Mao Zedong
The red army is not afraid of the expedition, and Qianshan is just idle.
Wuling makes waves, and Wumeng takes mud pills.
Jinsha River is warm in the clouds and cliffs, and Dadu Bridge is cold in the iron bars.
I'm glad to see that Minshan Mountain is covered with snow and stretches for miles. Our soldiers crossed it and showed a bright smile.
2. Mao Zedong's "Recalling Qin E Lou Shan Guan"
3. Mao Zedong Niannujiao Kunlun
The Long March still remembers the danger of Lu Guan.
5. Flying can capture natural barriers.
6. Langtaosha crosses Luding Bridge again.
Long March
Interpretation: The Seven Laws Long March is a seven-character poem, selected from Mao Zedong's poetry anthology. This poem was written in 1935 10, when Mao Zedong led the Central Red Army across Minshan, and the Long March was coming to an end. Looking back on the numerous difficulties and obstacles overcome by the Long March in the past year, he was full of joy and fighting pride.
Appreciation: "The Red Army is not afraid of difficult expeditions, and Qianshan has only leisure." The first couplet comes straight to the point, praising the revolutionary spirit of the Red Army, which is not afraid of difficulties, brave and tenacious. This is the central idea of the whole article and the artistic tone of the whole poem. It is the beginning of the whole poem spirit and the end of the whole poem artistic conception. The word "not afraid" is the poetic eye of the whole poem, and "just waiting for leisure" strengthens and reiterates "not afraid"; Difficulty in Expedition covers this extraordinary historical process, while Wan Shui Qian Shan outlines the internal and external meaning of "difficulty". This couplet is like a falling stone, rolling down, affecting the whole article and hanging over the whole poem. "Waiting for Leisure" is as easy as lifting weights, showing the commander-in-chief style of the poet who regards gold as a ladder and deals with the enemies of society. "Only" strengthens the firmness of tone and has a strong emotional color. It highlights and emphasizes the revolutionary spirit of the Red Army's contempt for difficulties, and shows the iron army style that the Red Army is leisurely, comfortable and invincible in the sword. The first couplet is the general leader of the whole poem, and the following triplets are closely related to the first couplet. The whole poem begins with the first couplet, develops two ideas and constructs two time and space. One is the objective reality: "Expedition is difficult" and "Qianshan" is full of dangers; One is subjective psychology: "not afraid" and "just idle". This constitutes a strong contrast, casting a vast physical space and magnificent psychological space, laying a bold and broad tone for the whole poem. The four sentences "Zhuanlian" and "Jinglian" describe the Red Army's victory over difficulties from two aspects: mountain and water, which are inherited from the above "Qianshan" and "Wanshui". According to the route of the Red Army's Long March, the poet selected four typical place names, all of which are famous natural disasters, and highly summarized the "Qian Shan Wanshui" on the way of the Red Army's Long March. Compared with other poems, the practice of entering poems with place names is more concentrated in this paper and shows a greater spatial distance. What is particularly unusual is that the four words listed above should emphasize that the Red Army is moving very fast and unstoppable, and the Red Army has a strong sense of movement in the picture; In this poem, the poet emphasizes the Red Army's contempt for difficulties around the central idea of "Red Army's expedition is not afraid of difficulties", which is the presentation of the inner world of Red Army commanders and soldiers. Therefore, the description of the Red Army is hidden, and the feats of the Red Army are compared with mountains and rivers. The verbs "Teng" and "Zou" make the mountains turn from static, which is an explicit expression of the spirit of the Red Army. Generally speaking, it is difficult to put land names into poetry, and too many place names are easy to fail. However, Mao Zedong used it very successfully, not only because he had a poetic talent to beat everything in writing, but also because he had a great poetic expression in his heart.