Only when peonies are in full bloom can the capital be moved. Whose poem is it?

"Only the peony is the true national color, and the capital moved when bloom was in power" is a poem written by Liu Yuxi, a writer in the Tang Dynasty, from Liu Yuxi's "Appreciating Peony".

The whole poem of "Appreciating Peony" is as follows: The peony demon in front of the court is unqualified, and the lotus on the pool is pure and has a special liking. Only the peony is the real beauty, which attracted countless people to appreciate at the flowering stage and alarmed the whole Chang 'an City.

Literally, the peony in front of the court is enchanting but lacking in bones, while the lotus in the pool is elegant but lacking in affection. Only peony is the true national color of Tian Zi. In the flowering season, it attracted countless people to appreciate and shocked the whole capital.

Appreciation of the whole poem:

This poem is a tribute to peony, and its praise method is to restrain him and praise him. At the beginning, the poem did not describe the peony from the front, but put the peony in a hundred flowers garden and compared it with the excellent flowers such as "Peony in front of the courtyard" and "Lotus on the pond" from the side. Peony and lotus are very popular flowers. The poet, on the other hand, praised the peony with "peony without demon" and "pure and affectionate lotus" to set off its high standard and beautiful charm.

The first two sentences use the method of restraining others and promoting the foundation, which paves the way for the emergence of peony, while the third sentence is to praise peony from the front by changing the pen. But there is still no more description of peony, only the word "true national color" is used to summarize, and the expression is refined and in place. The word "only" emphasizes that only peony can be called "real national color", which shows the poet's preference for peony. In the poet's eyes, graceful peony is nothing but vegetation, which can only be described as beautiful when compared with "national color". "National color and fragrance" became the evaluation of peony at that time, and was also accepted and used by later generations.

In these four short poems, three kinds of famous flowers are written, which contain the poet's rich aesthetic thoughts. The poet does not forget to praise the beautiful side of peony and lotus, but highlights the beauty of peony, which makes people think deeply. As flowers and trees, there is no difference in style or emotion, but the poet skillfully and vividly transformed natural beauty into artistic beauty through personification and contrast, leaving an unforgettable impression on people.