The next part mainly describes the author's lovesickness, as well as the anguish and sadness that he wants to see but doesn't see. The poet personifies the poem "Embroidering a screen with gold as the house and silk as the wheel" in Untitled by Han, a poet of the Tang Dynasty, and adds his own unique emotional experience while learning from the wisdom of his predecessors. The story "The Golden Room with the Charm and the Jade Cage" also uses the allusion of "The Golden Room with the Charm", but it gives a new meaning to "The Golden Room" and "the Jade Cage" to describe the beauty of the beauty's residence, thus further implying the beauty's identity as a palace maid, and at the same time implying the difference between them, which seems to imply that they can't have a happy ending and cast a shadow over this relationship. Beautiful people live in the palace and can't control their own destiny. This encounter can only be a short one. "Cars are like running water, and horses are like dragons". To quote Li Yu, the word "Ru" is changed to "You", which is more dynamic. Cars are flowing like water, and Ma Rulong is in an endless stream. The two soon separated in the vast sea of people and never met again. The vivid street view is vividly written by metaphor, which contrasts with the poet's lonely mood at this time, and highlights the poet's frustration and disappointment in the comparison. The last two sentences, "But the magic mountain is far away from Pengshan and Wan Li", use the allusion of Liulang to show the remoteness and uncertainty of their future reunion, thus writing the poet's love for beauty and his melancholy. The poet changed "ten thousand weights" to "ten thousand weights", which made this melancholy and depression more prominent, and also made the poet's lovesickness more profound, and his feelings more vivid, prominent and heavy.
The language of this word is exquisite, and stones from other mountains can attack jade, but it is easy to master and the art of controlling language is superb.