The original poem "Pavilion Wall on the Shuhe River" is: The shore is wide and sparse, and the waves are slim, so you can't think about it by relying on the dangerous threshold alone. The rustling trees are far away from the forest, and half of the autumn mountains take the sunset.
1. Notes on words:
1. This is the third poem in four groups (spring, summer, autumn and winter). The order before the poem shows that this poem was written when the author Kou Zhun was relegated.
2, relying on the danger threshold alone: relying on it. Danger, high. Leaning against the high railing.
4, rustling, wind.
Second, the translation of the Pavilion Wall on the Shuhe River:
There are only a few ships sailing on the wide Yellow River, and the waves are rolling in front of us. I boarded the pavilion by the river alone, leaning against the railing, and my sadness was like a river, flowing endlessly. By the river, in the distance, in the bleak autumn wind, there is a sparse forest, behind which are towering mountains, half of which are bathed in the sun.
Creation background and appreciation of The Pavilion Wall on the Shuhe River:
1. Creation background:
This poem was written when Kou Zhun was thirty-seven or eight years old, and it was prefaced by a preface, saying that in the first year of Xianping (998), the town of Heyang was moved to Heyang. Yue out of the book, the resumption of points in Shaanxi. Only the two towns, overlooking Luoyang, are all places with mountains and rivers.
Every time I look high, I think about the scenery with a poem, and it takes a long time to form four quatrains, which are written on the pavilion wall on the river, indicating that this poem was written when the author was relegated. This is the third of four poems (spring, summer, autumn and winter).
second, appreciation:
this is a lyric poem about scenery, inscribed on the wall of a pavilion by the Yellow River. Since autumn scenery is the main scenery, it is natural to get some "worry" color.
The first sentence describes the scene on the Yellow River from three aspects:
First, it is "wide", and Wang Wan's "until the banks at low tide widened" is condensed into "wide shore" by the poet. The river is vast, and the Yellow River is magnificent and vast when you look around;
Second, it is "dim", because the river is so wide that you can't see the edge at a glance, and the sun is about to set. Naturally, it is "hard to find the letter in the misty waves" and you can't see the other side;
thirdly, it's "sparse". There are few boats on the river. Although we can't see the lively scene of "hundreds of boats fighting for the current", it makes people feel that the river seems wider and the smoke waves seem more slim. What kind of feeling can the smoke waves on the river give people?
The word "thinking" in the second sentence answers the question put forward earlier. What was the poet thinking when he leaned against the railing by the pavilion alone?
A resolute poet may feel a little sad at this time, but how can he "hate it until it's time" when facing the Yellow River in entering the ocean, never to return?
The fourth sentence is the best sentence in this poem, which is full of artistic conception. It immediately reminds people of "A setting sun is spreading in the water, and half the river is rustling and half the river is red" in Bai Juyi's ode to the Mujiang River. This half of the autumn mountain bathed in the soft setting sun, although not as gorgeous as "the frost leaves are red in February flowers", gives people leisure, kindness and intoxication.
As for the half-unseen autumn mountain, the poet doesn't want to talk about it, but what is the sadness in his heart before this magnificent sunset picture of the Yellow River?