-Three Kingdoms? Wei? Cao Cao' s "Step out of Xiamen, the tortoise will live for a long time". One day, I will ride the wind and waves, and set my cloudy sail straight and bridge the deep, deep sea. -Don? Li Bai >; 3, the wind is strong, send me to Qingyun.
-Green? Cao Xueqin > 4. I suggest that god stand up again and lay down his talents in an eclectic way. -Green? Gong Zizhen > 5. Don't say that Sang Yu is late, because the sky is still full of clouds.
-Don? Liu Yuxi >; First, the three countries? Wei? Cao Cao's Walking Out of the Summer Gate, Although the Turtle is Longevity 1. Although the original turtle has a long life, it has its own time. The snake rides the fog and eventually turns to dust.
The old horse crouches, aiming at thousands of miles; The martyrs were full of courage in their later years. The surplus and contraction period is not only in the sky; Blessings that nourish grace can last forever.
Fortunately, even! Sing with ambition. 2. Appreciation of this poem is the last chapter of Cao Cao's Yuefu poem "Out of Xiamen", which was written in the twelfth year of Jian 'an (207).
At the end of the Eastern Han Dynasty, the nobles of Wuhuan slave owners who lived in the northeast of China took advantage of the chaos in the Central Plains and often entered the fortress to plunder the people of China. After ten years of Jian 'an, Cao Cao pacified Jizhou, Yuan Shao's sons Yuan and Yuan Shang defected to Wuhuan.
In the 12th year of Jian 'an, Cao Cao led the army to conquer Wuhuan in order to stabilize the northeast border and eliminate the remnants of Yuan Shao. This poem was written when he returned home in triumph.
The whole poem is based on high spirits and generosity, expressing Cao Cao's heroic feelings of being strong and active. Second, Li Bai's Difficult to Walk 1. It turns out that the cost of pure wine, for Jinbei, is 10 thousand copper coins for a hip flask, and Yupanzhen is ashamed of 10 thousand yuan.
I threw the food bar and cup aside. I couldn't eat or drink. I pulled out my dagger. I peeped in four directions in vain. I want to cross the Yellow River, but ice will block the ferry and Taihang Mountain will be covered with snow.
I will sit on a fishing rod and lean lazily by the stream, but I suddenly dream of sailing a boat towards the sun. A hard journey is a hard journey and a hard road. Where is Ann now? One day, I will ride the wind and waves, raise the Yun Fan and cross the sea.
2. Appreciating this poem is accurate-it is difficult to go in theme and expression, but shine on you is better than Blue. Their poems all reflect the suppression of talents by feudal rulers to a certain extent, but due to the reasons of the times and the poet's spiritual temperament, Li's poems are more profound and intense, and at the same time, they also show positive pursuit, optimistic self-confidence and tenacious adherence to ideals.
Therefore, compared with Bao Zheng, Shi Li's ideological realm is higher. This poem is mostly about human suffering and expresses the sadness of parting.
Third, Cao Xueqin's Linjiang Fairy 1. Original Bai Yutang spring dance, Kochinda volume. Bees and butterflies make a mess.
How many times have you walked with the water? Is it necessary to appoint Chen Fang? Never change, let him get together and let him leave. Laughter has no roots when you are young.
Good wind, with its power, sent me to Qingyun. 2. Appreciating the pun and obscure meaning of the words, we can find that "there are many butterflies around the bees" is a symbol of the chaotic scene in the Grand View Garden when the accident comes.
Xue Baochai has always been noble and self-sufficient, and the "ugly disaster" will not touch her. Besides, she has good social skills, so she is proud of "dancing" and "uniformity" in her speech. Lin Daiyu, on the other hand, can't help but gather and mourn, just like falling catkins.
Xue Baochai can "let her get along" and "never change", so after Lin Daiyu's death, there will inevitably be an opportunity of "golden marriage", which will make Xue Baochai rise to the peak. However, this combination can not fundamentally eliminate the ideological differences between Xue Baochai and Jia Baoyu in treating feudal ethics and career economy, nor can it make Jia Baoyu forget his dead confidant and fall in love with her.
So Xue Baochai was finally abandoned by Jia Baoyu, which means "rootless". Fourth, Gong Zizhen's Poems in the Sea 1. It is sad that Kyushu was angry and thunderous.
I advise God to cheer up and not stick to certain norms to belittle more people. 2. Appreciating the sentence "It's a pity that thousands of troops and horses are struggling" profoundly shows Gong Zizhen's dissatisfaction with the lifeless social situation in the late Qing Dynasty, so he enthusiastically calls for social change, thinking that the bigger the change, the better, and it is as big as the earth-shattering spring thunder.
He also believes that the most important factor in implementing social change is talent, so he enthusiastically appeals: Heaven forbid! Please cheer up and give us all kinds of talents. Five, Liu Yuxi's "Reward Lotte to See the Old" 1. It turns out that people who don't care about their old age have compassion when they are old.
The body is thin and the frequency is reduced, and the hair is thin and the crown is self-biased. Waste books cherish the eyes, and most of them are cooked with years.
Classics are still familiar things, and people are like reading Sichuan. It's lucky to think about it carefully, but it will succeed next time.
Don't say Sang Yu is late, because it is still full of clouds. 2. After the appreciation, the meaning of the six poems has taken a great turn, and poetry has mushroomed. "The familiar things, people like reading sichuan.
It's lucky to think about it carefully, but it will succeed next time. Don't say Sang Yu is late, because it is still full of clouds. "
The first two sentences, "when you are old, you are familiar, and you can read people like a river", which means that you have experienced a lot of things when you are old, and your understanding is profound and thorough. You can see people like mountains and rivers at a glance, and you have a profound insight. The next two sentences, "Deep thinking is luck, deep thinking is nature, which condenses the essence of life"; Understanding is comprehensive and full of dialectical thinking; Affectionate, expressing the poet's true love and sincere encouragement to his old friend.
The last two sentences, "Don't say that Sang Yu is late, because it is still full of sky." Sang Yu is a metaphor for sunset.
That is to say: Don't say that it is very late in Sang Yu on Sunday, and the sunset glow can still shine all over the sky. Here, the poet expresses an open-minded, optimistic and positive attitude towards life with a charming and affectionate metaphor.
2. I advise God to revitalize poems and miscellaneous poems.
Year: Qing Dynasty Author: Gong Zizhen Style: Four Unique Categories: On Politics
Only the great explosive power of lightning can make the land of China exude vitality, but the social and political situation is not angry, but a kind of sadness.
I advise God to cheer up and not stick to certain norms to belittle more people.
To annotate ...
The idiom "not sticking to one pattern" means not being limited to one specification or way.
This idiom comes from Gong Zizhen's "Jihai Miscellaneous Work". I suggest that God stand up again, let go of his talents and don't stick to a pattern.
Gong Zizhen was a thinker and writer in Qing Dynasty. 1792, born in Renhe, Zhejiang (now Kangzhou), a feudal bureaucratic family. He loved reading since he was a child, especially learning to write poems. /kloc-wrote poetry at the age of 0/4, wrote lyrics at the age of 0/8, and became a famous poet at the age of 20. His poems are full of imagination, gorgeous language and romantic style. In his poems, he exposed the darkness and corruption of the Qing Dynasty, advocated reform, supported the anti-smoking faction, opposed aggression and compromise, and was full of patriotic enthusiasm. He is a patriot.
Gong Zizhen was a juren at the age of 27 and a scholar at the age of 38. She worked as an official in the Qing government for about 20 years. Because he was dissatisfied with the corruption and darkness in the officialdom, he was excluded and hit. 1839, at the age of 48, he resolutely resigned and returned to his hometown. On the journey back to his hometown, he looked at the great rivers and mountains of the motherland and witnessed the people living in misery. He couldn't help but be moved by this scene and improvise one poem after another.
One day, Gong Zizhen passed by Zhenjiang and saw a sea of people on the street, which was very lively. When asked, it turned out that local tyrants were participating in the competition. People worship with the Jade Emperor, Fengshen, Raytheon and other gods. At this time, someone recognized Gong Zizhen. On hearing that the contemporary writers were coming, a Taoist priest rushed forward and begged Gong Zizhen to write a eulogy for the immortals. Gong Zizhen wrote a poem "Kyushu is angry and relies on Lei Feng" with a wave of his hand. The whole poem is * * * four sentences:
"Kyushu is angry with Lei Feng,
It is sad to study it;
I suggest that god stand up again,
Don't stick to a model and leave behind talents. "
Kyushu in the poem is synonymous with the whole of China. The main idea of the poem is that China should live and rely on the rapid changes of society. It is frustrating that people are afraid to speak now. I advise god to cheer up, don't stick to the rules and throw useful talents to the world.
Later, people simplified "not sticking to one pattern to reduce talents" to the idiom "not sticking to one pattern", which was used to show that people were not bound to one specification or method.
In the poem, the idiom "ten thousand horses are together" is also extended, which means that the air situation is dull.
3. I advise Sky to re-energize perfect poetry (1)
gong zizhen
Only the great explosive power of lightning can make the land of China exude vitality, but the social and political situation is not angry, but a kind of sadness.
I advise God to cheer up and not stick to certain norms to belittle more people.
[Notes]
1. This is the 220th poem in Qian Hai Zashi. Kyushu: China.
2. Angry: a lively situation.
3. Stone: Shit.
4. hey (y and n): dumb. Wanma Qi Qi: Metaphorically speaking, the social and political situation is lifeless. After all, after all
5. Providence: The Creator. Heavy: Come again. Cheer up: Cheer up.
6. Health: Birth.
[explanation]
The sentence "It's a pity that thousands of troops are struggling" profoundly shows Gong Zizhen's dissatisfaction with the lifeless social situation in the late Qing Dynasty, so he enthusiastically calls for social change, thinking that the bigger the change, the better, and it will be as big as the earth-shattering spring thunder. He also believes that the most important factor in implementing social change is talent, so he enthusiastically appeals: Heaven forbid! Please cheer up and give us all kinds of talents.
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I advise the sky to be full of poems. (1) Gong Zizhen's anger in Kyushu is all due to the storm, which is pathetic.
I advise God to cheer up and not stick to certain norms to belittle more people. [Note] 1. This is the 220th poem in Jihai Miscellaneous Poems.
Kyushu: China. 2. Angry: a lively situation.
3. Stone: Shit. 4. hey (y and n): dumb.
Wanma Qi Qi: Metaphorically speaking, the social and political situation is lifeless. After all, after all
5. Providence: The Creator. Heavy: Come again.
Cheer up: Cheer up. 6. Health: Birth.
[Explanation] This sentence "Thousands of troops and horses are struggling, which makes people sigh" profoundly shows Gong Zizhen's dissatisfaction with the lifeless social situation in the late Qing Dynasty, so he enthusiastically called for social change, thinking that the bigger the change, the better, and it should be as big as the earth-shattering spring thunder. He also believes that the most important factor in implementing social change is talent, so he enthusiastically appeals: Heaven forbid! Please cheer up and give us all kinds of talents.
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