Ask the great god to help those ancient poems and songs that caress things and express their feelings

(1) plum blossom song. Wang Anshi counted several plums in the corner, and hanling opened them alone. I knew from a distance that it wasn't snow, because there was a smell coming. [Note] 1. Cold ling: braved the cold. 2. remote: remote. 3. For: Because. 4. faint fragrance: refers to the faint fragrance of plum blossoms [explanation] There are several plum blossoms in the corner, which are open alone in the cold. Why do you know from a distance that Bai Meihua is not snow? That's because there is a faint plum blossom fragrance. [Appreciation] Among the poems about plum blossoms sung by the ancients, one is quite famous, and that is "Xiaomei in the Mountain Garden" written by Lin Bu, a poet in the Northern Song Dynasty before the author. In particular, the poem "Shadows are shallow and dusk is fragrant" is known as Yongmei's swan song. Lin Bu, who has never been an official, married and had children, and lived alone on the hillside of an isolated mountain near the West Lake, growing plums and raising cranes, living in seclusion. Therefore, when he wrote Yongmei's poems, he could only express his lofty thought of being divorced from social reality. The author's poems are different. He skillfully borrowed Lin Bu's poems, but he was able to bring forth the new. Look at the plum blossoms he wrote. They are as white as snow. They grow in the corner without inferiority, and they exude a fragrance from a distance. The poet described the purity and beauty of plum blossom with snow by appreciating its noble character of not being afraid of cold, and pointed out that plum blossom has a "dark fragrance" more than snow, which shows the great charm of a strong and noble personality. In the extremely complicated and difficult situation of the Northern Song Dynasty, the author actively reformed, but failed to get support. His lonely mentality and difficult situation naturally have something in common with Meihua. This little poem has profound implications, and the sentences are simple and natural, without any traces of carving. (2) The thatched cottage Bai Juyi crossed the plain and came and went with the four seasons. Wildfire can't burn it out, but the spring breeze can revive it. Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey. I once again sent my bosom friend, and the thick grass represented my deep affection. Note: 1, separation: vivid and distinct. 2. Fiona Fang: Grass stretching into the distance. 3. Hey: It looks lush. The weeds in the ancient plains grow wildly, and they come to flourish every spring, while Qiu Lai withers. Despite the continuous wildfires, the spring breeze is still thriving. In the distance, the grass covered the ancient post road, extending to the empty city, full of green, clearly. The green grass grows in spring, sending the wanderer away, but the grass is full, leaving harm. Comment: This is an object-chanting poem, which can also be regarded as an allegorical poem. Some people think it's a mockery of the villain. Judging from the whole poem, although the original grass refers to something, its metaphorical meaning is uncertain. "Wildfire never completely burned them, and the spring breeze blows high." However, as a kind of "tenacity", it is well known and has become a swan song that has been passed down through the ages. Early plum age: Tang Author: Liu Zongyuan genre: Five ancient categories: still life early plum trees, reflecting Chu Tianbi. At night, the north wind blows and smells fragrant, adding a touch of white to the thick frost in the morning. I want to fold it and send it thousands of miles away, but there is no way to answer the question. Cold English is on pins and needles, why comfort distant guests? The commentary poem explains that there is a plum blossom that blooms early and its branches are as white as jade. It is far from the village road where people come and go, and close to the bridge. People don't know that Hanmei blooms early because it is close to the stream, and they think it is snow that hasn't melted since winter. The interpretation of words is far away. Next to: Shit. F: It's open. Winter: Winter. Pin: This refers to the melting of ice and snow. Mowangmeimian, a tree near my home on the shore of Xiyan Lake, is in full bloom with faint ink. Don't boast about the good color, just let the air be full of dried Kun. Cicada Author: Li Shangyin Age: Tang and Five Dynasties Theme Category: Consolation Theme: Five-character Poetic Rhyme Category: ingㄧㄥ The English people are so hungry because of their pure hearts that you are singing in vain all night. Oh, this last broken breath, in the green indifferent trees! . Yes, I am like a driftwood. I have made my garden full of weeds. I thank you for your sincere advice and live a pure life like you. Author: Du Fu era: Tang and Five Dynasties theme category: vivid theme: Five-character poem ancient rhyme category: aoㄠ what a magnificent Mount Tai! Endless green spans Qilu and Qilu .. magical nature brings together thousands of beautiful mountains in the south and the separation between morning and dusk in the north. Caiyun lave? My mind is free and easy, birds fly back and forth before my nervous eyes ... trying to climb to the top of the mountain: it dwarfs all the peaks under our feet. Famous saying: once you climb to the top of the mountain, you will see that other mountains are short under the sky ... Note: 1, Daizong: Taishan is also called Daizong, ranking first among the five mountains, so it is also called Daizong. 2. Clock: giving and focusing. 3, affirmation: split. 4. Ling: Jump. Comments: Poetry begins with "Wang", eulogizing Dongyue and nature. I hope Ding Ling is very young and Xiaotian is also very young, so as to express my ambition. Open the first two sentences, first write the lofty greatness of Mount Tai, first write its admiration, and then write its majesty across Qilu. Three or four sentences are written recently, and I saw the magical beauty of Mount Tai and the majestic image that can be divided into day and night. Five or six sentences are written in the distance, the clouds in the mountains are boundless, and the mind is cleansed. The last two sentences are about the desire to climb to the top. It expresses the poet's ambition to climb upward without fear of difficulties, and shows his indomitable character and lofty political ambition. Qingxi Author: Wang Wei Age: Tang and Five Dynasties Theme Category: Vivid Theme: Five-character Poem Ancient Rhyme Category: Recalling that I once sailed the Huanghua River and carried the Green Water River. Ten thousand laps around the mountain in less than thirty miles. The rapids buzzed on the piled rocks, but the light dimmed among the dense pine trees. The surface of an entrance swayed with nut horns, and weeds grew along the river bank. In my heart, I have always been as pure as this clear water. Oh, stay on a wide flat rock and cast the fishing line forever! . Note: 1, step by step: follow, along. 2, fun: the same "trend." 3. Hey: Be quiet. Comments: This poem proves its original intention by praising the little-known Qingxi. Use the indifference of Qingxi to show that you are willing to feel at ease. The whole poem is natural and elegant, the scenery is easy to write and lyrical, but the charm is meaningful and mellow. The Qingxi described by the poet is the unity of noise and depression, the combination of excitement and tranquility, and the combination of deep and tranquility. Singing is admirable. Early Mei Age: Tang Author: Qi You genre: Five law categories: still life, ten thousand trees are frozen, solitary roots are warm and lonely. In the old Zita Law tree, a branch opened last night. The wind is too fragrant to disappear, and the bird can see the plain face. I will be alone next year, and I will start to reflect on Chuntai. The poem explains that ten thousand mu can't stand the cold, and its branches will be destroyed. The lonely roots of plum trees absorbed the underground heat and restored their vitality. In Qiancun Zita Law, a plum blossom, cold ling, bloomed alone last night. Its fragrance drifted away with the wind, and a bird looked at this plain early plum in surprise. I want to send a message to Meihua. If they bloom on time next year, please come to Wang Chuntai first. The word "Wang Chuntai" means Beijing, and it is also expected to be spring. Wangmei Age: Tang Author: Ning He School: The word has no news, but traces of wax and snow. The fragrance of cold branches across the ridge is self-dismantled, and the beauty of cold is commendable. Why Shouyang is nowhere to be found, and whose flute is playing? There are more than 100 kinds of lotus roots in Gaohe Tang Yuanzhen, and Gaohe has only four leaves. Yun Lan fan flash, reunion sapphire stack. The pavilion is pleasing, but it is hard to hide its pride. Grow up without learning water. Time: Tang Author: Li Shangyin School: Five Wonders Will Set the Horizon, I wish to be perfect. Samuume is the most offensive thing, because the old one is regarded as the flower that opened last year. Note: This is Li Shangyin's later works in Zizhou. Written in the spring when flowers are in full bloom, the cold plum has already bloomed, so the title is "Recalling Plum". Early Plum Age: Tang Author: Meng Haoran Style: Five ancient gardens have early plums, and one year is cold. Young women struggle to get up and fold up and will be inserted into the mirror table. I've seen enough, and I want scissors hands more. Chrysanthemum Age: Tang Author: Chao Huang Style: Four Unique Categories: Still Life stays on September 8th, and I will kill a hundred flowers after bloom. Blooming chrysanthemums are in full bloom, Chang 'an is fragrant, the city is bathed in the fragrance of chrysanthemums-Italy, and the land is like golden chrysanthemums. The annotation of the title of this poem "The Whole Tang Poetry" as "The Last Chrysanthemum" is probably based on the record of this poem quoted by Lang Ying in the Draft of Qi Xiulei in the Ming Dynasty. But "Leisure Record" only says that this poem was written after the fall of Huang Chao, titled "Chrysanthemum". Tan Tingqian Chrysanthemum Age: Tang Author: Du Fu Style: Chrysanthemum moved late in front of the seven ancient eaves, and it is difficult to pick it when it is clear. It's no use waking up in the depression tomorrow. There are many fragrant flowers in the field beside the fence. Pick beautiful flowers to ascend to nave. Branches and leaves grow out of the mill hole, and the roots are gone. Annotation eaves: also known as pre-trial topic Chrysanthemum Age: Tang Author: Chao Huang Style: Four Wonders, the west wind blows all over the courtyard, and cold butterflies are hard to come by. If I were Di Qing next year, I would report to Taohua. Note: Lin Kuan, a poet at the end of the Tang Dynasty, has two poems: "Mo Yan immediately won the world, and heroes have interpreted poems since ancient times." Throughout the ages, there are indeed many heroes who can "interpret poetry", and Huang Chao, the leader of the peasant uprising in the late Tang Dynasty, is one of them. Since Tao Yuanming's famous sentence "Picking chrysanthemums under the east fence and seeing Nanshan leisurely" came out, chrysanthemum has formed an indissoluble bond with the arrogant noble literati hermit and almost became the spiritual symbol of feudal literati. Huang Chao's chrysanthemum poems, on the other hand, are completely out of the mode of similar works, showing a brand-new ideological realm and artistic style. Chrysanthemum Age: Tang Author: Yuan Zhen Genre: Seven Unique Autumn Clusters are like Taoist priests, and the fence is more and more inclined. It is not that chrysanthemums are favored among flowers, and this kind of bloom is not without flowers. Note: Tao refers to Tao Yuanming of the Eastern Jin Dynasty. Brief analysis: the last two sentences show that his preference for chrysanthemums has been memorized. Chrysanthemum is not as rich as peony, nor as precious as orchid, but as the flower of Ao Shuang, it has always been favored by people. Some people praise its strong character, while others appreciate its noble temperament. Yuan Zhen's poems about chrysanthemums show his reasons for loving chrysanthemums in a new way. Chrysanthemum Yuan Zhen's autumn silk is like a pottery house, and the more it surrounds, the more inclined it is. It is not that chrysanthemums are favored among flowers, and this kind of bloom is not without flowers. —— The Ming version of Painting Spectrum of Tang Poetry chants Tongxin Lotus, showing the lotus picking place in ming prince, south of the Yangtze River. The situation is like even the branches of trees are bright purple stems. It's the same as super grass roots, and the two are different. It's sad to use this instead of day lily. In early winter, the jade and Qian Yuanwei planted by Cao Changpengchi, the seventh brother of Feng He, played in the Forbidden City. Year: Tang Author: Bai Juyi genre: The five forbidden departments in ancient times were cold late, and Meng Dongju died early. The new yellow room is green and decays like gold. Xianlang is hidden in the sun, like Tao Pengze. Look at the autumn pity pool, picking by the fence. Today, when I come here to enjoy it, my wild intention is adaptive. Golden Horse Gate Flower, Jade Mountain Peak Guest. The Korean side led the sentence, singing and playing with cigarettes and scenery. The color of the wine is suitable, but it is not as good as holding spearmint in your hand. Sad flowers wither and frost accumulates at the end of the year. Only this flower, diligently help you cherish. [Money is at the foot of Lantian Mountain, so it is a cloud. ] Chrysanthemum Age: Tang Author: Zheng Gu Style: Four rows of kings and grandchildren don't put Artemisia, and nine days of branches are near the temples. Dew sunshine makes the chrysanthemum more Feng Run, and its fragrance fills the pool shore, so it never envies the tile pine that is parasitic not very high. Note: This is a poem about objects. The author praises chrysanthemums, but never leaves them. From the humble appearance of chrysanthemum, he wrote about people's love for chrysanthemum, and then wrote about the noble character of chrysanthemum, pointing out his theme of praising chrysanthemum. Obviously, this chrysanthemum-chanting poem was expressed by the poet in a symbolic way. Poetry about things cannot be without things, but it cannot be written for the sake of writing things. Pure words, even if realistic, are just "forgetting the appearance" and lifeless. This poem conforms to a chrysanthemum character, and each sentence contains the author's thoughts and feelings. Chrysanthemum is simply a symbol of the poet himself. Qin Quge Ci Orchid Age: Tang Author: Cui Tu Style: Yuefu Youcao is well known, only hiding it in secret. Since there is no gentleman worthy of admiration, it is not the decline of the country. Millennium comes early, but youth comes late. I don't know what to do when I am a grass. After the beautiful Mulan was attacked, Chi sang three songs about Bai Lianhua years: Tang Author: Lu Guimeng Su Yan Hua was deceived, and this flower is really suitable for Yaochi. No one should hate it. When the moon is clear, it will fall. Note: Poems about objects describe concrete images of things that exist objectively; However, the artistic representation of this image is portrayed by the poet according to his own subjective feelings, which always has a lyrical meaning. Eulogize things with lyrical psychology, let things be affectionate and harmonious with each other, and then they can be vividly written on paper, which is the unity of subjective and objective. Lu Guimeng's White Lotus Society inspires us. Bamboo age: Tang Author: Li He Style: Five laws become light in hydrology, and green shadows are inserted in spring. Dew, Watson, bamboo shoots, moss, frost roots. Weaving can carry fragrance and sweat, and shearing can catch brocade scales. Three beams have been put into use, one for Wang Sun. Note Student: One is hanging. Ge Pulian Year: Tang Author: Bai Juyi Style: Yuefu loves Honglian, but it was still there yesterday. At night, the wind blew down and had to be mined. Although Bloom has a deadline for next year, overcoming it is only temporary. Lotus Age in Quchi: Tang Author: Lu Style: Five Unique Categories: Chanting objects and floating incense around the winding shore, covering Huachi with round shadows. I often worry that the bleak autumn wind comes too early, leaving you no time to make up the lotus. Qu Chi Lian Zhu is Lu's later work, which expresses his feelings by chanting lotus. Borrowing and cherishing things is Lu's strength. Shen Deqian, a poet in A Qing, said in Tang Poetry: "In the early years, there was a feeling of holding talents beyond words and falling apart." It can be used to comment on this poem. . Song age at the bottom of the ravine Author: Tang Author: Bai Juyi was born at the bottom of the ravine, cold and humble. The mountains and rivers are sinister, and the dangers are endless. Tian Zi Tang Ming owes Liang Mu, and there are two things I don't know. Who is the metaphor of the creation of the sky, but it is not the same as the ground. Zhang Jin Yuan Shilu. Wandering away from sorrow, the day is slanting, and the whip points to the horizon. I quit my job and go home, just like a flower falling from a branch, but this is not a heartless thing. It can be turned into the soil of spring and can also play a role in nurturing the next generation. Source: Gong Zizhen's Miscellaneous Poems in the Sea. Gong Zizhen (1792— 184 1), whose name is Wan Ding, was born in Renhe, Zhejiang (now Hangzhou) and Gong Zuoren. Politicians and writers. Poetry is full of momentum, including the complete works of Gong Zizhen. Literally, flowers are not heartless things, but fall into the soil and become green manure, which can also feed flowers. The author takes flowers as a metaphor, which means that although the situation is difficult, the loyalty to serve the country remains unchanged; I believe its Gao Shangzhi Festival will attract the younger generation. This great sentiment of "sacrificing the ego and achieving the big ego" is awe-inspiring. This is better than Mahayana compassion and eternal altruism; Whether it is a blooming flower, a falling flower, or the soil on the ground, it is actually an organic whole, but it is in a different position with fate ... The popular interpretation of these two words: the falling flower has not forgotten the nurturing of the root, and bid farewell to the root with infinite attachment, preferring to become the guardian root of spring mud to repay the kindness of the tree.