For many years, you have been living in seclusion in my wound. I let go of heaven and earth, but I never let go of you. You can say goodbye to all the water in Qian Shan for the rest of your life. -Cangyang Jiacuo
3. How many secrets does a person need to hide to spend his life skillfully? -Cangyang Jiacuo
I used to think that my lust would harm Brahma, and I was afraid to leave the whole city when I entered the mountain. I am safe in the world and live up to the Tathagata. -Cangyang Jiacuo
Nothing in the world is nosy except life and death. -Cangyang Jiacuo's poem "Biography of Cangyang Jiacuo"
But as soon as we met, we knew each other. When we met, we never met. Andrew and the monarch are determined to avoid where will you go's lovesickness. -Cangyang Jiacuo
7: Living in Potala Palace, I am the biggest king in the snowy area. Walking in the streets of Lhasa, I am the most beautiful lover in the world. -Cangyang Jiacuo
8. Laugh at the flashy moonlight, and laugh at the flowers that have quietly passed away-Cangyang Jiacuo
9. How many secrets does a person need to hide in order to spend his life skillfully? This plateau illuminated by Buddha's light is heaven in three steps and two steps, but there are still so many people who are preoccupied and can't walk-Cangyang Jiacuo
10: You can say goodbye to all the water in Qian Shan in this life. Nothing in the world is nosy except life and death. -Cangyang Jiacuo
1 1: You have been living in seclusion in my wound for years. I let go of heaven and earth, but I never let go of you. You can say goodbye to all the water in Qian Shan for the rest of your life. Nothing in the world is meddling except life and death. -Cangyang Jiacuo
12: The Buddha shines on the plateau in three steps and makes two steps, which is heaven, but there are still so many people who are absorbed in walking. -Cangyang Jiacuo
13: We are United and bound together, although this life is short and lingering. Yushu was still a teenager the day he met Qing near-re-embodiment. -Cangyang Jiacuo
14: If there is an afterlife, I would like to be a person all my life, just one of all beings, even if I am poor and miserable all my life, as long as I can love, hate, sing, dance and cry, as long as I can do what I want. -Cangyang Jiacuo
15: You have been living in my heart for so many years. I let go of heaven and earth, but I never let go of you. Epiphany is a good thing. There is nothing in the world except life and death, but to mind your own business. I will sit alone on the top of Sumeru Mountain and watch Wan Li floating clouds, watch one person play the piano in the snow, and the other person will listen to you in the snow. You can bid farewell to the flowers in your life, open and close the fruits of Bodhi one by one, and play an empty mountain to tell me your footprints.
16: I live in Potala Palace. I am the biggest king in the snowy area. Walking in the streets of Lhasa, I am the most beautiful lover in the world. Being with Maggie Ami is more vivid, and I am afraid that my passion will damage Sanskrit, and I am afraid that I will miss the whole city in the mountains. In this world, you can live up to the Tathagata, and you can live up to the Tathagata. -Cangyang Jiacuo
Although this life is short and moving, I will meet you in the next life. A teenager in Raymond doesn't care about the impermanence of life and death, but he is extremely smart. He is proud of the wisdom of the world after death, lamenting that he has always been unruly in this vast mountain, and the machine is still so bad that he can't restrain the people at the bedside from accompanying you with the green window. He regrets that he went to the jungle with a bowl by mistake in his life, and he also holds a negative attitude towards the meditation and observation of beautiful women. A monk who came to the mountain without courtship asked for advice. The guru said that because of the struggle for love, I am free. When he came to Qingqing, he was worried about hurting Sanskrit. When you enter the mountain, you are afraid that you will be safe all day, but you are ashamed of the Tathagata —— Cangyang Jiacuo's "Shaming on the Tathagata and Shaming on it"