Public and private granaries are abundant. There are no wolves and tigers on the road in Kyushu, which is a good day to travel.
Wan Qi, Lu Mao, driver class, male plow female mulberry. The sage in the palace played the cloud gate,
All the friends in the world are stuck. There has been no catastrophe for more than 100 years, and Uncle Sun has learned Xiao He's law.
Poet, root sense, Miao language, Hua Sheng, true meaning. -Tang Bai Juyi's Nine Books with the Same Yuan
The food is not heavy, and the clothes are not miscellaneous. -Tang Wei's Jia Zi Qun Shu
It takes three days to test the authenticity of jade, and it will take seven years to distinguish wood. -Tang Bai Juyi's Five Songs (3)
Du Fu's Memories of Time Past recalls the economic development and prosperity of the prosperous Tang Dynasty in Kaiyuan.
Looking back at the heyday of Kaiyuan, there are still thousands of families in the small town.
Rice is fat and white, and public and private warehouses are rich.
There are no wolves and tigers on the road in Kyushu, so you can go out for a long trip without getting anything.
Lu's "Driving Class", male ploughing female mulberry.
The sage in the palace plays the cloud gate, and all friends in the world are sticky.
There has been no catastrophe for more than 100 years, and Uncle Sun has learned Xiao He's law.
Haven't you heard that a silk is worth 10 thousand yuan, and there are still fields bleeding today?
Luoyang Palace was burnt out, and the Fox and Rabbit Cave was newly demolished in the ancestral hall.
I can't bear to ask my age, but I'm afraid I'll leave first.
My junior minister, Lu Chong, was powerless, and the imperial court remembered his official title.
Zhou Xuan looked up to my emperor and shed tears for Jianghan's physical decline.
2. Snow White Farewell to Wu Gui, Secretary of Tian, is a poem reflecting the prosperous scene of Tang Dynasty.
Cen Can
The north wind swept across the earth and messed up Pennisetum, and the weather in August will be covered with heavy snow.
Suddenly, like a night wind blowing, like a pear tree in bloom.
Snowflakes fell into the curtains and wet them. The fur was not warm and the gold cup was too thin.
The general used cold hands to protect his hands. The armored steel was too cold to wear.
The sand sea is deepened by unfathomable ice, and darkness covers its endless clouds.
In the manager's account, this wine is a farewell party, and the Huqin Pipa flute ensemble adds luster to this entertainment.
In the evening, in front of the headquarters gate, heavy snow fell, the red flag froze, and the wind could not drag.
Luntai East Gate, welcome to the capital. Go, the mountain road is covered with snow.
I haven't seen you in the winding mountain road, leaving only a row of horseshoe prints.
This is a farewell poem written by Cen Can in Luntai in the 13th year of Tianbao (754), with magnificent colors and great momentum. It is a masterpiece of frontier fortress poetry in the prosperous Tang Dynasty. As the title of the poem shows, the main content of this poem is to praise the snow, but also to express the author's deep farewell to his friends. At the beginning of the poem, it depicts the special scenery and magnificent scenery of the strange cold and early snow in the frontier with romantic methods, typical things and light ink strokes. The north wind rolled the ground and even the tenacious white grass was destroyed by it. That wind, just a sharp shovel, makes the earth sway. However, "like the strong wind in spring, it blows at night and blows away the petals of 10 thousand pear trees." Overnight, it became a strange world of snow and ice wrapped in white. This beautiful tree, a world of ice and snow with different shapes, has a spring breeze, like an intoxicating fragrance and brilliant spring in the south of the Yangtze River. How novel and magnificent this realm should be! Under this spectacular spectacle, the poet further described the unbearable cold brought by the first snow from four different angles. The snowflakes flying all over the sky, even the curtains in the account are wet; Fox fur is not warm, brocade quilt is too thin; The general's hands are too cold to open the bow; The protective iron clothes are too cold to wear. But there is a strong and healthy atmosphere in this unbearable cold. Pearl curtain, fox fur brocade, how rich; The general's horn bows are all dressed in iron clothes, so majestic. It skillfully brings out the soldiers who defend the frontier and overcome the cold. This is one aspect. On the other hand, it is still extremely cold after all, to show how hard the border guards are. In the mainland, August is a beautiful time for cinnamon bloom and bright moon, but in the border, it is already "the sand sea deepens the ice depth, the clouds are bleak, and Wan Li condenses." But this vast sea of ice and Wan Li's condensed clouds, though sad, are not bleak and desolate, but vigorous and gloomy, which is the unique artistic style of Cen Can's frontier poems. It was at this time, when the sky turned white and the cold was biting, that the China army sent a farewell dinner to return home. At that time, the huqin, pipa and Qiangdi played in unison, coupled with the scenery beyond the Great Wall, naturally had a charm. This poem accurately, vividly and vividly creates a beautiful artistic conception with beautiful snow scenes, vigorous brushwork, free opening and closing structure and cadence. It is not only well-written melody, moderate relaxation, but also rigid and flexible, which is a rare frontier masterpiece. The whole poem is constantly changing the picture of snow, turning the scene into emotion, generous and tragic, full of vigor and vitality.
In the Tang Palace for more than ten years, she learned from Emperor Taizong that she was strong and tenacious, and never shed tears when she encountered any difficulties and obstacles. She remembers the former emperor saying: Tears won't win people's sympathy, but they get people's contempt.
However, at this time, she could not restrain herself. She doesn't want to live in Ganye Temple all her life. She wants to jump out anyway. She has no religious belief, and it is impossible for her to be quiet.
Ganye Temple is still the same, but in her eyes, the impression has completely changed. She stared blankly at the gate, meditating that she would return to the magnificent palace with supreme power and all the prosperity and glory.
She applies a vegetable oil from Lingnan to her body, which will make her skin more delicate. For the future, she strives to make herself beautiful-Li Zhi is younger than her, and women are usually more prone to aging than men. She knows that if she can't stay young, the future will be bleak, and she never forgets the theory of color decline and relaxation.
Li Zhi ascended the throne for almost a year, but from autumn to winter, the emperor never came to Ganye Temple again. There is a spring breeze in the propagation room, and then it is as heavy as water. Mei Niang is in doubt and anxiety. Although the emissary often comes to the imperial court, neither material rewards nor general waiting can satisfy her. Her purpose is to enter the palace and gain a lofty position. The gift means nothing to her later life!
She thinks she is best suited to live in the palace because she knows everything about it. She learned a lot when the former emperor was alive. She is confident that she can be the best queen. She is confident that as long as she helps the emperor, she can successfully rule the country and level the world.
Li Zhi is a little slow. But this is only good for her future. She believes that her intelligence is enough to control such an emperor. She has the desire to control people, and she thinks that the greatest purpose of life is to serve people and keep them under her control.
Wu Meiniang hated this order, but she still stood quietly. She secretly vowed: One day, I will change your history!
Women's tears can win men's sympathy, and sometimes, women's sympathy. When the queen saw tears in her eyes, she immediately relented and said more gently.
When Emperor Taizong was alive, the most important political education she received was not trusting anyone.
In Mei Niang's view, this is the beginning of gaining power. She works hard, but she always dilutes her cautious attitude towards work with banter between men and women. She can't let people know that she values work and power.
"Of course, but you have to tell the emperor yourself, or the emperor will think that you are not familiar with him!" The queen thinks she is too honest to know the simplest idea.
The emperor believed in providence, but Wu tried to surpass it. Although her position in the palace is stable, she is not satisfied. She remembered the famous saying of the former emperor: if you don't advance, you will retreat.
She wants to make progress, she doesn't want to die as Zhao Yi, and she is not satisfied with being the queen mother in the future. Her eyes are looking forward to the queen's throne: the queen, not Zhao Yi and the queen mother.
She is moving towards this goal. Four years ago, she had a smooth sailing. Although she is very tired and has used up all the money in Cuiwei Palace, her hope is getting closer and closer. She thought: what is money as long as it is close to hope? So she generously distributed her income to the concubines in the harem.
In the court, from the queen to the maid-in-waiting, no one did not praise Wu.
She knew the time was ripe, so she set a trap for the honest queen to throw-
4. There is an ancient poem, Moonlit Night on the Spring River, which describes the prosperity of the Tang Dynasty.
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide. I drift with the tide for thousands of miles, and there is no moon by the river.
The river flows around Fangdian, and the moonlight shines on the flower forest like graupel. Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky. Whoever sees the moon at the first sight by the river shines at the beginning of the month.
Life is endless from generation to generation, and Jiang Yue is only similar year after year. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss. Whose boat is flat tonight, where to miss the bright moon building.
Poor Yue Pei came back from upstairs and asked someone to repair the mirror table. The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month. Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned. In spring, the river flows away, and the pond falls in the moon and the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite. I don't know how many people return home every month, and the moon is full of rivers and trees.
In the last sentence of Li Bai's "Into the Wine", five-flowered horses and thousands of gold furs are given to the boy to exchange for good wine, just like you. It means to bring in the precious five-streaked horse, take out the expensive thousand-gold fur and replace it with wine. Let's * * * together to melt this endless eternal sadness!
5. What poems describing the prosperous times of the Tang Dynasty are not suitable for common rhyme? People love Akiyama.
_ _ _ _ Tao Yuanming's "Return to the Garden Part I" said that there was a good year in the fragrance of rice flowers. Listen to the frogs.
_ _ _ _ Xin Qiji's "Night Walk on the Xijiang River on Huangsha Road", an egret flies in the quiet swamp, and mango trees sing in the trees in midsummer. _ _ _ _ Wang Wei's "Stay in Wangchuan Village after a Long Rain/Return to Wangchuan Village in Autumn" hoes and sweats at noon.
_ _ _ _ Li Shen's "Two Ancient Poems/Two Peasant Poems" is full of mountains and mountains, and it is raining in the sound of Zigui. _ _ _ _ Weng Juan's April in the Country Sunflowers in the green garden are basking in the sun.
_ _ _ _ Anonymous "Long Songs" Plum apricot fat, wheat gray, cauliflower thin. _ _ _ _ Fan Chengda's children and grandchildren did not solve the problem of farming and weaving, but also learned to grow melons by mulberry shade.
_ _ _ _ Fan Chengda's Miscellaneous Seven in Summer Village planted beans at the foot of Nanshan, and the grass was covered with bean sprouts. _ _ _ _ Tao Yuanming's "Return to the Garden Part III" came out from Qianmen Station to see Noda. The bright moon is in the sky and buckwheat is like snow.
_ _ _ _ Bai Juyi's "Village Night" is fruitful at night, and the children in the village are in charge. _ _ _ _ Fan Chengda's Miscellaneous Seven in Summer Village is long and narrow, and the evening dew is stained with my clothes.
_ _ _ _ Tao Yuanming's "Return to the Garden, the Third" is a ripe rice fragrance in the west, with long bamboo filaments on the hibiscus fence and green fruits. _ _ _ _ Fan Chengda's "Shajiang Village Road in Huanxi" has no idle fields in the four seas, and farmers still starve to death.
_ _ _ _ Li Shen's "Two Antique Poems/Two Poems for Farmers", Fu Tian Huohuo, cordially exchanged greetings. _ _ _ _ Wang Wei's "Weishui Farmhouse" opened up wasteland and returned to the garden in the south.
_ _ _ _ Tao Yuanming's "Returning to the Garden, Part I" is a rain curtain outside the pigeon, and several idle fields are separated by water to move the spring hoe. _ _ _ _ Zhang Yan's "Walking across the river and clouds for a long time, remembering the spring of West Shu and Hangzhou" was ridiculous in the morning and took the lotus home with the moon.
_ _ _ _ Tao Yuanming's "Returning to the Garden", Mei Ziqing, Huang and Cai Feimai are busy raising silkworms. _ _ _ _ The first summer mountain in Zhu Yunming's poem, seagulls hover under the sand and egrets fly on the river.
When people don't know the hardships of farmers, they call Tanaka Valley "South Crossing of Lizhou" in _ _ _ _. _ _ _ _ Yan's "Nongjiale" is like dancing without fields, not to mention yearning for the years in the fields.
_ _ _ _ Once upon a time, "Su Daozhi" set in the sunset, and cattle and sheep went home along the path. _ _ _ _ Wang Wei's "Weishui Farmhouse" Tianjia hedge has a small winding path.
Clouds and trees are open and clear. _ _ _ _ Zhou Bangyan's "Yu Meiren Shuli Amethyst Family Filial Piety", in the middle of the night, the tiger occupied Xiao Geng, and the cow could not walk any further.
_ _ _ _ Yan's "Nongjiale" Father plows the fields, son? This mountain is barren. _ _ _ _ Nie Zhongyi's "Tian Jia" cuckoo flies to persuade early ploughing and hoes to pounce on spring eyes.
_ _ _ _ Yao Nai's "The cuckoo flies in the mountains to persuade early ploughing" prepares chicken rice for me, old friend, you entertain me on your farm. _ _ _ _ Meng Haoran's Passing Old People's Village.