Outside the white door, it is dry and reclining, and the ship is rotten and difficult to bind. The stone city is rotten, and there are swallows holding mud. Advocates are still singing backyard flowers, and business runs at midnight.
In spring, flowers are sold all over the city. The red chamber is filled with smoke, thousands of miles away. Spring is about life. Tang Ye has no owner, and the streets enter the Forbidden City in Lin Chun in pairs.
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Jinling is located in a dangerous place, crouching tiger, hidden dragon, after the Six Dynasties. The lotus leaves in the lotus pond that once roamed by pedestrians have withered, and only one or two egrets are taking off on Egret Island, increasing desolation. Qinhuai River flows east, and the Yangtze River can't be practiced.
There are broken wood and wooden stakes everywhere outside Jinling, even if there are tall construction ships or warships, they can't be tied and moored. Today's Jinling is devastated and chaotic, and only swallows nest in the mud. The singer sang "backyard flowers", and people who don't know the pain of national subjugation are still living a drunken life.
The streets are full of people, the red chamber is full of excitement, and the smoke is Wan Li. Although there is a spring year, what does it have to do with the changes of the world? The flowers in the wild Tang dynasty are all gone, and the sound of warblers is curling up and flying into the pavilion.
To annotate ...
Red skirt: refers to the lotus leaf, which means dancing clothes or skirts.
White Gate: Jinling.
Dead branches: refers to dead branches.
Lin Chun: Lin Chunting, one of the three pavilions built by Chen Houzhu for his absurd life.
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"Xihe" is a triple slow word, which is the second rhyme "Xihe Jinling Nostalgia" written by Zhou Meicheng (Zhou Bangyan) in the Northern Song Dynasty. It expresses the author's sadness of parting and the pain of national subjugation after the change of dynasties in Ming and Qing Dynasties.
In the last movie, I always wrote that the ancient city of Jinling, known as the six generations of luxury, was in ruins. Thinking about the prosperity of the past and sighing about the decline of today set a sad tone for the whole poem.
The first sentence begins with the title, and makes a three-sentence "Land of Dragons and Tigers", that is, Zhuge Liang's eulogy "Clock Plate, Stone Town and Tiger Residence" highlights that the ancient city of Jinling is in a dangerous and colorful place. "Six generations of prosperity are still remembered" is a self-examination of the past prosperity of the ancient city. Historically, the Six Dynasties of China, Japan, Song, Qi, Liang and Chen all established their capitals in Jinling. Under the rule of those emperors, they all had prosperous scenes, so they were called six changes of luxury. However, today's Jinling City is "all dressed in red, only a pair of herons rise in front of the continent". In Late Autumn in Chang 'an written by Zhao Huan in the Tang Dynasty, there is a saying that "the purple flowers are half blooming, the chrysanthemums are quiet, and the red clothes are full of lotus worries". "Red skirt" refers to the lotus leaf, which means dancing clothes or skirts, so it is written here that the lotus leaf in the lotus pond has withered, which means that the grand occasion of the wonderful string song and dance in the Six Dynasties no longer exists at that time, and only one or two egrets are left on Egret Island, which is taking off and becoming increasingly desolate.
Finally, "Qinhuai flows eastward day and night, and Chengjiang is endless." Inheriting the previous sentence, the Qinhuai River flows eastward and the Yangtze River can't be practiced endlessly, which reveals the sadness brought by the depression and neglect of Jinling at that time. Just as the sad voice of Li Houzhu's poem "How much sorrow can there be, just like a river flowing eastward", it gives people a painful feeling that "the water has been exhausted"
In the middle of the whole word, further writing the desolate and declining scene of today's ancient city can be described as the spread and extension of the poet's feelings.
"Outside the white door, there is no one to rely on", first of all, Jinling City is painted with staggered broken stakes. "White Gate" is Jinling; "Dead branches" refers to dead branches. This alone highlights the decline and depression of the ancient city. The skill of using a pen can be seen. Then "the ship is rotten and difficult to tie", which means that no matter how high the ship or warship is, it can't tie piles, because there are rotten piles everywhere. Compared with the same rhyme and sentence in Mei Chengci of Song, Zhou and Mei Dynasties-"If you break a tree, you will still lean on it, and Mochow's boat will be tied", no matter whether you write scenery or express your feelings, it is even worse. Coupled with the phrase "the stone city is rotten, there are swallows, and the mud is the old foundation", the whole Jinling is devastated, messy and dilapidated. In the past, the famous Crouching Tiger, Hidden Dragon City, a resort of the Six Dynasties, has now become the capital, and the pain of national subjugation is beyond words. The last sentence, "Worship the family and sing the backyard flowers, while Qing businessmen rush at night", is the rise of the author's feelings, and "backyard flowers" is the voice of national subjugation "yushu backyard flower" created by Asa Nonami and Chen Houzhu; Midnight in Qing Dynasty is a song of Qing Dynasty and also a midnight song. Here, in Du Mu's political satirical poem "Bo Qinhuai" in the late Tang Dynasty, the poet added "A merchant girl doesn't know how to hate the motherland, but she still sings the backyard flowers across the river" to express her great anger at those who don't know the pain of national subjugation, fall into decadent joy and lead a life of intoxication!
At the end of the whole word, the first sentence, "The spring tide sells flowers all over the city, causing a thousand miles of smoke in a dream of red mansions", describes a false prosperity after the fall of the ancient city. Followed by a sentence "Spring is the best thing in the world", which shows the clue of false prosperity; Although there is a spring year, what does it have to do with the changes of the world? Spring can't hide the horror after the decline of the ancient city.
Finally, "no owner, street warbler pairing, placed in the Forbidden City" is the end of the author's allusion. "Lin Chun" is one of three pavilions built by Chen Houzhu for his absurd life. The poet wrote Tang Ye's "Lin Chun" for the street warbler. He used his imagination to borrow the defeat of Chen, the monarch of the Southern Dynasties, and implied that he could learn from it.
Throughout the poem, the author did not express his feelings directly, but expressed his feelings by writing scenes, that is, writing the dilapidated scenes of the ancient city to express his hatred of national subjugation. Because the author is not Li Houzhu and Chen Houzhu after all, he is so ridiculous that he can't stand up because of sadness. He grieved for his father's martyrdom, and he was able to stay away from the new dynasty for life. Therefore, his poems express the feelings of sorrow, grief and painful thoughts, which can be described as harmonious works with certain ideological depth.
Two Bodhisattvas of Jinling Nostalgia: Ding Man Jinling Nostalgia Original Text and Appreciation;
Dragon Pan Tiger lives in Jinling County and has been luxurious for six generations since ancient times. The pale green phoenix doesn't come to swim, and the empty river flows by itself.
Down to the whole land of Chu, including the potential of the Central Plains. It's a pity that the grass is even in the sky, and the fox and rabbit sleep in the sunny suburbs.
Poetry appreciation:
Kang's "The Bodhisattva Manling in Jinling Nostalgia" is a profound historical reflection on the vicissitudes of Jinling in the past, lamenting that the small court in the Southern Song Dynasty pursued a policy of escapism and compromise. By the end of the Southern Song Dynasty, Jinling's homesickness poems were more bitter for death and sad for parting. Although Chen's Xihe (A Scene) has the same name as Zhou Bangyan, it is full of sadness of "waking up from a dream is not this life", which is particularly sad and confused.
The Original Works and Appreciation of Jinling Nostalgia 3 Jinling Nostalgia
Visit the ancient times in homesickness, spend a long time, and be alone in the autumn.
A bird with smoke leaves a bamboo, and several sails return to the boat under the rain.
The rustling dusk blows the red leaves, and the miserable Leng Yun collapses the old building.
The old country is desolate, who asks, and the heart is more romantic and does not recover.
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How many things happened in Jinling's prosperity is just a stroke in history. I climbed the heights of Jiangcheng alone, only to find it bleak, desolate and cold.
A bird flew by, behind which a wisp of fine smoke floated by the river. Several sailboats sailed down the river in the wind and rain, but the wanderer returned home.
The evening breeze blew and the red leaves rustled. Leng Yun is bleak, and the old building is under heavy pressure.
Who knows the desolation of Daoguo's death? How can people's hearts be as comfortable and chic as before?
translate
How many things happened in Jinling's prosperity is just a stroke in history. I climbed the heights of Jiangcheng alone, only to find it bleak, desolate and cold.
A bird flew by, behind which a wisp of fine smoke floated by the river. Several sailboats sailed down the river in the wind and rain, but the wanderer returned home.
The evening breeze blew and the red leaves rustled. Leng Yun is bleak, and the old building is under heavy pressure.
Who knows the desolation of Daoguo's death? How can people's hearts be as comfortable and chic as before?
Distinguish and appreciate
Note: Wang Jue was the right-hand man of the Northern Song Dynasty, and the writing of this poem was defeated in the two wars between the Northern Song Dynasty and Xixia.
The first sentence is a topic, both time and place. Homesickness belongs to homesickness, but the past is like smoke, and it is hard to chase after a long time. Wandering alone by the river in the ancient city, only the bleak autumn scenery came into view. The words "leisurely", "lonely" and "full autumn" begin with a lonely and desolate atmosphere shrouded in the whole poem, echoing the "desolate homeland" and "Who asked" of the couplet.
The second couplet in the middle, namely "Alone in Jiangcheng, full of autumn scenery", focuses on Qiu Guang in the poet's eyes. In the twilight haze, a waterfowl landed alone on a deserted sandbar. Autumn rain is falling, and a few sails are scattered on the river, heading for home. The bleak evening breeze stirred the red leaves in the foothills. Dark Leng Yun's dense low-altitude coverage seems to crush this ancient city in a gloomy way. In a word, a scene is like four screens. Although the images are different, they are all pale ink, which reflects the desolation of Qiu Guang and creates a desolate artistic conception.
The two antithetical couplets in the middle, blending scenes and refining words and sentences, show the author's artistic ingenuity. Use "Sasha Vujacic" and "Sadness" to modify "Dusk Blowing" and "Leng Yun", vividly describe the bleak scenery of the evening breeze and Leng Yun, and also write the author's mood; "Jing" not only describes the scene of "red leaves" falling in the autumn wind, but also writes the "Jing" in the poet's heart by personification. "Pressure" not only vividly describes the weight of Leng Yun, but also shows the poet's heavy mood.
Couplets sum up the whole poem, which is the crowning touch of Qiu Jingtu in Jinling. This historical capital surrounded by tigers and dragons is now desolate and unattended; No one here has the inspiring distribution and complacent style of the past. Desolation of the Motherland should be Red Autumn over the River, and Who and the Problem should be Exclusive. "People's hearts are more romantic" is naturally induced by the above scenery, which reflects the poet's deep anxiety.
Shortly after the founding of the People's Republic of China in the Northern Song Dynasty, the situation of weak accumulation and poor collection gradually formed. At that time, the authors in Jacky were deeply touched by the declining national situation. The desolation of the old country is not necessarily just an idea of mourning the past, but it is probably a tortuous reflection of the sadness of the times when the national conditions are deeply felt.
The style of this poem is sparse and gloomy, which is quite different from the prosperity of the Tang Dynasty adopted by Ang Endeavour. Shortly after the founding of the People's Republic of China in the Song Dynasty, Wang Anshi's reform aimed at easing the crisis partially achieved the goal of "enriching the country", but the role of "Qiang Bing" was minimal. In four and five years (108 1- 1082), Yuanfeng waged two wars with Xixia, both of which ended in failure. The second "Yongle fiasco" led to the loss of 200,000 teachers, and the Shinto religion "mourned the DPRK but did not feed it" (Chronicle of Song History, vol. 40). At that time, Wang Jue was facing the left, and he was deeply touched by the growing national situation. The sigh of "the desolation of the motherland" in Jinling Nostalgia is not necessarily just a general thought of mourning the past, but probably a tortuous reflection of deeply feeling the sadness of the times in the national games.
The Original and Appreciation of Jinling Nostalgia 4 Original:
Decadent music "Flowers in the Back Garden of Yushu" came together with Chen's fate; The lookout party in Jingyang Palace was filled with empty space.
The cemetery trees in the cemetery cover the graves of many officials in previous dynasties; High and low young crops filled the palaces of the Six Dynasties.
The snail spreads Yun Ni's wings, and it rains for a while and clears up for a while; The finless porpoise added fuel to the flames in the river. The night was deep and a cold wind came.
The emperors of past dynasties are gone forever, and the luxurious imperial life has disappeared without a trace. Only the surrounding green hills are the same as they were then.
Poetry appreciation:
Jinling is the ancient capital of Sun Wu in the Eastern Jin Dynasty and Song, Qi, Liang and Chen in the Southern Dynasties. Since the Sui and Tang Dynasties, due to the transfer of political center, there was no prosperity of the Six Dynasties. The rise and fall of Jinling has become the topic of many poets in later generations. Generally speaking, poems about Jinling refer to a scene. Xu Hun's seven methods (Yu Biyun's A Brief Introduction to Poetic Realm) are "muddy and careless" and "inclusive", which are highly artistic.
The poem traces the history of Chen being destroyed by Sui soldiers, and describes the last small court in the Southern Dynasties, which was destroyed by the decadent sound of the music "Flowers in the Garden of Yushu". Sui Jun captured Jinling, and the song "Flowers in the Garden of Yushu" has not been finished. Jinling is the end, and Sui Jun is approaching Jingyang Palace. The Yugoslav capital was invalid and surrendered easily, and the Chen Dynasty perished. This is the beginning of Jinling from prosperity to decline, and the whole poem begins with this, which is the key to grasp it well.
Zhuan Xu described the decline of Jinling. Pine tree, a tree on the grave. When the poet climbed to the top of the mountain, he saw pine and cypress weeds in the distance, and the palace was in ruins. The prosperity of the Southern Dynasties has become a historical relic.
The first two couplets adopted the anti-Rafa method in the content arrangement: first, they recalled the distant yearning for the history of the former dynasty, and then they added the scenery in front of them that caused this distant yearning. This highlights the turning point of Jinling's rise and fall and its historical lessons.
The necktie sums up the changes of the world in a metaphorical way. Here, the words "Fu" and "Blow" are vividly written, and the words "Yi" and "Huan" are implicitly written. "Blowing Clouds" describes the image of Shiyan sweeping in the rain, while "Blowing Waves" shows the imposing manner of finless porpoises. "Sunny rain" means "cloudy with rain", and "returning to the wind at night" obviously means "it is windy in the sky". "finless porpoise" and "Shiyan" symbolize omnipotent figures in history, such as the heroes mentioned by William. These two sentences show the rise and fall of human society and the rise and fall of dynasties through the changes in The Storm on the River.
At the beginning of the couplet, the poet expressed his feelings about prosperity and extinction. Heroes refer to emperors who once occupied Jinling. Both Jinling and Luoyang are surrounded by mountains and have similar topography, so Li Bai's "Three Poems of Jinling" has the poem "There are many mountains like Luoyang". "Only the green hills seem to be in the middle of waterinfo", which means that the topography of Jinling today is similar to that of the Six Dynasties except for mountains and rivers, and everything else is quite different. Jiangshan does not change, things are different, and I am deeply touched.
This "Seven Laws of Nostalgia" is very skillful in choosing images and tempering words. For example, the two couplets in the middle reflect the changes of society with natural scenery, but the techniques and scenery are quite different: the couplets are portrayed intuitively by Fu, and the necklace gets the implied effect with the help of Bixing; Pine and millet are common plants in reality, while rock and finless porpoise are legendary magical and grotesque animals. In this way, not only a variety of colorful images are written, but also a mysterious and romantic atmosphere is set off. In terms of refining characters, taking the first couplet as an example, "disability" and "emptiness" reflect the corruption of the Chen Dynasty from two aspects: cultural life and military facilities, and their writing shows the scene of the decline of Jinling City before Chen's death: the word "harmony" overwhelmed Mount Tai, showing the power of Enemy at the Gates, an army of the Sui Dynasty; And "The End of Wang Qi" corresponds to the "luxury" of the last couplet describing Jinling.
The original text and appreciation of "Jinling Nostalgia" 5 Pale Jinling Moon, hanging in Yuzhou.
Astronomy stays in the sky, and it is a big river.
Green water is absolutely clear, and pine trees destroy ancient hills.
There is no Phoenix Tower in the palace.
Summer is not sad and clear, and Fiona Fang enjoys the tour.
When I heard Song Yushu, the backyard was desolate.
To annotate ...
Pale color.
Imperial country: Jinling was once the ancient capital of the Six Dynasties.
Lisu: It refers to the stars in the sky.
Think that the river flows: it means that the hegemony of the ancient empire has passed away like a river.
Absolutely: broken.
Equator: "Three Auxiliary Huang Tu": "Equator, the way of the son of heaven is also."
Ancient autumn: refers to the tombs of the Six Dynasties.
Tilting the platform to watch the magpie: it means that the viewing platform of the magpie has fallen down. A stork magpie view, built a palace in the Six Dynasties, is not tested today.
There is no phoenix building in the palace: it means that the phoenix building is deserted. Phoenix Building, on the Phoenix Mountain. It was built in the Southern Dynasties, Song and Yuan Dynasties.
Clear summer: The Hall of Clear Summer was built in Taicheng by Emperor Xiaoxiao of Jin Dynasty. Although there is a breeze in summer, it is named.
Fiona Fang's Musical Journey: It means that Leyuan has no amusement. Fiona Fang, an amusement park, was built in the south of Fuzhou Mountain and at the northern foot of Lianshan Mountain. There are halls such as Zhengyang and Guang Lin in the park.
Yushu: the flower in the back garden of Yushu.
To annotate ...
Pale color.
Imperial country: Jinling was once the ancient capital of the Six Dynasties. Xie Tiao's poem "Song of Entering the DPRK" is "the beautiful land in the south of the Yangtze River and the imperial country of Jinling."
Lisu: It refers to the stars in the sky.
Think that the river flows: it means that the hegemony of the ancient empire has passed away like a river.
Absolutely: broken.
Equator: "Three Auxiliary Huang Tu": "Equator, the way of the son of heaven is also."
Ancient autumn: refers to the tombs of the Six Dynasties. Li Bai's "On Ascending Nanjing to Phoenix Terrace" has a poem "Ancient Costume of Jin Dynasty". The whole sentence means that the ancient tomb is broken and covered with pine trees.
Tilting the platform to watch the magpie: it means that the viewing platform of the magpie has fallen down. A stork magpie view, built a palace in the Six Dynasties, is not tested today.
There is no phoenix building in the palace: it means that the phoenix building is deserted. Phoenix Tower on Phoenix Mountain. It was built in the Southern Dynasties, Song and Yuan Dynasties. I forgive my name because of the wind.
Clear summer: The Hall of Clear Summer was built in Taicheng by Emperor Xiaoxiao of Jin Dynasty. Although there is a breeze in summer, it is named. (See "Ding Jing Jiankangzhi")
Let's go to Fiona Fang to play: it means there are no amusement projects in the park. Fiona Fang, an amusement park, was built in the south of Fuzhou Mountain and at the northern foot of Lianshan Mountain. There are halls such as Zhengyang and Guang Lin in the park.
Yushu: the flower in the back garden of Yushu.
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The moonlight shone on Nanjing, and the poet was sad. The stars are still those stars, but the kingship of Jinling is gone forever like the flowing water in the East. At the end of the road is a vast lake, and the pines and cypresses on the ancient tomb are old; Mamaguan, Fenghuang Building, Qingshutang and Leyuan Garden, which used to be so prosperous, were deserted and dilapidated, and few people came. In the bleak autumn wind, you can also hear the sound of bloom in the back garden of Yushu, Chen Houzhu.
Since the Three Kingdoms Wu Dong, Jinling has been the capital of several dynasties. Under the management of emperors and generals, its prosperity and consumption level reached its peak. After the Eastern Jin Dynasty established its capital here, it built the Summer Palace, which is a good place to enjoy the cool in summer. During the Southern Dynasties, the equator was built in the Song Dynasty, leading to Xuanwu Lake for more than ten miles. There is a Phoenix Tower on the Phoenix Mountain, and a music garden at the foot of Yuzhou Mountain. From Shannan to Shanbei, there are large and small temples and pavilions. Xie Tiao, a poet in the Southern Dynasties, wrote a poem: "Beautiful land in the south of the Yangtze River, an imperial island in Jinling." This shows its position in people's minds at that time.
In Jinling, as the political center, literature and art have also developed and prospered. First of all, due to the emperor's advocacy and the fact that several emperors were writers or artists, a large number of scribes gathered around them; Secondly, because Jinling is located in the south of the Yangtze River, folk songs are popular, and the artistic soil is rich, which nourishes the gorgeous flowers of art.
But it's all in the past. Facing the arrogant poet Li Bai, only the bleak autumn wind and the dull moonlight are left. In the autumn wind, the music of "Flowers in the Back Garden of Shu Wei" came faintly. This decadent voice, this voice of national subjugation, and this voice that explains the decline of Jinling are still being sung!
The Original Text of Jinling Nostalgia and Appreciation of 6 Contents
It's a long way to go in Xiu Yuan, and the palace is fragrant with grass. Sad to take the court, the old minister of the north.
Appreciate:
Jinling (now Nanjing, Jiangsu) has been the capital of the Six Dynasties since the Three Kingdoms and Wu Dynasties, and it is an important theme for poets to chant history. Sikong Shu's "Jinling Nostalgia" is typical in material selection, exquisite in application and unique in originality.
The first two sentences are more realistic. The author chose two typical scenes to describe what he saw in front of him. There is not much pen and ink, but it can show the decadent and desolate scene of the ancient capital Jinling very concretely and vividly. Chariot Road is the road that the emperor passed by car. I think of the emperor's trip, with banners and drums, and he was crowded around. How magnificent! Now this scene no longer exists, only Jiang Feng, who has experienced the vicissitudes of the world by the roadside, grows tall and big, covering the sky and casting a heavy shadow, making the deserted road darker and more gloomy. The word "dark" in Jiang Feng Dark is both realistic and reveals the author's heavy mood at the moment. Along this road, you can see some remnants of the palaces of the Six Dynasties. "Six generations of Taicheng competed for luxury", and the palaces in the past were resplendent and magnificent, not to mention the spring when flowers were blooming and birds were singing and dancing. Now it's desolate here, and there are only weeds growing everywhere. It seems that the whole palace has become their world. In "Wild Grass Spring", the word "spring" not only points to the season, but also deliberately indicates that only this growing wild grass is dotted with spring. The antithesis of these two sentences is neat, and the Road Palace is in sharp contrast with Jiang Feng and Weeds, which inspires readers to compare their present situation with history, and the feeling of ups and downs naturally resides in it.
Next, with a stroke of a pen, the real thing is imaginary, and the feelings are skillfully expressed with allusions. Allusions are natural and appropriate, rich and intriguing.
First of all, the nature of Yu Kaifu is Yu Xin, because there was an official who opened the government for three departments, so it was called. Yu Xin was a famous poet in Liang Dynasty. He was an official in Jinling in his early years. Together with his father Yu Jianwu, he was deeply appreciated by Liang Wudi. The so-called "father and son are forbidden to enter and leave the East Palace, and they will not give in to each other." It is natural for poets to recall the past from roads and palaces. Of course, it is easy to think of Yu Xin, which is in line with the scene in front of the author.
In addition, during Yu Xin's mission to the Northern Dynasties and the Western Wei Dynasty, Liang died in the Western Wei Dynasty and was forced to stay in Chang 'an, which was appropriate. After the Northern Zhou and Wei Dynasties, he was forced to be an official in the Zhou Dynasty and stayed in the Northern Dynasty, and finally died in the first year of Emperor Wendi of Sui Dynasty. He experienced several dynasty changes in the Northern Dynasties and witnessed the downfall of the last two dynasties in the Southern Dynasties. His life experience can best reflect the turmoil and changes of that era. In addition, he traveled in the north for a long time and often missed his old country and hometown. Most of his poems have "homesickness", and the famous "Jiangnan Fu" is a masterpiece in this respect. There are some similarities between the poet's life and that of Yu Xin. He experienced the "Anshi Rebellion" and witnessed the decline of the Tang Empire from its heyday. During the An Shi Rebellion, he left his hometown and took refuge in the south. After the rebellion, he couldn't return to Chang 'an for some time and was very homesick. Therefore, the poet used Yu Xin's allusions, both lamenting the rise and fall of the Six Dynasties in history and the decline and fall of the Tang Dynasty, which included his yearning for his hometown and his understanding of life experience. It is indeed appropriate, stable and rich in connotation. The word "sad" falls heavily and is worth pondering. Yu Xin once wrote "Fu of Sorrow", which is sad and moving. He said, "Being hurt is a mourning thing, but I feel sad ..." It is natural to name it "Mourning for the Past", which not only summarizes Yu Xin's life experience, but also expresses the author's deep sympathy for this predecessor poet, and is also a confession of his sad mood here and now.
This poem is an epic masterpiece with 20 crosses missing, rich connotations and profound feelings.
Originality and Appreciation of "Jinling Nostalgia" The Song of July "Jinling Nostalgia"
Remember when six generations boasted about Haikou under one roof, and even Jiang ordered it back, Yushu had no flowers? Businesswomen sing, Taicheng looks long, Huai Shui Yan Sha. I asked Jiang Zuo that he was happy at home and the sunset was fading in western Western jackdaw. Hide the sunset glow, return to the sail lonely, sob and sing.
Creation background
This song was written in Yuan Wuzong until the sophomore year (1309), when Lu Zhi was appointed as the visiting ambassador of Jiangdong Road Lian Po. When he came to Jinling, he stepped onto the stage and looked into the distance. He saw the famous Wang and Xie at that time, only the sun was setting, the grass was dying, and the western Western jackdaw was moaning. Facing the lonely homecoming and listening to the sobbing nonsense, he wrote this song with great emotion.
Translation and annotation
translate
I remember how brilliant Jinling was in the Six Dynasties! Why is the whole city in decline after the return of Jiangling? Across the river, I still listened to the voice of the national subjugation singer. Taicheng looked at the Qinhuai River and asked where Jinling's former giants were now. I saw a piece of hay in the sunset, and some western Western jackdaw flew around; Returning home alone in the shadow of the sunset glow is accompanied by sobs and sad beards.
To annotate ...
Double tone: Gongdiao name. One of the twelve palace tones, the double tone is a common palace tone in Yuanqu.
Yuequ: the name of the two-tone music card of Beiqu. Use both small orders and small orders. Also known as "laurel-folding order", "Bukan Palace" and "the first branch of the east wind".
Six Dynasties: refers to the Wu and Eastern Jin Dynasties in the Three Kingdoms and the Song, Qi, Liang and Chen Dynasties in the Southern Dynasties. They all took Jiankang (now Nanjing, Jiangsu) as their capital, and were collectively called the "Six Dynasties" in history. Exaggeration: competing to boast of luxury.
Jiangling: refers to the Chen Dynasty literati Jiang Zong, who was born in Kaocheng, Jiyang (now east of lankao county, Henan) and lived in the three generations of Liang, Chen and Sui. When Chen became an official, the world called him "Jiangling", but he ignored state affairs. On the same day, he visited the harem with Chen Houzhu, Kong Fan and other guards, and made a colourful speech, which was called "guest appearance".
No Flowers in Yushu: It refers to Chen Houzhu's "Flowers in the Garden of Yushu", which has always been regarded as the voice of national subjugation.
Business girl: A girl who sings.
Taicheng: The Forbidden City in the Six Dynasties was the seat of Wu Donghou Yuan in the Three Kingdoms period. The site is on Xuanwu Lake in Nanjing today.
Jiangzuo: that is, Jiangdong, that is, the present Jiangsu area, especially Jinling. Romantic family: refers to the Wang and Xie families who were prominent for a while in the Six Dynasties.
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This is a poem and a profound nostalgia. The content of the whole song is divided into three levels.
The first three sentences are the first layer, recalling the past. Generally, the literati swim in the past, and they are all touching the scene and thinking about the past. At the beginning of this poem, the reader was introduced into the historical atmosphere thousands of years ago: "Do you remember that the six generations boasted that even Jiangling returned and Yushu had no flowers?" Jinling, the capital of the Six Dynasties, competed to boast of its luxury. The meaning of this song is, why did President Chen Chaojiang never hear yushu backyard flower's singing again when he came back from Jinling, which boasted about luxury in the Six Dynasties? In other words, the last generation of the Six Dynasties was already in its heyday and declined, implying that Chen Junchen was accused of being extravagant and bringing disaster to the country and the people.
The next three sentences are on the second floor. The screenwriter seems to be still immersed in historical reflection, and the decadent voice of the singers "Flowers in Yushu Back Garden" still lingers in my ears. When you board Taicheng to indulge yourself, you will see a vast Jianghuai Yuan Ye. This is: "Businesswomans sing, Tai Cheng Wang, Huai Shui Yan Sha." The above three sentences are translated into Liu Yuxi's poem "Taicheng": "Taicheng is the most luxurious in six generations. Thousands of families have become weeds because of a song "backyard flower"
The last five sentences are the third layer of the song, and the author is deeply moved by the picturesque rivers and mountains. This layer of lyrics means, where are the big noble families handed down from generation to generation? Only the sunset, rotten grass and Western jackdaw in the west are left, which is the scene of late autumn dusk. In the reflection of the sunset glow, in the middle of the river, it is obvious that the Mongols of the Yuan Dynasty are on earth. The thoughts of the old country are all in silence. These sentences are well written.
Taken together, this word is subtle, concise, exquisite and natural, which shows the artistic style of Lu Zhi's Sanqu creation.