First, the artistic conception is hazy.
The words "pale and white dew is frost" point out time and environment from the image and color. In the early morning of late autumn, the reeds along the river are lush, and the gray reeds are stained with crystal frost flowers. In the bleak autumn wind, large areas of reeds fluctuate and sway, and the clear blue river is foggy. The slight autumn wind brings the coolness of people entering the city, and it is boundless and cold. The hero lingers by the winding water, eager to find his lover. What we can feel and breathe is the protagonist's persistence, anxiety, disappointment and confusion. What is created for us is a sad state of mind, a quiet and hazy realm. The Poem of * * * consists of three chapters, and each chapter begins with the brushwork of finding pleasure in fu. Through the description and admiration of the real scene in front of me, I drew an ethereal artistic conception that enveloped the whole article. The poet grasped the unique characteristics of autumn colors, repeatedly described and rendered the empty and desolate atmosphere in late autumn with thick ink and heavy colors, in order to express the poet's disappointment but affectionate mood towards his friends.
The poet's reed is white, the reed fluctuates, the autumn water is boundless, the water is boundless, the air is misty, the curved river course and the small continent in the water are in front of us. Words such as "Cang", "Sadness" and "Cai" indicate the color of the scenery. The color of reeds changes from green to sadness and then to white, which makes the bleak atmosphere in late autumn more and more intense. The transformation of "white dew is frost", "not wet" and "not already" depicts the scene and process that the morning glow gradually turns frost into autumn water.
The images of "concurrently", "water" and "Iraqi" complement each other and are integrated. Under the reflection of heaven and water, it is bound to present a confused realm, and then show the hazy love in the hero's heart. All kinds of scenes are in front of us. The poet's pursuit of his lover's dreamy, infatuated and trance-like subjective feelings is integrated with the misty autumn morning.
Second, hazy lovers
"Preface to Mao Poetry" said: "Poets who have aspirations have aspirations in their hearts and express them in poetry." There is no obvious love story in The Border Sword, but through simple words, we can still appreciate the hazy and beautiful love.
"The so-called Iraqis are on the water side." The two sentences explain the object of the poet's admiration and the location of the Iraqi people, and show the poet's yearning for autumn water.
In the water and sky, the "Iraqi people" flashing in the gray and lush are undoubtedly noble, beautiful and amiable. She has infinite charm and attracts the protagonist like a magnet. Staring at the water's edge, Iraqis seem to be on the other side of the water, but the swaying reeds block the hero's line of sight, and the figure of Iraqis is hazy and illusory. So the protagonist is "tracing back to the source"
"Upstream, downstream", constant pursuit and search, the pursuit of a sweetheart is so full of hardships, "the road is long and its Xiu Yuan is Xi", "the road is blocked and accessible" and "the road is blocked and right". What is the result of the pursuit? Yiren is in the water, in the water, in the water. The lover admired by the hero is still foggy and out of reach! So what will happen to this pursuer, which leaves the reader with room for imagination.
What the poet pursues is the continuous affection of his lover, which is integrated with the looming realm of Iraqi "presence" If it is not "Wan Zai", the poet will not pursue it. Just because it is looming, there is always an ethereal shadow flashing in front of his eyes, constantly pulling the poet's warm feelings and giving up.
Although it seems that the work only describes the poet's yearning, pursuit, disappointment and melancholy for the right person, the author does not describe it in detail, but draws a freehand sketch from a distance with a curved pen. But this kind of aesthetic feeling is bound to become vague, hazy, unclear or even uncertain because of the distance, which is a kind of hazy beauty. It is precisely because of the spatial distance or psychological distance that the "concurrency" of poetry appears confusing and hazy, showing a mysterious and hazy beauty in the vague image.
The identity of the lyric hero is vague, and the cultural background and personality are even more at a loss. The face of "Iraqi" is blurred, let alone a portrait, and even a rough outline can't be seen. Its noble, beautiful and charming beauty is reflected in the passionate feelings and persistent beliefs of its pursuers. The spatial position of "Iraqi people" is also very vague, and "water side" is just an imaginary hazy place.
This love poem expresses the sincerity and persistence of the ancient working people to love, and expresses the melancholy of wanting to see people. Poetry reflects a set of basic contradictions in human heart, namely, the contradiction between ideal and reality. Compared with most love poems, this poem is particularly ethereal and distant. It has no specific events, and even the hero and heroine are difficult to identify.