Two untitled poems by Li Shangyin, a poet in Tang Dynasty.
The original text is as follows:
There are many curtains in your carefree house, where ecstasy will last all night.
The Wushan goddess of Chu was originally a dream; Qingxi is the residence of my sister-in-law, and there is no lang here.
I am a weak lingzhi, biased by storms; I'm Lingfang, but I don't have any fragrant leaves.
Although fully aware of lovesickness, there is no good health; I am infatuated with it to the end and fall in love for life.
The translation is as follows:
The heavy curtain falls deeply, and I live alone in Mochou Hall. Sleeping alone makes me feel the quiet night is long. It was a dream for the king of Chu to meet the goddess Wushan; Qingxi sister-in-law mansion, this is the only one without lang. I am a weak rhombic branch, I have been devastated by the storm; I am a laurel leaf, but I don't have the fragrance of the moon dew. Although I know it is unhealthy to indulge in lovesickness; I'm obsessed with it to the end, and I'm crazy all my life.
Extended data:
works appreciation
Li Shangyin's Seven Laws Untitled is the most mature in art, which can best represent the unique artistic style of his untitled poems. The first poem expresses the bitterness of young women's frustrated love and the hopeless depression of lovesickness, and adopts the way that the heroine recalls the past late at night. Therefore, the heroine's psychological monologue constitutes the main body of the poem. Her life experience and some specific events in her love life are expressed through memories, either implicitly or explicitly.
Since the middle Tang Dynasty, poems describing love and pornography have gradually increased. This kind of works are characterized by more narrative elements, stronger plots and detailed descriptions of characters and scenes. Li Shangyin's love poems, on the other hand, are mainly lyrical, focusing on the subjective feelings and psychological activities of the protagonist and showing her (his) rich and complicated inner world.
In order to strengthen the vividness and vividness of lyricism, it is often necessary to weave some plot fragments into poems and incorporate certain narrative elements into lyricism. This greatly increases the content density of poetry, forming a contradiction between short system and rich content. In order to overcome this contradiction, he had to greatly strengthen the leap between poems, and use metaphor, symbol, association and other means to strengthen the suggestibility of poems.
This is an important reason why his love poems are not obvious and difficult to read. But because of this, his love poems often have the characteristics and advantages of profound meaning, profound artistic conception and delicate writing, which can stand repeated chewing and playing.
Baidu encyclopedia-two untitled songs