Looking back at the beginning of avoiding thieves, it is difficult to lose in the north.
Late at night, on Peng Ya Road, the moon shines on Baishui Mountain.
After a long walk, everyone is cheeky.
Birds sang in the jagged valley, but no wanderer came back.
Crazy women are hungry to bite me, and they are afraid of tigers and wolves.
Put your mouth in your arms, your voice is getting more and more angry.
Children are forced to solve things, so they ask for hard work.
It was another half-day thunderstorm, and the mud climbed together.
No rain, slippery clothes, cold.
Sometimes after the contract is widened, you have to walk several miles a day.
Wild fruit fills the valley, and rough branches make the rafters.
Walking on rocks and water in the morning and smoking on the horizon at night.
Stay less in Zhoujiawa and want to get out of Luziguan.
Old friends include Sun Zi and Gao Yibo Ceng Yun.
The guest is already dark and the light is still on.
Warm soup is enough for me, paper is my soul.
From then on, I got married and shed tears for each other.
The chickens were sleeping, which stirred up a plate of food stained with stains.
Swear to be brothers with Master forever.
Then I sat down in the empty room and sat down to serve me.
Who wants to be tough, open-minded and show his mind?
Hujie is still suffering if he doesn't come next week.
Fly to the front of autumn when there are wings and feathers.
order
Peng ADB is a poem written by Du Fu, a great poet in the Tang Dynasty, in 757 AD (the second year of Zhide), which recalls the care Sun Zai received when he avoided thieves. The poem shows the poet's escape, wandering and attachment to his old friend, which is like reciting. The last sentence "When will there be wings and feathers flying in front of autumn?" It not only naturally and sincerely expresses the poet's concern and gratitude for his old friends, but also opens the wings of readers' imagination. This poem responds to Du Fu's theory that "the meaning is straightforward, the scenery is not free, and the feelings are strong but not floating".
To annotate ...
Peng Ya is six miles northeast of Baishui County, Shaanxi Province, which is now Fort Peng Ya.
(2) Baishui Mountain, the mountain in Baishui County. Du Fu fled from Baishui to Zhangzhou in June of the lunar calendar in 756 (until the end of the year).
(3) How cheeky, I feel very embarrassed. Make a room, the whole family.
(4) These two sentences are written in a bleak way. I can't find food or shelter.
5] I was afraid that tigers and wolves would come looking for voices, so I covered my mouth and kept silent. But the child cried even more, because he felt uncomfortable and really anxious. On the opposite side, struggling. The louder the sound, the louder the sound.
[6] Strong solution, the so-called "strong solution". Therefore, deliberately, it is "not the reason to leave the group", but "the swallow flies in the clear autumn". Requirements. The second sentence means that the children think they are more sensible than their little sisters, and only ask for some bitter plums on the roadside. How do they know that bitter plums are not allowed? Yu Xin's poem "Returning to the Field": "No one picks bitter plums." It is really "impossible to draw" to write the modality of children with the above words.
(7) Prepare tools. The clothes were cold because they were wet by the rain.
Generosity is a place that is particularly difficult to go. It's a whole day.
(9) food, dry food. Rafts are logs on the top of cultivated land, and rafters here mean houses.
Because of the thunderstorm, I always walk in the water: because I sleep in the mountains, I say there is smoke in the sky. The word "smoke" is beyond human interpretation.
⑾ Zhoujiawa is grandson's home. A short stay is a short stay. At the beginning, Du Fu intended to attack Lingwu, so he wanted to leave Luziguan in the north.
⑿ slaughter is a kind of honorific title for county magistrate in Tang Dynasty. Sun probably worked as a county magistrate.
[13] cut. It is an ancient custom to make paper-cut furniture to attract people's souls. We don't have to watch it die here, thinking that if there is such a thing, we just write grandson's comfort in every possible way.
[14] The shriveled and oblique appearance describes tears. Seeing grandson's wife is also very sympathetic to their experience.
⒂ All the young people are just a few stupid girls. Bad sleep, the child slept soundly. Touching words mean gratitude. Sun Yin, it's time to eat
[14] These two sentences are Sun Zai's words, which are the so-called "show your heart" below. Master, it was Sun Zi who called Du Fu.
⒄ To sum up the above two sentences, difficulty refers to "avoiding thieves" and heart-to-heart refers to "old friends". If you don't work hard, you can't show Sun Zai's lofty meaning. Pu Qilong said, "Let's go to the bottom of the room and remember the suffering we experienced in ten days, which is to extend a relationship for our guests."
⒅ and Zhou, a whole year.
You can't get what you want. Finally, the so-called "thinking without moving, not flying" in the Book of Songs means. In the Tang Dynasty, county magistrate was called "Mingfu" or "Slaughter", which all implied respect. Li Baiyou's poem "Tu Yang Bing from Dangtu Uncle" was called "Tu" when dangtu county was frozen, which is proof of it.
Distinguish and appreciate
This poem traces back to the past, except for the last four sentences, so the word "recalling the past" dominates the whole poem at the beginning. The whole article is divided into two parts.
The first part, from the beginning to "There is smoke in the sky at dusk", describes the danger on the way to escape. The first four sentences were written to avoid confusion, Peng Ya. The year before last, the poet was not afraid of "difficulties" and "went north" to Zhangzhou. Because the thief broke Tongguan and was in a hurry, he had to take his family to "avoid thieves" and flee. "Avoiding Thieves" points out the reasons why the poet fled. "Go north" indicates the direction of escape. "Danger" summarizes the situation of escape, "late at night" indicates the time of departure, and "moonlight" indicates the environment of departure. Because of "avoiding thieves", I chose "Late Night" and "Moonlight in the Mountains" and hurried to Peng Ya. The first four sentences explain the event at a glance.
The following ten lines and fifty words in "Making a Room" describe the long journey with family members and the sufferings of displaced children. The poet dragged his children and the whole family fled. Because there are no chariots and horses to do it for them, they can only walk. I don't care about face. The word "cheeky" is humorous and bitter. The poet's family trudged through the mountain stream where wild birds were flying and the valley where there were few pedestrians, with no food and clothing. The spoiled girl couldn't help being hungry, lying on her father's shoulder, biting and crying. In the barren hills, the poet was afraid that tigers and wolves were coming, so he quickly held the child in his arms and covered his mouth tightly. But the child didn't know his father's difficulties, kicking and making trouble, and crying more and more. The younger son also came to join in the fun at this time, thinking that he was more sensible than his sister and deliberately wanted to eat the bitter fruit of the roadside. He doesn't know that "no one picks the bitter fruit" because he can't eat it. Hunger Bites Me, The louder the voice, the angrier it gets. It vividly depicts a spoiled and ignorant girl's model, and Asking for Bite vividly depicts the innocent image of a child. "Silly girl" and "child" are friendly words; "Afraid of tigers and wolves smelling incense" and "Holding your mouth in your arms" depict a helpless father's painful mood of loving his children with actions, which is very vivid.
The following ten sentences in Thunderstorm at 10: 30 are written that it is difficult to walk after rain, highlighting the shape of hardship and displacement. It is difficult for the whole family to hike in the deep mountains and valleys. To make matters worse, we were caught in a thunderstorm again and had to help each other through the mud and March in the rain. There is no rain gear, my clothes are wet, my body is cold, the road is slippery and difficult to walk, and I can only walk a few miles a day. "Ten days" echoes "long-distance hiking", indicating that Fengxian went to Baishui first, which was not far, but it took a long time to walk, and compared the difficulty of the trip; The word "half" indicates that there are many thunderstorms, indicating that the climate is bad. In a few words, the poet's family was stranded as it is now.
"Wild fruit is food", which means picking wild fruit to satisfy hunger. "Humble branches become rafters" refers to low branches, which turn into houses to inhabit; "Going out early and returning late" and "staying at dusk" indicate that they get up early and travel in the dark; "Water on the stone" refers to a stone path full of rain below, and "smoke on the horizon" refers to a distant mountain shrouded in clouds above. These four sentences are neat and concise, which not only echoes the beginning of "going through hardships and dangers", but also makes Sun Zai stay here and make a natural transition.
The second part describes Sun Zai's deep friendship of caring for his guests from "Living in the Same Room". Write live here first. The poet's family originally planned to take a short rest in Tongjiawa, and then went north from Luziguan to Lingwu where Su Zong was located. Unexpectedly, Sun Zai, an old friend who attached great importance to love and righteousness, was alarmed. In wartime, most people don't like the arrival of guests, not to mention the dark night. But Sun Zi lit a lamp and opened the heavy door with great enthusiasm. Instead of disturbing, we should boil hot water, let the poet wash his feet, and even use paper-cutting as a fork (flag) to arouse the poet's soul. The kindness of old friends and the gratitude of poets are truly reflected in several details, such as turning on the lights to open the door, making soup, and calling the soul by paper cutting. The words "tall" and "thin" point this out. Sun Zai asked his wife to see the poet. Seeing the poet's difficult situation of fleeing with his family, they could not help but shed tears of sympathy. As a result of the long journey, as soon as the children settled down, they immediately entered a sweet dream country, and the grandson woke them up for dinner. Sun Zai has repeatedly expressed his wish to become eternal brothers with the poet and make room for the poet's family to live. From sympathy to making friends and then moving in, it fully embodies Sun Zi's sincerity and sincerity in dealing with others. Stumbling, hungry, uneasy, extremely sleepy, thanks to an old friend's warm soup, dishes, evocation, and settling down, the poet lamented "Who wants to be tough, open-minded, and childlike", and readers also lamented that they will not avoid when they are in trouble, but will not fall when they are in trouble. This is enough, and he dares to expect. "
At the end of the last six sentences, the poet is grateful for Sun Zai's memory. The word "who wants" not only praises the rarity and preciousness of the lofty friendship of the late Sun Zai, but also echoes the opening "reminiscing about the past", which leads to the poet's nostalgia for Sun Zai. At this time, the poet revisited his hometown, and the Anshi rebellion did not subside, and the people were still suffering. I want to know what the family situation of grandson is like. "When you have wings, you can fly to the front." The poet couldn't wait to grow wings and immediately flew to the land in front of his old friend. The burning memory overflowed the pen. These six sentences end with a discussion, with deep feelings and penetrating paper backs. The first part of this poem in memory of friends focuses on the embarrassing situation of the poet's family fleeing, and the second part focuses on the warm hospitality of his old friend Sun Zai. True detail description, meticulous psychological description, vivid description and vivid image. The whole poem is narrated directly in the tone of memory, clear as words, true as seen with one's own eyes, natural but not obvious.