes the elegance of residential buildings. The phrase "100,000 different families" has changed from weak to strong, showing the richness of hukou in the whole city. "Uneven" means about. From the city to the suburbs, I saw trees walking on the Qiantang River embankment, looking from a distance, gray and gloomy, like clouds. A word "around" describes the twists and turns of the long embankment. The two sentences of "Angry Waves" describe the surging and mighty Qiantang River. "Natural moat", originally meant as a natural deep ditch, moved here to describe Qiantang River. Watching the tide in Qiantang River in August has always been called a grand occasion. It is essential to describe the tides in Qiantang River. The three sentences of "city list" only grasp the two details of "Pearl" and "Luoqi", and then reflect the prosperity of the market and the prosperity of the citizens. Both Zhu Ji and Luo Qi are women's things, suggesting that Hang Cheng is full of lewdness. The word "striving for luxury" is obviously a dazzling array of goods among the four stores, while the word "striving for luxury" implicitly shows that businessmen win glory, reflecting the extravagant side of Hangzhou, a bustling city.
The next film focuses on the West Lake. The clean and quiet West Lake is as beautiful as a mirror. As for the early Song Dynasty, it was very beautiful. Sinking Lake refers to the inner lake and outer lake divided by Bai Causeway in the West Lake. Dieshan refers to the overlapping mountains such as Lingyin Mountain, Nanping Mountain and Huiri Peak. The beauty of lakes and mountains is first summed up by the word "Ting Anne", and then the laurel on the mountain and the lotus in the lake are written. These two kinds of flowers are also typical scenery of Hangzhou. Liu Yong described two kinds of flowers in different seasons with a neat couplet here. The phrase "Sanqiu Guizi, Shili Lotus" is indeed highly concise, which summarizes the most beautiful scenery of the West Lake and even the whole Hangzhou, and has inspiring artistic power. "The tube is strong and sunny, and Lingge sings all night", and the antithesis is also very stable and melodious. The meanings of "pan-night" and "flirting" are different, indicating that the lake is rippling with beautiful flute and ling songs no matter day or night. The word "Pan" means "playing to catch a lotus doll" on a boat in the lake, which means that the fisherman who plays the Qiang flute and the lotus girl who sings are very happy. The word "frolic" vividly describes their happy demeanor and depicts a picture of the country, the country and the people.
Then the poet wrote the scene of dignitaries playing here. Crowds of cavalry surrounded by high tooth flags came slowly and with great momentum. The brushwork is dripping and the style is rich, which seems to make people see a mighty and romantic local governor, drinking and having fun, standing proudly between mountains and rivers. "The map of the future will be good, and I will go back to Fengchi to boast." Is the conclusion of this word. Phoenix pond, or phoenix pond, was originally a pond in the forbidden garden of the emperor. During the Wei and Jin Dynasties, Chinese books were famous for saving land and being close to the palace. The word "good scenery" will cover everything written and not written on it. It means that when the dignitaries call back, they will draw a picture of the good scenery and present it to the court, boasting to their colleagues that there is such a fairyland on earth. The absence of dignitaries set off the beauty of the West Lake.
The tune of "Looking at the Sea Tide" first appeared in the Collection of Movements, which is a new sound created by Liu Yong. This word is about the richness and beauty of Hangzhou. His artistic conception is ingenious, the first one is about Hangzhou, and the next one is about West Lake, which combines dots and faces, crosses light and shade, and describes smoothly. The grandeur of his scenery and the agitation of his tone are not far from Dongpo. In particular, the use of phrases composed of numbers, such as "35 teams", "100,000 families", "Sanqiu devils", "ten-mile lotus flowers" and "a thousand-mile horse with high teeth", has exaggerated tone, which is helpful to form Liu Yong's bold and unconstrained ci style.
Appreciate II
The inscription "Watching the Tide" was written by Liu Yong, which probably means that Hangzhou is a tidal resort.
Hangzhou on the Qiantang River has been a famous metropolis since ancient times, with beautiful scenery, rich humanities, prosperous economy and rich life. In this poem, Liu Yong described Hangzhou with vivid pen and ink.
"The southeast shape wins, and the three Wu cities will be generals", and the pen is broad and straight up and down. Two four-character antithesis, great momentum and extraordinary strength. "Southeast", in terms of direction; "Three Wu", in terms of geographical location. Explain the vast geographical space and vast territory, give people a sense of openness and arouse people's reading expectations: where did it occupy the right position at the right time? The next sentence is followed by an answer: "Qiantang has been prosperous since ancient times." "Since ancient times" has highlighted the long history and prosperity of Hangzhou.
Next, the poets counted the natural scenery and human landscape of Hangzhou one by one. The following three sentences give a vivid explanation of "metropolis", "material victory" and "prosperity" in the first sentence respectively. "Smoke willow painting bridge, wind curtain and green curtain, the number of 100,000 people is staggering." Looking from a distance, weeping willows contain smoke, mist is like gauze, and Hongqiao is picturesque. It's really a beautiful scenery that only exists in paintings. This place is full of people, all kinds of buildings, all terrain, row upon row, eaves teeth scattered all over the floor; Take a closer look, the breeze blows, and the curtains of thousands of families sway gently, which seems to be refreshing. This is really a "metropolis" scene. "Uneven" describes the uneven height of pavilions, while "100,000" refers to a large population, which is not necessarily an exact number. "Clouds and trees surround the dike sand, and the waves roll with frost and snow, and the natural hazards are endless." The line of sight turned from the city to write "Sheng Xing" on the Qiantang River. Towering ancient trees surround the riverbank, and the surging river waves are rushing like anger, stirring up white waves like frost and snow. The magnificent Qiantang River is like a natural trench, which blocks the invasion of the enemy in the north. The word "winding" indicates that ancient trees are in rows, long dikes are winding, and the word "rolling" is like a raging wave. "Pearl in the city, Luo Qi in every household, competing for luxury." Zoom in and walk around the market. Beads, jade and precious stones are all over the city, and every household has beautiful cabinets. People's clothes are glamorous and luxurious, and they compete with each other. "Pillar", "profit" and "struggle" have put economic prosperity and rich and luxurious life into practice.
The beauty of Hangzhou lies in the West Lake, and the beauty of the West Lake lies in the beauty of scenery and people. "The heavy lake is stacked in Ting Anne, with Sanqiu cassia seed and Shili lotus." There is a lake outside the lake and a mountain outside the mountain. The mountains and waters of the West Lake are beautiful, really beautiful. Even more beautiful is "Sanqiu Guizi, Shili Lotus", a timeless quatrain. "Sanqiu" means that osmanthus fragrans has a long flowering period and a strong fragrance, which will last for a long time; "Shili" means that lotus flowers are widely planted in the lake. When it blooms, it can be said that "the lotus leaves are infinitely blue the next day, and the lotus flowers are of different colors". A word brings out many images, such as lakes, mountains, autumn moon, osmanthus flowers and lotus flowers, which makes people relaxed and imaginative. "Sanqiu Devil" reminds people of the beautiful legend about the West Lake. Legend has it that every Mid-Autumn Festival in Lingyin Temple and Tianzhu Temple in West Lake, dew cinnamon often falls from the sky, which is very fragrant. It fell from the osmanthus tree in the Moon Palace and was given by the lonely Chang 'e, so Song wrote in Lingyin Temple: "The laurel tree falls in the moonlight, and the fragrance is floating outside." Bai Juyi's "Recalling Jiangnan" also includes "Looking for Guizi in the Temple under the Moon". Beautiful legends add a mysterious and ethereal color to the beautiful West Lake. The two sentences of "Clear the sky with strong management, and let Brother Ling drown the night" are intertextual, that is, clear the sky with strong management, drown the night, and let Brother Ling drown the night and clear up. It means that the flute is singing day and night, flying in the clear sky and rippling in the moonlight. "Get" makes the piper and driller's natural and cheerful feelings increase sharply; Disc shows people playing the flute in the lake, and the flute song seems to ripple with the lake, showing a light and pleasant appearance. "Playing to catch lotus dolls", the old people fishing by the lake are at ease, and the children picking lotus in the lake are noisy and playful. In a word, we show a picture of the happiness of the people in peace and prosperity.
"A thousand riding high teeth, drunk listening to flutes and drums, enjoying the haze." Dignitaries travel with dignity and prestige, and they really have the potential to respond with one voice and one voice. In my spare time, I like wine tasting, poetry painting and landscape appreciation. "The map of the future will be good, and I will go back to Fengchi to boast." At this point, it shows that the purpose of writing is to pay homage to Sun He. "One day" and "returning to Fengchi" are good wishes for Sun He's career prospects, and this "beautiful scene" is enough to "boast" the people of the imperial court, which comes down to praise for the magnificent Hangzhou. Although flattery and exaggeration are inevitable, the landscape people of the West Lake have already proved themselves. If you don't believe me, please come to Hangzhou and see for yourself! (Jiang Yayun).
Appreciation 3
Wang Haichao is also a famous work in Liu Yong's ci.
Qiantang (now Hangzhou, Zhejiang) has been a famous big city in history since the Tang Dynasty, and it developed further in the Song Dynasty. Liu Yong has lived in Hangzhou for a period of time and has personal experience and deep feelings for the scenic spots, customs and customs of Hangzhou. Therefore, in this poem, he can describe Hangzhou with vivid pen and ink. The beautiful scenery of the West Lake, the spectacular scenery of Qian Jiangchao, the prosperity of downtown Hangzhou, the enjoyment of the local upper class and the working life of the lower class have all been written by the poet and painted into a beautiful, magnificent and vivid picture. The value of this painting is not only that it depicts the beautiful mountains and rivers in Hangzhou, but more importantly, it shows the local customs at that time.
According to Luo Dajing's "He Lin Yu Lu", this word is a work presented by Liu Yong to his old friend Sun He. At that time, Sun He was appointed as the Zhejiang-Zhejiang transshipment ambassador and was stationed in Hangzhou. Between the lines, "a thousand riding high teeth" may refer to Sun He. Because it was presented to the governor of Hangzhou, it was inevitable to exaggerate the description of Hangzhou at that time, and it was inevitable to end with compliments and entertainment. But more importantly, through the superficial phenomenon of "competing for luxury", readers can also see the richness of "pearls all over the city, Luo Qi all over the house", the lightness and joy of "singing all night with a clear pipe" and the elegance and elegance of "listening to flutes and drums while drinking". All this can only be produced on the basis of the great material wealth created by the long-term hard work of the ancient working people. "The ups and downs of lakes and mountains offer" and "Liuhua Bridge" are not born, but the result of working people managing rivers and mountains and transforming nature. "The sand tree on the bank of the cloud" and "Sanqiu laurel tree with ten miles of lotus flowers" are all created by the hard hands of the working people. At that time, Liu Yong greatly appreciated this and was proud of it. When we read such words today, we should not be too demanding and even accuse him of "covering up the class contradiction and the disparity between the rich and the poor at that time". Instead, we should feel the magnificence of the motherland and the hard-working wisdom of the ancients from the pictures provided in the words, and enhance our national self-confidence and national pride. The praise of "there is heaven above and Suzhou and Hangzhou below" has a long history. This is not a compliment.
This word is also quite successful in art, grasping the characteristics. The author presents the charming scenery of West Lake and Qiantang to readers with passionate and exaggerated style and few words. The first part mainly outlines the "shape victory" and "prosperity" of Qiantang, using a lot of rich colors, and the buildings with dangerous terrain are full of weather. The writing method is from generalization to concreteness, developing step by step and deepening step by step. For example, in the first three paragraphs, "Xing Sheng", "Metropolis" and "Fan Hua" are given, but after all, they are general and straightforward, and it is hard to impress people. The following nine sentences closely revolve around these six words, and the realm immediately expands: "Draw a willow bridge" refers to "metropolis", "Clouds and trees surround the embankment, and waves and frost and snow roll wildly" focuses on "shape victory", while "The city is full of Luo Qi" highlights the prosperity of Hangzhou. Writing focuses on the word "good scenery", especially the people who appear in "good scenery" "Heavy Lake" three sentences describe the beauty of the West Lake, among which "Sanqiu Guizi, Shili Lotus" is a natural and charming sentence. Three sentences of "Guan Qiangqing" were written by the lower class, and three sentences of "A Thousand Times with High Teeth" were written by the county magistrate. Finally, it ended with praise.
In addition to full feelings and moderate exaggeration, the language, rhythm and tone of the text are also properly combined with the content of the text. Wang Haichao was also initiated by Liu Yong, and the inscription was closely combined with the content and regional characteristics of the words. In the last movie, I described the spectacular scenery of Qian Jiangchao and used strong and spectacular words such as "surging waves", "frost and snow" and "natural moat". The words are short and the tone is urgent, as if the spring tide is surging in, thunderous and unstoppable. When writing about the beauty of the West Lake, the words are beautiful, the length is long, and the rhythm is peaceful and soothing. Finally, a beautiful sentence like "Sanqiu devil" appeared, and then it was constantly touched by words like "strong management". The beautiful West Lake is even more refreshing.
This is a word with strong artistic appeal. According to legend, after listening to and singing "Sanqiu Guizi, Shili Lotus", the gold master was amazed at the prosperity of Qiantang, which strengthened his ambition to embezzle the Southern Song Dynasty. To this end, the Song Dynasty poet Xie Yi (Chu Hou) also wrote a poem: "Don't forget the melody of Hangzhou, the lotus is ten miles away. I don't know that the vegetation is ruthless and affects the Wan Li of the Yangtze River. " (See Luo Dajing's "He Lu") It is not credible to say that Jin germinated the heart of invading the south because of the influence of one sentence. However, the appearance of this legend can confirm that the artistic appeal of this word is very strong. As a senior bureaucrat, Fan Zhen also spoke highly of the word Liu Yong: "Renping was forty-two years, Hanyuan was more than ten years. A song can't be sung, and it can be skillfully seen between the lines of Qi Qing. " (See Yu Fang's Shenglan) One of the main manifestations of Liu Yong's expansion of ci content is that his ci reflects the prosperity of the city and the magnificence of mountains and rivers. Besides singing Hangzhou, Liu Yong's ci also sings Suzhou (Yulan Slow and Partridge). Yangzhou (Linjiang Xian), Chengdu (an inch of gold), Luoyang (youth travel), Bianjing (drinking cups and throwing pens), the capital of the Northern Song Dynasty. It left a vivid picture for the prosperity of the city in the Song Dynasty.