Look at the meaning of the first sentence, the Yellow River is drifting away, as if rushing in the middle of winding white clouds, in the mountains of Wan Ren in the upper reaches of the Yellow River, a lonely city, Yumenguan, stands tall and isolated.
Why do you want to use Qiangdi to play sad willow songs to complain about the delay of spring? It turns out that the spring breeze around Yumenguan can't blow!
The meaning of the third scene is that the Turkish leader came to the Central Plains to find his relatives, looked north at his own territory, saw the Fuyundui shrine in the north of the border, recalled the killing of horses on the stage many times in the past, and then made an attack on the Tang Dynasty, which was quite proud.
But now SHEN WOO, the son of heaven in the Tang Dynasty, is dignified and refuses to kiss the Turks, so this trip to the Central Plains has to come in vain.
Distinguish and appreciate
The first two sentences of this poem describe the vast and magnificent scenery in the northwest. The first sentence captures the special feeling of looking at the Yellow River from the bottom (swimming) to the top (swimming) from near and far, and depicts the moving picture of "the Yellow River is far above the white clouds": the surging Yellow River flies to the clouds like a ribbon. Writing is really a leap of thought, and the weather is open. Another famous poem of the poet, "And the Ocean Drains Gold River", is viewed from the opposite angle, from top to bottom; Li Bai's "How the Yellow River Water Moves Out of the Sky" is different from this sentence. Although it is also about looking upstream, the line of sight is from far to near. "All rivers run into the sea" and "How the water of the Yellow River moves out of the sky" are deliberately exaggerating the style of the Yellow River, showing dynamic beauty. "The Yellow River is far above the white clouds", the direction of which is opposite to that of the river, which is intended to highlight its long-standing leisure state and show a static beauty. At the same time, it shows the vast and magnificent scenery of the border, which is worthy of being a strange sentence throughout the ages.
The second sentence "Isolated City, Wan Ren Mountain" appears as an isolated city on the frontier, which is one of the main images of this poem and belongs to the main part of the "picture scroll". "The Yellow River is far above the white clouds" is its background, and "Wan Ren Mountain" is its near background. Against the background of the mountains in Yuanchuan, it is helpful to see that the city is in a dangerous terrain and lonely situation. "Pian" is an idiom in Tang poetry, which is often associated with "loneliness" (such as "a lonely sail" and "a lonely cloud"). Here it is equivalent to "a seat", but this word has an additional meaning of "thin". A lonely city like Mobei, of course, is not a residential area, but a fortress on the edge, suggesting that readers have husbands in their poems. As a vocabulary of classical poetry, "Lonely City" has a specific meaning. It is often associated with the sadness of leaving people, such as "The sunset in Kuifu ancient city is oblique, and every Beidou Wangjing is in China" (Du Fu's Autumn Prosperity), "Knowing the Han people far away makes Xiao Guan go out and worry about seeing the sunset in the old city" (Wang Wei's Send Wei to Comment on Things) and so on. Firstly, the image of "lonely city" in the second sentence is introduced to prepare for further describing the psychology of husband recruitment in the next two sentences.