In our ordinary daily life, everyone has more or less been exposed to some classic ancient poems, which are a unique style of Chinese with special format and rhythm. What are the ancient poems you have seen? The following are the ancient poems of Luchai collected by me. Welcome to share them. Lu Chai's Ancient Poetry 1
Lu Chai
Author: Wang Wei
there seems to be no one on the empty mountain, and yet I think I hear a voice.
Back into the deep forest, shines back to me from the green moss.
Note:
1. Luchai: It is called firewood with a wooden fence as the column, and Luchai is where deer live.
2. Retrospect: It refers to the scene that the sunlight retrospects to the east at sunset.
Rhyme translation:
The mountains are empty and there is no one,
Only noisy voices can be heard.
the golden light of the setting sun shines into the deep forest, and
the moss shows a dim light.
Comment:
This is a landscape poem. Describe the quiet scenery of Luchai in the evening. The beauty of poetry lies in its dynamic setting against the static, local setting against the overall situation, fresh and natural, and unpretentious. When I put pen to paper, I wrote "empty mountain" and it was deserted. Then I turned to "but smell" and
led to "human voice ringing". The more empty the valley is, the more empty it is; After the human language, the more empty it is. Finally, I wrote some reflections of the afterglow of the sunset < P >, which triggered the feeling of gloom. Lu Chai's Ancient Poems 2
there seems to be no one on the empty mountain, and yet I think I hear a voice. The shadow of the setting sun came into deep forest, and the landscape was pleasant on the moss. -Wang Wei
After reading the poem "Lu Chai" written by the slow poet Wang Wei, I saw a moving scene in the mountains and felt strongly the harmonious beauty of "quietness" and "movement" in nature. You see:
In the open mountain forest near Luchai, the air is fresh, quiet and deep, and the dense trees are covered layer by layer, so there is no trace of people, only someone is softly talking. In the evening, the setting sun shone through the dense leaves into this quiet forest. many-hued was dotted, and a beam of sunlight reflected on the green and wet moss moved very slowly.
The distant view is the human language set off by an empty mountain, and the close view is the sunset set off by moss. There is movement and quietness, and quietness is the main tone. Although the movement is slight, it stands out. The static foil moves, and the dynamic foil the static, which is more quiet and dynamic. The mutual foil of motion and static is the beauty of harmony.
The green leaves set off the safflower, which is greener and redder. It is beautiful and harmonious.
in a quiet classroom, students concentrate and think actively, teachers are persuasive and eloquent, and knowledge and wisdom flow quietly between teachers and students, which is still the harmonious beauty of quietness and movement.
I admire the beauty of harmony, and I appreciate it. Lu Chai's Ancient Poems 3
Lu Chai
Wang Wei
there seems to be no one on the empty mountain, and yet I think I hear a voice.
where sunlight, entering a grove, shines back to me from the green moss.
note
1. Luchai: place name. Wood, a "village". When marching, camp on the mountain, set up trees for the area to fall, called firewood; A villa with hedges is also called firewood.
2. Emptiness: The poem means emptiness and quietness.
3. but: only.
4. Return to the scenery: the light reflected by the sunset. Scenery, sunlight.
Appreciation of Ancient Poems
This poem is one of Wang Wei's later representative landscape poems, Wangchuan Collection. The poem depicts the quiet scenery of the empty mountains and deep forests near Luchai under the setting sun.
The first sentence "there seems to be no one on the empty mountain" directly describes the loneliness and quietness of an empty mountain. The reason why the mountain is "empty" is because it is deserted. The word "not seeing people" concretizes "emptiness". The second sentence "and yet I think I hear a voice" contrasts the silence of the whole with the local sound. Usually, although there is no one in the mountain, it will not be silent. The word "but smell" excludes all the rustling wind, gurgling water, chirping insects and chirping birds, and only hears a few occasional "human voices". On the surface, these "human voices" seem to have broken the silence. In fact, after a while, the empty mountain returned to the realm of silence.
three or four sentences "where sunlight, entering a grove, shines back to me from the green moss" set off the darkness and coldness of the deep forest with the setting sun. Arguably, to describe the dark realm should avoid the light, but the poet just wrote "where sunlight, entering a grove". At first glance, this faint oblique light seems to bring a glimmer of light to the dark forest belt, but in fact it is just the opposite. When the afterglow of "returning to the scenery" shines on the moss through mottled tree shadows, the sharp contrast between that small piece of light and a large piece of darkness makes the darkness of the deep forest more prominent. Moreover, the "return to the scenery" is not only weak, but also short-lived. After a touch of afterglow disappears in a flash, it is followed by a longer darkness.
Wang Wei's "as the years go by, give me but peace, freedom from ten thousand matters" (answering vice-prefect zhang). Most of the works in Wangchuan Collection focus on describing the quiet and beautiful state of natural scenery. The predecessors thought that these poems won the Zen theory without talking about Zen machine, and they forgot their life experience and lost all thoughts. This reflects Wang Wei's passive thought of indifference to reality in his later years, but the expression of "painting in poetry" in these poems has immortal aesthetic value.
This paper basically contains the general contents of ancient poetry. When preparing for the exam, you can do review materials to help the Chinese exam on poetry.