1. If you don’t practice for one day, you will know. If you don’t practice for two days, your peers will know. If you don’t practice for three days, the audience will know.
2. A good flower must be accompanied by green leaves, and a good horn must be supported by everyone.
3. The words are unclear and the singing is unclear.
4. A unique performance, saving the scene is like putting out a fire.
5. For pure conduct, you need to hold it, for pure conduct, you need to relax, for raw conduct, you need to bow, and for martial conduct, you need to focus on it.
6. If you don’t practice for one day, you will recover. If you don’t practice for two days, you will survive. If you don’t practice for three days, you will die.
7. Use familiarity as skill and skill as skill.
8. You can reach the ends of the world in a dozen steps.
9. Being polite is called drama, but not being polite is called fart.
10. Use your energy in work, and use your skills in drama.
11. Pretend to be three lights in the morning and three panic in the evening.
12. A cry on the stage makes thousands of people cry; a laugh on the stage makes thousands of people cheer.
13. If you open your mouth on the stage, you will know if there is one.
14. The audience is quiet, and you can hear clearly even if the sound is low. There is no movement in the audience, no matter how loud the voice is.
15. The stuff is fake, but the spirit is real.
16. The play is ruthless and unmoving, the play is unreasonable and unconvincing, and the play is absolutely shocking.
17. Only when you learn how to be shy can you know that your skills are not good enough.
18. When an actor steps on stage, one step is worth a thousand dollars.
19. If you want to have a successful career, you must rely on your childhood skills.
20. If you want to be good at art, you have to work hard.
21. Work hard and skillfully again, dismantle and wash again and make new again.
22. If you don’t practice for one day, you will know. If you don’t practice for two days, your peers will know. If you don’t practice for three days, the audience will know.
23. Only by knowing the theory of opera can one sing a good opera.
24. One minute on stage, ten years of hard work off stage
25. There is no big or small thing on stage, but rules are established off stage.
26. Four or five people can serve as an army.
27. Practice in private and see you on stage.
28. You can reach the end of the world in a dozen steps.
29. Three-thirds of appearance, seven-cent of eyes.
30. A hundred days of flute, a thousand days of flute, a small huqin will break your waist
31. If you don’t practice for three winters and two summers, how can you learn to sing, read, do, and play?
32. Those who sing are "madmen" and those who watch the opera are "fools".
33. Only when you hit a snag in singing will you realize that your skills are not good enough.
34. If you have mastered kung fu, you won’t have stage fright on stage.
35. A good flower must be accompanied by green leaves, and a good horn must be supported by everyone.
36. Practice until you are old, sing until you are old, and learning until you are eighty is not considered old.
37. Teach the disciples and starve the master to death. There are only number one apprentices, not number one masters.
38. For pure conduct, you need to support it; for pure conduct, you need to relax; for raw conduct, you need to bow; and for martial conduct, you need to take the center.
39. Orchid hands, lotus leaf palms, fists like phoenix heads.
40. Practice until you are old, sing until you are old, and you will not be old until you are eighty.
41. Adagio is important, allegro is stable, and loose movement is accurate.
42. When you are slow, you need to relax, when you are tight, you need to be tight. Only when you are slow and not too slow will it be considered as merit.
43. It is better to lose in the backstage than in the frontstage. Only high skills are allowed but not boldness.
44. Seven points of chanting and three points of white chanting, white is bones and singing is flesh.
45. Qianjin’s words are sung in four ounces, and three points are sung and recited, and seven points are composed.
46. It is better to lose in the backstage than in the frontstage. Only high skills are allowed but not boldness.
47. Study hard and master all kinds of skills, and practice hard to develop real skills.
48. The fist never leaves the hand, and the song never leaves the mouth.
49. Qianjin’s words are sung in four ounces, and three points are sung and recited in seven points.
50. A hundred days of flute, a thousand days of flute, a small huqin breaks the waist.