Tao Yuanming's Return to the Garden has five songs, and this is the third one. On the surface, this poem is about the joy of pastoral work and the idea of seclusion in the mountains; But comparing this poem with other poems, the author's "wish" actually has its special connotation.
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.
These two sentences are about planting beans in Nanshan, with lush grass but sparse bean seedlings. The first sentence is very plain, just like an old farmer standing there talking, which makes people feel very cordial.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
In order not to make the bean field barren, the poet went to the fields early in the morning and came back in the moonlight at night. Although it was hard, he didn't complain, which can be seen from the beautiful scenery of "the moon and the lotus returning home".
The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will.
The road is narrow and the grass is long, but the clothes are wet. What's the pity? This sentence seems dull, but this kind of dullness just reflects the ending sentence "but I don't want to violate it", which makes "I don't want to violate it" fully emphasized. The "wish" here contains the meaning of not losing yourself in the dirty real world.
The language of this poem is very plain and natural. "Planting beans in Shannan" and "Dew on my clothes" are all random, without any modification. This natural and simple poem is integrated into the artistic conception of the whole poem, which turns spoken language into poetry, harmoniously unifies simple spoken language and poetic mellow beauty, and forms the artistic characteristics of Shi Tao's simple and mellow beauty.
Tao poetry is plain and interesting. The interest of Tao poetry comes from freehand brushwork. "Go home with the moon hoe", the poet who returned from work is alone, but accompanied by the bright moon. The poet under the moon walked through waist-deep grass with a hoe on his shoulder. Returning to the countryside on a moonlit night, what a beautiful picture! It is full of the poet's happy mood and seclusion pride.
The plain language of "planting beans in Nanshan" and the beautiful sentence of "bringing lotus home in the moon"; The first sentence is real, and the last sentence is empty. The whole poem is soft and perfect with the mutual complement of simplicity and reality.
Guogurenzhuang
Passing through the Old Village describes the poet's special feeling and understanding of being integrated into the outside world, and embodies his leisurely poetic style.
This poem depicts the poet's pastoral taste.
This old friend prepared a delicious meal and invited me to his hospitable farm.
Write a friend and invite me to be a guest. "There are chickens and millet" and "Home" are simple and down-to-earth narratives, which show the sincere feelings between old friends and are full of pleasant family ties.
Green Woods surround the village and green hills are located outside the city.
Write about mountain village scenery. Green trees surround the village, which is a close-up view; Guo Waiqing Mountain is winding, which is a long-term vision. From near to far, the scenery is more and more open, and there is a quiet and quiet atmosphere.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Write a wine gossip. As soon as the window opened, grain fields and vegetable gardens came to me, and green trees and green mountains were in the distance. Close friends drink wine and talk about farming, and the wind brings the smell of soil and crops. This rural scenery is simply intoxicating!
Please come here to see chrysanthemums when the ninth festival comes.
The poet told a friend: I will come to your house to drink chrysanthemum wine on the Double Ninth Festival. The harmonious feelings between friends and the poet's love for the countryside are beyond words.
Meng Haoran's pastoral poems have great artistic achievements, and he is good at creating profound and lofty artistic conception with seemingly dull descriptions. Passing by the old man's village can show his style well.
It is worth emphasizing that Meng Haoran's pastoral taste is, after all, the leisure and tranquility of feudal literati, which is essentially different from the pastoral taste of laborers.
Spring outing in Qiantang Lake
Bai Juyi
Gushan Temple is north of Jiating West.
Low water level and low cloud feet.
The poet traveled to the West Lake in spring, from the north of Gushan Temple to the west of Jiagongting, overlooking the lake embankment, with white clouds lying low on the water, as if exploring the water to wash. Spring has come, and the water in the West Lake has risen.
Several early songbirds compete for warm trees,
Whose new swallow pecks at spring mud.
Along the way, the poet occasionally saw the early orioles scrambling to fly to the sunny branches to sing, but they were still afraid of the cold; I don't know who the new comer is. A pair of swallows picked up dirt from the water and flew back to the nest. When spring comes to the West Lake, the birds begin to perk up.
Flowers are becoming more and more charming,
Only shallow grass can have no horseshoe.
The poet saw that the wild flowers on the roadside seemed to be in full bloom, but the momentum would soon be dazzling; It's green, but the grass is not deep enough. Ride over, the horseshoe has just been buried. Spring in the West Lake is full of vitality everywhere.
The lack of eastbound love for the lake,
Qingyang White Sand Embankment in under the greenwood tree.
Finally, the poet came to the white sand embankment hidden by green willows. The scenery here is so beautiful that people can't bear to leave for a long time. He praised: This is my favorite place!
The purpose of this poem about the West Lake is not to introduce a certain scenic spot or a certain kind of scenery, but to describe the lush spring scenery on the lake from an overall perspective. Therefore, the author adopts two writing methods: one is to describe the scenery on the way. Began to write from Gushan Temple to Jiagong Pavilion, and ended with the white sand embankment of East Lake. The poet's footprints are all over most of the West Lake. Second, the combination of typical selection and classified arrangement: the middle four sentences describe four kinds of scenery that can best reflect spring scenery, namely warbler, swallow, flower and grass. Warbler and swallow are birds, animals, flowers and plants are plants. This combination is unique.
Poets are also good at grasping the characteristics of scenery and describing and rendering with the most accurate and expressive words. Poetry is about water, clouds, warblers, swallows, flowers and grass. Try to see how the words "gradual desire" and "talent" in "Charming Flowers, Shallow Grass Without Horseshoe" are dynamic, which shows the vitality of Shallow Grass.
In the first six sentences, the poet has described the spring scenery of the West Lake very beautifully. At the end, he said that he "loves" the white sand embankment in the east of the lake. As for how cute it is here, he didn't make any description except pointing out that it was in the "green sun and yin", relying entirely on the readers to exert their association and imagination according to the previous description, so as to achieve the effect of "a thousand words are inexhaustible". Poetry is expensive and implicit. Such a subtle ending is even more commendable.
Book Lake, Yinxian County, Bi Sheng
Wang Anshi was a famous politician in the Northern Song Dynasty in China. History has different opinions on his political achievements, but they are full of praise for his literary achievements. Many of his poems have unique writing methods, superb literary color and profound ideological content, which are deeply loved by people. Many of his poems pay attention to the rules, and the words and sentences have to be scrutinized, which has high appreciation value. In this poem, the words "protecting the field" and "typesetting" in "one water protects the field and two mountains send green flowers" are both profound allusions and superb rhetorical devices. This poem * * *, there are two, this is the first one.
This four-line poem, written from the courtyard outside the courtyard, is also a compliment to the master, making the landscape re-written outside the courtyard with affection and righteousness.
Grass eaves are long and quiet without moss, and flowers and trees are planted by hand.
"Mao Yan" refers to the courtyard, which shows the simplicity of the owner's house. However, the host loves cleanliness and people are very diligent. The yard is often cleaned and always clean, which makes people feel very comfortable. "Quiet" means "clean", even the moss is swept away. Needless to say, how neat. There are also pleasing flowers and trees, all kinds of colors, bed after bed, neat and colorful, all cultivated by the owner himself. The poet praised his master for being full of interest in life and cleaning up the whole courtyard with his own hands.
One water protects the field and surrounds the green, and two mountains send green.
The scenery in front of the door is a river, a farmland and two green hills. In the poet's view, the landscape also has friendship with this noble master. The poet personifies "one water" and "two mountains" into intimate images full of human feelings. Curved rivers surround lush farmland, just like a mother protecting her children with her hands. With the word "protection", the word "wai" also appears so affectionate. The castle peak in front of the door sees that the courtyard is so beautiful, and the owner loves beauty so much, and they also compete to come to the owner's courtyard to add color. He pushed the door in without knocking and offered his green leaves. The poet wrote a famous sentence that will be remembered through the ages with a stroke of genius.
Youshan west village
The trip to Shanxi Village vividly depicts the beautiful rural scenery and is full of rich flavor of life. Among them, "there is no doubt in the mountains and rivers, and there is another village in the darkness" contains philosophy and has been passed down to this day.
Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich.
Although farmers don't have good wine, they should keep enough chicken and meat to entertain guests in good years. This sentence describes the harvest year and the honest character of farmers' hospitality.
There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.
This is a touching scene, and it writes a winding and changeable landscape. "There is no way for mountains and rivers to be suspicious, and there is another village in the dark", which shows the endless life of mountains and rivers. A word "doubt" points out that this changing scenery is caused by the author's subjective feelings. "Another Village" wrote its own joy. These two sentences write the realm of doubt and falsehood, and the scene seems to be absolutely back, containing the philosophy of life.
The day of playing flute and drums is approaching, and the villagers are still dressed simply.
Describe the lively scene on the eve of rural community day. Before the social day, farmers have been playing flutes and drums, in groups of three or five, and their clothes are very simple. "Antique still exists", praising the simplicity and simplicity of farmers' character with the simplicity of costumes.
In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane.
This sentence is about subjective mentality. If I have time to travel by moonlight in the future, I will knock on your door with my cane at any time. The author's reluctance is beyond words. The poet was intoxicated by the scenery in Shan Ye and the human feelings in the rural area of Miri, Malaysia, and gave a heartfelt sigh for this outing.
The language of this poem is concise and fresh, creating a tourist image. The whole poem is closely related to the word "you" and narrated according to the passage of time, with distinct levels and vivid language. The two couplets in the middle are natural and neat, showing the poet's extraordinary skill in tempering words.