"There is no wind, willows are all over the sky, and there is no rain, the ground is full of pear flowers." On the surface, it describes the scene, but it is actually a deeply emotional love language. It embodies the sense of prosperity and failure in the description of the bright scenery, criticizing the Southern Song Dynasty court for being intoxicated with singing and dancing. , regardless of state affairs.
"Blue Tile" - Fan Chengda, a poet of the Southern Song Dynasty
The green tile roof is covered with embroidered curtains, and the green stream slops outside the Chilan Bridge.
When there is no wind, the sky is filled with willows and catkins, and when there is no rain, the ground is covered with pear flowers.
Fan Chengda (1126-1193), whose courtesy name was Zhineng, was known as Shihu layman. Han nationality, from Wuxian County, Pingjiang (now Suzhou, Jiangsu Province). Poet of the Southern Song Dynasty. Posthumous title Wenmu. Starting from the Jiangxi School, he later studied the poetry of the Middle and Late Tang Dynasties, inherited the realism spirit of New Yuefu poets such as Bai Juyi, Wang Jian, and Zhang Ji, and finally became his own school. The style is simple, fresh and charming. Poetry has a wide range of themes, and the works that reflect the content of rural social life are the most successful. Together with Yang Wanli, Lu You and You Miao, he is known as the "Four Great ZTE Poets" of the Southern Song Dynasty. Fan Chengda wrote one hundred and thirty volumes of "The Complete Works of Shihu", part of which has been lost today. There are also works such as "Collection of Shihu Poems", "Shihu Ci", "Guihai Yu Heng Zhi", "Lanbri Lu", "Li Luan Lu", "Wu Chuan Lu" and "Wu Jun Zhi". Qing Shen Qin Han published "Fan Shihu Poems Annotations". His poems are also recorded in "The Complete Poems of the Song Dynasty".
"Blue Tile" - Li Shangyin, a poet of the late Tang Dynasty
The green tiles hold the pearl trees, and the red rings are tied with Qiliao.
The unparalleled Han palace temples, the first Chu palace waist.
It’s hard to wipe out the scent of fog and saliva, and it’s easy to sell beads when they are cold.
The songs were learned from Yongmen, and the wine was made from Shucheng.
The dark willows are about to turn over the alley, and the lotus trees are hugging the bridge.
The mother-in-law is opened through the road, and the gold pipe is adjusted next door.
I dreamed that my soul was flying in a hurry, and the book was written and it was far away.
The river rushes and turns, and the sea foam floats near the trees.
In Wu City, there are beetles and emeralds in Basi.
He didn’t know what he meant, and he gave gifts of tenderness over and over again.
Li Shangyin, a poet of the Tang Dynasty. The courtesy name is Yishan, and the nicknames are Yuxisheng and Fan Nansheng. His ancestral home is Hanoi, Huaizhou (now Qinyang City, Henan), and he was born in Xingyang, Henan. Because he was caught in the partisan struggle between Niu and Li, he was very frustrated in his life. Poetry is highly accomplished. Together with Du Mu, he is collectively known as "Little Li Du", and with Wen Tingyun, he is collectively known as "Wen Li". His styles are similar to those of Duan Chengshi and Wen Tingyun at the same time, and they are both ranked sixteenth in the family, so they are collectively known as "Thirty-sixth" body". His poems are novel in conception and beautiful in style. In particular, some of his love poems are sentimental and sentimental and have been recited by others. However, they are too obscure and confusing to be understood. There is even a saying that "poets all love Xikun, but they only regret that no one writes Zheng Jian." blame. There is "Li Yishan Poetry Collection".