This sentence is unwilling to be ordinary, refusing to be comfortable, aiming high and having extraordinary spirit!
Farewell Minister Shu Yun of Xuanzhou Xie Tiao Villa.
Author: Li Bai era: Tang school: seven ancient categories: unknown
Since yesterday, I have to leave Bolt and me behind.
It hurts my heart even more today.
Autumn geese are escorted by Changfeng, and I treat them in this villa and drink my wine.
The bones of great writers are all your brushes. In Tianyuan, I grew up beside you, Xiao Xie.
We all yearn for the distance and want to go to the blue sky to embrace the bright moon.
But since the water is still flowing, although we cut it with a sword, sadness will come back, even though we drown them with wine.
Since the world can't satisfy our desire, I will loosen my hair and get on a fishing boat tomorrow.
Precautions:
Xuanzhou: Xuancheng County, Anhui Province today. Xie Tiao Building: Also known as Xiegong Building and North Building. Textbook: official name, short for Textbook Lang. Yun: Li Yun. Penglai: refers to the oriental view of books collected during the Eastern Han Dynasty. Jian 'an Bone refers to the vigorous and fresh style of the works of Cao Cao's father and son and the seven sons of Jian 'an during the Jian 'an period of Emperor Xian of Han Dynasty, which was called "Jian 'an Style" by later generations.
Brief analysis:
The focus of this poem is not to write the feelings of parting, but mainly to express the feelings and grievances that one's ideals and ambitions cannot be realized. The whole poem is gloomy and unrestrained, and almost every sentence is the essence, which is one of the representative works of Li Bai's poetry.
This poem aims to compare Penglai's articles with Liu Yun's to thank him. Clear hair says everything. Say goodbye to praise each other, but cherish your life.
Open the first two sentences, don't write farewell, don't write buildings, but express your own anguish and worries. Three or four sentences turned sharply, from
The depression turned into a magnificent realm, and a picture of sending geese in autumn unfolded. A "hair" and a "sound" point out.
"Farewell" has four sentences with the theme of "Penglai", which praise each other. For example, Penglai Palace is quiet and vigorous, and it is quite Jian 'an.
Bones. And show your talent to thank you? Self-comparison expresses the pursuit of lofty ideals. At the same time, it also shows the poet's
The last four sentences of the concept of literature and art express the irreconcilable feelings between ideal and reality, and it is inevitable to be worried and depressed, so we have to "move with the boat."
Seek sustenance in the middle. Thoughts and feelings change rapidly, and the artistic structure is ups and downs. Ups and downs, for no reason, intermittent, very profound.
It clearly shows the poet's ambivalence. Language is bold and natural, and melody is harmonious and unified. "But since the water is still flowing, although we cut it with the sword, raise your cup.
The phrase "how much trouble you have when you are sad" is a famous saying that describes sadness for thousands of years.
-Quoted from "Ultra-pure Zhai Shi" bookbest. 163.net Translation and comments: Liu Jianxun.
This is the work of Li Bai, secretary of Imperial College, and lee woon-jae at the end of Tianbao in Xuancheng. Xie Tiao Building, also known as the North Building and Xiegong Building, was built by Xie Tiao, a famous poet in Southern Qi Dynasty, when he was the magistrate of Xuancheng. The title of this poem is "Song of Accompanying Yu Shuhua to Climb the Building".
The sponsor didn't write architecture, let alone goodbye, but rose steeply to express stagnation. "Yesterday's Day" and "Today's Day" refer to many "Yesterday" that left me and the "Today" that followed. In other words, every day I feel that the sun and the moon are dim, time is hard to stay, I am upset and depressed. It not only contains the spiritual depression of "difficult official career", but also melts the poet's feeling of dirty political reality. His "troubles" didn't start today, and his "troubles" didn't stop there. Perhaps it can be said that this is an artistic summary of his long-term political experience and feelings. The depth, breadth and intensity of anxiety and anger reflect the increasing corruption of state affairs and the increasing embarrassment of Li Bai's personal experience since Tianbao. The intense mental pain caused by the sharp contradiction between ideal and reality has found a suitable expression here. The origin of surprise, overlapping language (all say "dislike me" and "can't stay"); The words "disturbing my heart", also called "melancholy", and the eleven-word sentence pattern vividly show the poet's deep depression, strong anxiety and anger, chaotic mood, and explosive and uncontrollable emotional state.
Three or four sentences make a sudden turning point: facing the vast clear autumn sky and looking at the magnificent scenery of the red rock, I can't help but arouse the pride of drinking poison to quench my thirst. These two sentences show a magnificent and clear picture of Wan Li's autumn sky in front of readers, and also show the poet's heroic and broad mind. Suddenly, from extreme depression to magnificent realm, it seems that the changes are endless and incredible. But this is why Li Bai is Li Bai. It is precisely because of his lofty ideals and long-term depression by the dark and dirty environment that he has been longing for a vast space where he can gallop freely. Seeing the place where "autumn geese are escorted by Changfeng", I feel refreshed and my worries are swept away. Feel the comfortable fit between the heart and the environment, and the pride of "drinking tall buildings" arises spontaneously.
The next two sentences are addressed to the host and guest respectively. In the Eastern Han Dynasty, scholars called Dongguan (the government library) the Penglai Mountain of Taoism, and in the Tang Dynasty, Penglai Mountain was mostly used. Peng Ge refers to the secretary province, and Liu Yun is the proofreader of the secretary province, so the Penglai article here refers to Liu Yun's article. Jian 'an bone refers to the vigorous "Jian 'an character". The first sentence praises Liu Yun's vigorous style, and the second sentence refers to "Xiao Xie" (that is, Xie Tiao), saying that his poems, like Xie Tiao, have the style of fresh hair. Li Bai admires Xie Tiao very much. Compared with Xiao Xie here, he is full of confidence in his talents. These two sentences naturally fit the title of Xie Tiao Building and School Book.
Seven or eight sentences further exaggerate the interest of both sides in "high buildings", saying that both sides have lofty sentiments and ambitions, and they are even more on cloud nine. It says sunny days in front and clear skies in autumn, but it says "bright moon" here, which shows that the latter is not true. Yunyun's "lust for sex" also shows that this is the poet's rhetoric when he is drunk and prosperous. Boldness and naivety have been harmoniously unified here. This is Li Bai's character. It is true that the bright moon is embraced by the sky, which is a temporary word and may not be entrusted, but this flying and vigorous image makes us clearly feel the poet's yearning for the lofty ideal realm. These two sentences are eloquent and incisive, pushing the high-spirited mood aroused by the realm of "autumn geese and Changfeng escort" to a climax, as if all the darkness and filth in reality were swept away, and all the troubles in my heart were thrown outside the cloud nine.
However, although the poet's spirit can roam in fantasy, the poet's body is always bound to the dirty reality. In reality, there is no such thing as "autumn geese escort with long winds" that can fly freely. What he saw was the abominable situation of "barbarians are full of nakano and trees are full of halls" (Antique 5 1). Therefore, when he returned to reality from fantasy, he felt more strongly that the contradiction between ideal and reality was irreconcilable, which aggravated his inner anxiety and depression. "But since the water is still flowing, although we cut it with a sword, sadness is still flowing, although we drown it with wine", in this case, another major turning point of this recession is inevitable. The metaphor of "But since the water is still flowing, although we use the sword to cut it" is strange and novel, and at the same time it is natural, appropriate and full of life. In front of Xie Tiao Building, there is a stream that flows all the year round. It is easy to associate endless running water with endless troubles, so naturally there is the idea of "drawing a sword and cutting off water", which is triggered by a strong desire to get rid of troubles. Because of the close relationship between metaphor and eye view, it has more or less the meaning of "xing", which makes it feel natural and natural to read. Although the inner anguish can't be dispelled, the detail of "drawing a sword and cutting off water" vividly shows the poet's appeal to get rid of mental anguish, which is obviously different from those who are addicted to depression and can't extricate themselves.
"Since the world can't satisfy our desire, I will let go of my hair tomorrow and take a fishing boat." The contradiction between Li Bai's progressive ideal and the dark reality could not be solved under the historical conditions at that time. Therefore, he is always trapped in the depression of "unable to say what he means" and can only find a way out in the depression of "sending a boat". This conclusion is of course somewhat negative and even contains elements of escapism. However, history and the social class he represents stipulate that he can't find a better way out.
The value of Li Bai lies in that although he is mentally under the pressure of depression, he has not given up his pursuit of progressive ideals. This poem is still full of heroic and generous feelings. The words "Changfeng" and "all in my heart" are more like playing a high-pitched and optimistic tone in sad music and revealing brilliant brilliance in the dark clouds. The sentence "draw out a sword" expresses strong depression, but also shows a stubborn character. Therefore, the feeling of the whole poem is not gloomy and desperate, but heroic and heroic in anxiety and depression. This shows that the poet has neither succumbed to the oppression of the environment nor to the inner pressure.
The ever-changing thoughts and feelings, the ups and downs of the artistic structure and the leap-forward development have been perfectly unified in this poem. At the beginning of the poem, the waves on the ground are rough, showing a long-standing strong mental depression; Then I completely put aside my "worries" and looked at the autumn sky in Wan Li. From the excitement of "high-rise buildings" to the feat of "embracing the bright moon", I soared, and then quickly fell from the sky into the abyss of depression. Straight up and down, open and close freely, without any trace of transition. This ups and downs structure is most suitable for expressing the poet's ever-changing feelings caused by the sharp contradiction between ideal and reality.
The language style of harmonious combination of nature and boldness is also quite prominent in this poem. You must have Li Bai's broad-minded ambition, bold and frank personality, and a high degree of ability to control language, in order to achieve the realm of harmony and unity between bold and natural. The first two sentences of this poem are almost like the language of prose, but there is a bold and vigorous momentum in it. The sentence "Changfeng" is magnificent, uninhibited, and the language is bright and clear, as if it were blurted out. This natural and bold language style is also a reason why this poem is not gloomy although it is extremely worried and depressed.