What artistic conception in Wang Wei's poems is fascinating to read?

Wang Wei was a famous poet in the prosperous Tang Dynasty. His works are harmonious in composition, neat in antithesis and beautiful in melody, which makes his poems catchy. The poet is versatile, and his works not only have high artistic value; It is precisely because he likes to be close to Buddhism and Zen that his poems are Zen.

The description of the combination of dynamic and static is fascinating, and the artistic conception of the combination of reality and reality is also fascinating to read. Let's share Wang Wei's two pastoral songs, which combine poetry and painting and have a quiet artistic conception. After reading it, I forgot my sadness.

Pastoral Music (I) Tang Dynasty: Wang Wei's lush spring grass is green in autumn. It grows in Xia Han. Cattle and sheep return to the village lane, and young people don't know how to dress.

Wang Wei wrote six pastoral poems, all of which were written by the author when he retired from Wangchuan. This poem shows the quiet environment and simple folk customs of this village. The first two sentences give people a bleak feeling, "Spring grass is green in autumn, and summer cold is long and loose." In autumn, the grass grows lovely, and in summer, the pine trees soar into the sky.

Growing refers to the appearance of lush vegetation; Falling, describing the towering appearance of pine trees. Spring grass is long and loose, and its color and shape give people a quiet beauty, which is naturally related to seclusion. There is also a word "green" and a word "cold", and the tone of the pine forest makes people feel cool; It is also very comfortable to enjoy this coolness in summer.

The last two sentences describe the personnel environment, "cattle and sheep return to the village lane, naive and ignorant of clothes." The general idea is that cattle and sheep will return to the village lane and will not be driven away; The children are naive and don't know the dignitaries. Clothes refer to the clothes and hats worn by people who enter the government, and here refers to people who enter the DPRK.

The obedience of cattle and sheep shows the peace and harmony of villages and lanes; The children's shallow knowledge also shows that there is no need for red tape in rural areas, and there are few personnel entertainment, which reflects the simple folk customs here and the people live and work in peace and contentment.

Pastoral music (II) Tang Dynasty: Wang Wei's peach color contains rain, and willow green is more smoky. The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping.

This poem is colorful and has illustrations in it. The first two sentences are rich in color, "peach is full of rain, willow green is full of smoke", to the effect that the red peach also contains rain overnight; Green wicker, with a hint of spring smoke. The first couplet not only has a wide composition, but also has bright colors and detailed scenery, so that readers can draw it first and then understand it.

Peach, red, willow and green are all scenery with spring characteristics, bright and pleasing to the eye, showing a group of dark pictures, reminiscent of peach blossoms dying and burning their flowers and willows, and the scenery is pleasant, just like a meticulous picture scroll. Continuous rain and early morning smoke make the scenery look charming, soft and lovely, and fascinating.

The last two sentences are still personnel. "The flowers have fallen, the children have not swept, and the guests in Ti Ying Mountain are still sleeping." The effect is that the petals fall and the children at home don't clean them; The oriole cries, and the leisure traveler sleeps soundly. No need to sweep, showing no one cares, falling flowers all over the ground, there is a quiet interest; Sleeping, and it is a combination of static and dynamic, shows that there is no care and leisure in Shanke's heart.

Throughout these two pastoral songs, China's first poet is carefree in a quiet environment, depicting a rich picture of Wangchuan's seclusion, turning reality into emptiness and turning board into life. The second poem is full of Zen. The poet is in a quiet mountain forest. Even though the flowers are everywhere and Oriole is singing, he still sleeps.

As Wang Wei wrote in another song, "As the years go by, please give me peace and stay away from all kinds of affairs. I ask myself and always answer, what can be better than going home? "Although the poet hides grievances in his bones, his appearance is calm and quiet. This six-character poem indirectly reflects the poet's leisurely mood.