Artistic conception poems in famous works

Sauvignon Blanc Part I

Li Bai in Tang Dynasty

Sauvignon Blanc, in Chang 'an.

Autumn insects are singing by the golden well, and the frost is shining on my mat like a small mirror.

High light flashing; My desire is getting deeper and deeper. I lift the curtain, sigh and stare at the moon.

Lonely as a flower, rising from the clouds.

There is a clear sky in the world. Below, I see the green and agitation of water.

The sky is high and the land is wide; My sadness flies painfully between them. Can I dream of crossing the mountain gate? .

Sauvignon Blanc destroys the heart and soul.

Li Bai's Sauvignon Blanc is an eternal masterpiece about the suffering of lovesickness. He hides complex intentions in the images of poetry, which is hidden but not revealed, and has its own implicit charm. The sighs at the beginning and end of Sauvignon Blanc are sincere and heartfelt.

Sauvignon blanc edge water

Bai Juyi in Tang Dynasty

Bianshui flow, Surabaya flow,

Flowing to Guazhou Gudutou,

Wu Shan is a little sad.

Think long and hate long,

I hated it until I came back,

Yueming people lean on the building.

Song of Sauvignon Blanc is a well-known poem about love, which can be said to be a mature word in the middle Tang Dynasty. The whole word is written about hate and love, which is simple, relaxed, fluent and harmonious. Show the pain of lovesickness and parting of the characters. Beyond infinite affection, it is concise and profound, which is beyond the reach of later writers.

Waves wash sand, rain outside the curtain.

Nan Tang Li Yu

The rain outside the curtain is gurgling, and the spring is fading.

Allred-rochow is too cold to stand.

I don't know if I am a dream guest, but I am insatiable in one day.

Not leaning on the fence, the vast mountains and rivers,

It's easier to see when it's not.

Running water is gone, and spring is gone.

This poem was written by Li Yu during his imprisonment in Bianjing, expressing the pain of national subjugation and the sorrow of prisoners. It is full of the sense of loss that is hard to get rid of after the emperor was reduced to a vassal, and the deep nostalgia for the old country and capital of the Southern Tang Dynasty. Ci began to grow in the realm of the late Lord, and then every word of the subject moved after the national subjugation.

"Klang Ganzhou, it will be drizzling."

Liu Yong in Song Dynasty

Facing the rain from the sky, a piece of washed autumn scenery on the river is particularly cold.

The bleak frost wind is tight, the river surface of the mountains and rivers is deserted, and the setting sun shines on the tall buildings.

Red flowers wither everywhere, and all the beautiful scenery gradually disappears.

Only the gushing water of the Yangtze river flows eastward without sound.

Can't bear to climb high and look far,

Looking at my hometown, my thoughts are hard to come back.

Sigh for years, why stay.

Want to be beautiful, dress up,

A few mistakes, God knows the boat.

Fighting for me, leaning against the railing, I'm worried.

This word is a masterpiece in the theme of climbing high and looking far, because it is a monument to the history of Ci. The phrase "the afterglow is the building" is full of realm, as if the whole universe is sad for autumn. And the word "try to know me" has become a reality, which makes the expression of homesickness more tortuous and moving. The delicate brushwork can be seen here.