Four new bamboo shoots in Changgu Beiyuan fell long poles and cut jade. You see, the mother bamboo shoots are made of dragon material. It's better to smoke thousands of feet overnight, but don't pour a few inches of mud into the pond. I take advantage of the green light to write Chu ci, and I hate the fragrance, powder and black parting. No one can see you without pity and hatred, and you will cry a thousand cigarettes. There are two or three stems in the stone eye of Jiaquan, and the roots of the yin are purple. This year, on the spring sand of the canal, the flute is brand-new and green as jade. Old bamboo shoots provoke Yun Lan, while Maoling lies in poverty. The wind blows thousands of acres to meet the rain, and the bird weighs one branch and enters the wine. ? Appreciation of works Changgu is Li He's hometown, where green mountains and clear waters, lush forests and bamboo cultivation. Bamboo, especially, is almost everywhere. "Bamboo is full of sadness, and the powder is green" ("Long Valley Poetry"). Li He likes bamboo very much. While enjoying it, he wrote many poems praising bamboo. Sometimes he wrote poems directly on bamboo to express his feelings. First, the first poem is about objects. The first two sentences of this poem describe the scene of writing poems on bamboo, which is smooth and profound. The "green light" in the sentence refers to bamboo skin, and at the same time clearly shows the color of bamboo skin: "Songs of the South" refers to the songs and poems written by the author himself. The poet thought of Qu Yuan's experience from his own life experience, and here he implicitly expressed his depressed inner resentment through The Songs of the South. The first sentence is seven words, which have both actions and feelings, and the meaning is very rich. The second sentence uses the method of contrast and reflection: Hsinchu exudes a strong fragrance, and the bamboo joints are covered with white powder, which looks vibrant, beautiful and lovely; But where the poem was inscribed, the green peel peeled off and the ink dripped, which defiled the beautiful image of bamboo. Here, the poet skillfully expresses his inner resentment with the contradictory images of "greasy fragrant spring powder" and "black separation" The last two sentences focused on expressing resentment. "Ruthless and hateful" seems to mean writing poems on bamboo. The poet damaged the beautiful face of Hsinchu, which can be said to be a kind of "ruthlessness", and this ruthlessness is caused by uncontrollable resentment in the repressed heart. In this regard, Yao has a wonderful comment: "Kill them and write grievances without good materials; There is no love outside, but there is repressed hatred inside. " (Notes on Hasegawa) The poet once boasted that he was a "dragon material", hoping that he could smoke thousands of feet at night like a new bamboo shoot and rise to the top of the world, but no one appreciated him, and he lived in a secluded village next to bamboo. I wrote poems on bamboo to dispel the resentment in my heart. However, whether it is ruthless or hateful, no one can see it, and no one knows. "Who is heartless and hateful?" Questions are used here, not statements, which makes poetry volatile. The last sentence implicitly answers the question raised in the previous sentence, with mild wording but full of emotion. It tries its best to depict the sad face of bamboo: smoke fills the air, which is difficult to distinguish, just like a sad beauty hiding her face and crying; Dew accumulated on bamboo branches and leaves dripped from time to time, just like undertaker's crying. On the surface, it seems to be writing about the sadness of bamboo, but in fact it is empathy with things, turning people's grievances into bamboo's grievances, thus creating a moving realm of blending things with me and scenes. This poem is written in bamboo from beginning to end, but the poet's own face is everywhere. The sorrow of bamboo is like the sorrow of human beings, and the sorrow of bamboo is also connected with the sorrow of human beings. Writing about bamboo is just like writing about people. The theme is confusing, unpredictable, intentional or unintentional. But elegance is far from being comparable to ordinary poems that express one's mind directly. The whole poem adopts the techniques of "comparison" and "xing", which makes people feel the same and express their feelings by borrowing things. As far as expression is concerned, the form of bamboo calligraphy is real, and people's feelings are empty; From the perspective of life, it's just the opposite. People's feelings are real, and the shape of bamboo is empty, because the poet wrote bamboo to express his long-standing sadness. After the reader understands the theme of the poem, the image of bamboo overlaps with the poet's own direct lyric image and is no longer an independent entity. In this way, there is reality and emptiness, and it seems that there is reality and emptiness, and it seems that there is reality and emptiness. The two are not right in parallel and have no clue, giving people a feeling of endless aftertaste. Secondly, the second poem is also a poem that uses things to chant ambition. The poet here described the new bamboo shoots very beautifully. The bamboo shell is peeled off one by one, and the bamboo shoots grow on the nodes. Crystal clear, like a jasper just carved with a meat cleaver. The image of bamboo shoots here is an idealized and poetic image of the poet. It is clean as jade, full of vitality, strong and straight; It must break free from the shackles of the shell and grow upward. Because this bamboo shoot has such a beautiful posture, the praise of "mother bamboo shoot is a dragon material" did not make people feel abrupt, but naturally came. If the first two sentences mainly talk about the external beauty of bamboo shoots, then the last two sentences are to inherit the growth desire of bamboo shoots and further describe the internal beauty of bamboo shoots. The word "more tolerant" has a profound meaning. If allowed, it is a hypothetical word. The meaning of these two sentences is that if it is allowed to grow fully, the jointing stage will be quite long overnight, and it will naturally take off dust and mud and go straight into the clouds. Here, it expresses Hsinchu's great ambition to soar into the sky, and it is not willing to be buried in the garden mud. This is the inner beauty of new bamboo shoots. In addition, the negative meaning of the word "more tolerant" is that it is "not allowed" now, and it is impossible for new bamboo shoots to smoke in thousands of feet overnight, and it is impossible for them to rise from the ground to the top of the mountain. The bread here contains deep bitterness. Complaining naturally comes from his inability to grow up to be satisfied. This meaning describes the rich "inner world" of Hsinchu from another angle. The poet portrayed Hsinchu with such a beautiful image and beautiful heart, which is a tribute to ambition. This new bamboo shoot is the poet Li He. The poet Li He had many troubles, but he didn't lose his ambition. He has always hoped to reach the top of the world, and this quatrain of chanting bamboo shoots is a true portrayal of his mood. According to the third song "There are two or three stems in the stone eye of Jiaquan", Li He's former residence should be in Changgu Beiyuan. The fourth song "Maoling Returning to Lie and Sighing Poverty" refers to Sima Xiangru's illness returning to Maoling in Han Dynasty. It can be seen that this group of poems was written by Li Lang when he returned to Changgu with illness. When Sima Xiangru was in Emperor Han Jingdi, he used to serve as a regular rider and was exempted from returning due to illness; During the reign of Emperor Wu of the Han Dynasty, he was ordered by Wendi Garden to stay in Maoling due to illness. Li He resigned from his post and returned to Changgu due to illness, so he compared himself with others. These four poems are a group of poems that hold objects and recite ambitions. ?