Author: Li Qingzhao
Original text:
Lotus root is fragrant, and jade is lingering in autumn.
Gently untie Luo Shang and go to Lan alone.
Who sent the brocade book,
The word goose returns, and the moon is full of the west building.
Flowers bloom and fall, and flowing water gurgles.
One kind of lovesickness, two places of leisure.
I can't eliminate this situation,
Only under the eyebrows, but in my heart.
Precautions:
1, red lotus root: red lotus. Din: A beautiful bamboo mat as smooth as jade.
2, Shang (chng): The clothes worn by the ancients also refer to clothes.
3. Lanzhou: This is the nickname of the bed.
4. Brocade: Su Hui of the former Qin Dynasty once wrote a tapestry poem "A Picture of Xuan Ji" and gave it to her husband Tao Dou. It has 840 words, which can be read repeatedly, and the lines are full of sadness. Later generations called their wives and husbands brocade characters or brocade books; It is also known as credibility.
5. the word "wild goose": flocks of wild geese are often arranged in a word or a herringbone. In poetry, the word "wild goose" is used to refer to geese flying in flocks.
6. Full Moon in West Building: It means that Hongyan flies back, and the West Building is full of moonlight.
7. One kind of acacia, two kinds of leisure worries: it means that each other is missing each other, but they can't talk, so they have to be alone.
8. I just frowned, but I took it to heart: it means that the clouds on my eyebrows just disappeared, and my heart began to worry again.
Translation:
The lotus flower is exhausted, the fragrance has disappeared, and the bamboo mat is as cold as jade, showing a strong autumn. Gently take off the silk skirt and lie on the bed alone. Looking up at the distant sky, where white clouds are rolling, who will send the brocade book? It's time for the geese to form a herringbone and return to the south line by line. The moonlight is bright and soaking, and the lonely pavilion in the west is full.
Flowers, wandering by themselves, water, wandering by themselves, a kind of parting acacia, affecting two leisure worries. Ah, what can't be ruled out is that this lovesickness, this sadness, has just disappeared from the frowning brow and is faintly entangled in my heart.
Appreciate:
The first sentence of the word is a fragrant lotus root, which leads to the whole article. Some commentators say that this sentence has the weather of swallowing plums and chewing snow, not eating fireworks (Liang Shaoren's Two Essays on Autumn Rain Temple), or appreciate its exquisite show (Chen Tingzhuo's White Jade Zhai Thorn). The first half of it is about outdoor scenery, and the second half is about indoor things. It works in clear autumn, indicating that it is cold (Han Wo's poem "It's Cold"). The whole sentence is colorful and vivid, which not only depicts the surrounding scenery, but also sets off the poet's feelings. Flowers bloom and fall, which is not only a natural phenomenon, but also a personnel symbol of joys and sorrows; The cold pillow is not only the touch between the skin, but also the desolation and loneliness inside. This prologue, which describes indoor and outdoor scenery with hidden feelings, shows the environmental atmosphere and emotional color of the word from the beginning.
The first six sentences are * * *, and the last five sentences are written in the order of what the poet did, touched and felt during the day from day to night. The first two sentences explain Luo Shang lightly, go on a green boat alone, and write about boating on the water during the day, implying the situation with a single word and insinuating feelings. In the cloud below, whoever sends a brocade book will clearly write down his thoughts after parting. The poet went to Lanzhou alone to send away his sorrow; Looking at the sky, I tend to think further. This sentence runs through from top to bottom. Closely connected with the previous sentence, it is written about the expectations and thoughts on the ship; When the wild goose returns after the next two sentences, the moon is full of the West Building, and then it is reborn. It is conceivable that the poet missed the whereabouts of the wanderer and looked forward to the arrival of the brocade book, so he drew the daydream of passing the book by the wild goose feet in the distance. And this kind of feeling and reverie, which is far away from the world, haunts the poet's heart day and night, on the boat or in the building.
The last three sentences of this word remind people of other words, such as the news on the edge of the day is empty and heavy, the thrush is worried about climbing the stairs (Zheng Wen's wife Sun Shi's "Recalling Qin E"), Hongyan is infinitely thinking when she comes (Yan Shu's "Resentment"), trapped in a dangerous building, worried about flying over every word (Qin Guan's "Broken Magnolia"), and if she is related to the opening sentence of this word, From then on, there is no good night, let him go down to the west wing in the bright moon. Words and poems are written with bamboo mats, moonlight and west building, and also express unforgettable acacia. By contrast, they are very similar.
The past tense flowers of this word float from one place to another, connecting the preceding with the following, and the meaning of this word continues. This is both temporary and exciting. The scene of falling out of the water complements the words of Shangluo red lotus root fragrance and being alone in Lanzhou. The life, years, love and parting it symbolizes give people a sense of helplessness (Yan Shu's Huanxisha) and the infinite hatred of water (Liu Yuxi's Zhuzhi Ci). The next sentence of the word naturally transitions from this sentence to the next five sentences and becomes a purely lyrical and straightforward monologue.
One kind of lovesickness, two places of leisure worries, while writing about one's own lovesickness and leisure worries, one thinks of the other side from one's own body, knowing that this lovesickness and leisure worries are not unilateral, but bilateral, thus seeing the fit of two hearts. These two sentences are also the supplement and extension of the sentence in Shangganyun, which shows that although the water is far away, the brocade book is in the future, and the love between the two places is the same at the beginning, which fully proves the deep love and trust between the two sides. In previous works, there are also sentences about lovesickness between the two places, such as Ye Luo's Poem of Two Wild Gooses (the second part), Jiangnan and the Northland stay further apart, and Han Wo's poem Youth, cherry blossoms and pear blossoms, heartbroken youth. These two words may be transformed from these poems. Once they are cast and cut into two four sentences with neat sentence patterns and clear meanings, they will achieve the effect of reinventing themselves and turning the stone into gold. These two sentences are both separate and integrated. Taken together, from one kind of lovesickness to two kinds of leisure, it is the separation and deepening of two kinds of feelings. Its combination shows that this situation is one and two, two and one; Its deepening tells us that this situation has changed from thinking to sadness. There is no way to eliminate this situation, which is followed by these two sentences. It is precisely because people are divided into two places that deep sadness has been hanging over their hearts. Of course, this situation is hard to underestimate, but it is only under the brow, but in the heart.
The last three sentences of this poem are a famous sentence that has been praised all the time. Wang Shizhen pointed out in "Flowers in Bloom" that these three sentences are all from Fan Zhongyan's "Walking in the Imperial Street", which is out of thin air and hiding from the brow. In Yu Yan, however, in Sauvignon Blanc, celebrities have nowhere to leave messages, and their brow reveals a few words, stealing Li Qingzhao's ci. This shows that although imitation is avoided in poetry creation, the sentences of predecessors can be touched, making them look brand-new and integrated into their own works. In Shine on You, success is always better than blue, which not only changes the original sentence, but also is higher than the original sentence. This point of Li Qingzhao is a successful example. Wang Shizhen also believes that although the model sentence is created by Li's sentence, Li's sentence is an agent. In contrast, the model sentence is flat and straight, which can not awaken the artistic effect of the human eye; Li's words, however, are not unique, just eyebrows, but hearts, not eyebrows and hearts, giving people a refreshing feeling. Here, the brow corresponds to the heart, and the lower part is undulating. The sentence structure is very neat and the expression technique is also very clever, so it has great artistic appeal. Of course, sentences cannot be separated from the beginning. These two four-character sentences are only an organic part of the whole word, not the only one. It depends on the contrast of the whole article, especially because it is a kind of acacia with two other words that are equally clever, and the two carefree thoughts reflect each other and complement each other. At the same time, the whole article is inseparable from sentences, and the whole article is shaken by these sentences that wake people's eyes. Li Tingji's "On Forest after Poems in Caotang" called this word particularly elegant and eye-catching. This is why readers are particularly attracted by its artistic charm.
Li Qingzhao's Spring Remnants
Spring residue
Author: Li Qingzhao
Original text:
Why do you miss your hometown in spring?
Comb your hair when you are sick and hate to have long hair.
Liang Yan's language has always been there,
The rose wind is thin and fragrant.
Precautions:
1, Liang Yan talked a lot: it refers to the swallows who live on the beam head and keep whispering.
Appreciate:
This poem was written in the late spring of the second year of Shaoxing (1 132). The author settled in Hangzhou, fell ill in the spring, and missed his late husband's hometown more and more, so he wrote this poem.
This poem shows the author's deep homesickness. The purpose of writing many words about Liang Yan is that in the last spring, swallows also know that spring is over and continue to whisper to their owners that their hometown is beautiful. This is the author's own homesickness, but it gives the swallow a homesickness call and enriches the theme and atmosphere of homesickness.
Author Li Qingzhao (1084- 1 155) was born in Zhangqiu, qi zhou (now Jinan, Shandong). He is famous for his ci and has a high artistic attainments. Father Li was a famous scholar at that time, and her husband Zhao Mingcheng was a textual research scholar of epigraphy. In his early years, he lived comfortably, and once cooperated with Ming City to collect and sort out calligraphy and painting stones. The nomads from the army entered the Central Plains and lived in the south. Ming Cheng died of illness and was in a lonely situation. In his lyrics, he wrote about his leisure life in the early stage, lamented his life experience in the later stage, and was deeply touched. Some of them also showed nostalgia for the Central Plains. In form, it makes good use of line drawing, forms its own school and has beautiful language. On the theory of ci, it emphasizes harmony, advocates elegance and affection, puts forward that ci belongs to one family, and opposes the method of writing ci with poetry. He can write poems, but he doesn't keep much. Some of his poems are old and lyrical, which is different from his style of ci. There are Collected Works of Yi 'an Jushi and Yi 'an Ci, which have been lost. Later generations have a collection of Yu Shu's ci. There is a collection of Li Qingzhao's school notes today.
Li Qingzhao is fragrant.
Xiangzi
Author: Li Qingzhao
Original text:
Grass flies, phoenix tree falls,
There is a deep sorrow on earth and in the sky.
Yuntai moon and earth, locked a thousand times.
You come and I go, don't meet.
I haven't seen you for years,
Want to leave love, don't hate poverty.
Penny Weaver, this is just separation.
Sometimes it's sunny, sometimes it rains, sometimes it's windy.
Precautions:
1, thorn: here refers to crickets.
2. Platanus acerifolia: Leaves have fallen since autumn. Hence the name: trees are very important.
3. Yuntai Moon Land: Cloud platform and moon land.
4. Lock: The level is blocked.
5, heavy: "Nazi Collection of Flowers and Plants".
6, if: that is, the raft.
7. Star Bridge Magpie Rack: According to legend, every year on the seventh night of the seventh lunar month, magpies rack the Milky Way, and cows and weaver girls meet once.
8. Mohs: Mohs, Mohs.
9. for a while: for a while.
Appreciate:
This two-tone poem vividly expresses the poet's sadness, separation and hatred by describing the tragic story of Cowherd and Weaver Girl.
The grass is singing and the phoenix tree is startled. Ci begins with Chinese Valentine's Day, describing the silence of the surrounding environment and expressing the lonely and painful feelings of the protagonist. The poet skillfully used the technique of writing quietly and exaggerating with his pen, saying that the old leaves of the phoenix tree floating on the ground were. Frightened by Wu Yu, he wrote the silent environmental features, which set off the poet's inner loneliness and sadness and led to the world. The deep association in the sky closely weaves one's mood with the sadness of the Cowherd and the Weaver Girl, and becomes the link between excuses and rhetoric. Let's write the story of the Cowherd and the Weaver Girl: Yuntai Moon and Earth Pass. Describing the pain that Cowherd and Weaver Girl can't meet each other in a place far away from Yuntai and the vast Milky Way, she is expressing her sadness of leaving her husband in a different place. Describe the meeting of the cowherd and the weaver girl on the magpie bridge, and the fleeting suffering is pouring out their hatred that they are separated from their husbands by thousands of miles and cannot get together. As the saying goes: brush with the wind, float away, don't meet. The whole film is written from the world to the sky, and the narrative is full of emotion, and every sentence is closely related to the poet's emotional pulse. Finally, in the next film, the poet's feelings have completely turned him into me, and the relationship between husband and wife is integrated with the relationship between the cowherd and the weaver girl. Therefore, starting from the reality of her own situation, she launched a strange association: Xingqiao Magpie drives, only after years, don't hate poverty if you want to leave. The wind and rain in the sky are unpredictable, the bridge of magpies may not be built yet, and the Petunia Weaver may still be separated and unable to get together. This kind of speculation and association is the result of empathy, which implicitly and euphemistically expresses the secret that couples can't meet each other on Tanabata.
The last sentence of Tanabata natural scenery in the sky echoes the first Tanabata scene of mankind: on the one hand, there are stormy banks of the Milky Way, and on the other hand, there are boudoir courtyards where crickets croak and phoenix trees fall leaves, creating a cold and desolate atmosphere, effectively setting off the poet's lonely and sad mood. The last sentence is sunny, rainy and windy. Successfully refined spoken language, and concentrated on describing the rapid changes of cosmic celestial bodies in the form of sentence arrangement, which played an important role in creating artistic conception and added the musical beauty of words.
Generally speaking, the artistic conception of this word is very clever. The beginning is the silent Tanabata on earth, and the end is the changeable Tanabata in the sky. The whole article describes the sadness of the Cowherd and the Weaver Girl, and sets out the poet's own continuous hatred. Describing the Chinese Valentine's Day on earth, I put my true feelings into it, and with my own painful personal feelings, I deeply experienced the situation that the Cowherd and the Weaver Girl were blamed by the Emperor of Heaven and blocked by the Tianhe River. The word soars up the wings of imagination and soars between heaven and earth. At first, I thought I was from the silence of the night and the fallen leaves of the phoenix tree, in the loneliness away from hate; Then, from my loneliness, I think of the difficult situation where the cowherd and the weaver girl in the sky are about to meet. She lamented for the Cowherd and the Weaver Maid that they were suffering from a strong separation and could not meet each other even if they came and went. She is worried about Cowherd and Weaver Girl. She is worried that they will meet again in the next year, so don't hate being poor. Finally, I looked into space and pinned my feelings on the ever-changing sky. I hope that the Emperor of Heaven will no longer get in the way, the Cowherd and the Weaver Girl will have no twists and turns, and the annual meeting will be successfully realized. In this way, truth, goodness and beauty are unified. This poem is a rare artistic masterpiece in Qixi poetry.
Hua Li Meizhu Bawai Ye Mei Lane
Chen Daofu painted plum, bamboo, hedge and wild plum fragrance.
The bamboo fence is fragrant with wild plum blossoms, bringing snow to the drunken hometown.
In spring, paper sleeps alone, and people are busy when they are tired.
Make an appreciative comment
Ming dynasty painter. The first name is Chun, and the word Dao character is followed by the word line character. The name is Baiyangshan, Han nationality, a native of Changzhou (now Wuxian, Jiangsu), and various students. Try to learn calligraphy and painting, work with flowers, draw mountains and rivers, and write with grass; Painting is good at freehand brushwork flowers, light ink and light color, and the style is sparse and cool. Later generations and Xu Wei are also called the Ivy League and Bai Yang, and there is "Bai Yang Collection".
Chen Daofu is talented and proficient in Confucian classics, ancient prose, poetry and calligraphy. He is also very talented in painting and his writing style is extraordinary. Every time Wen Zhiming talks about him, he always smiles and says, "I am a teacher, and I have my own way of writing and painting. I am not a disciple. " . In fact, it was from Wen Zhiming that he learned the basic elements of literati painting: pen and ink, artistic conception and tradition. However, some flower-and-bird paintings emphasize orchid and bamboo, so to trace the origin of Chen's freehand brushwork flowers, we must quote Shen Zhou, the founder of Wu Pai. Shen Zhou's flower-and-bird paintings were very original in the early Ming Dynasty. He began to sketch flowers and birds with freehand brushwork. Compared with the realism in Song and Yuan Dynasties, it is plain but thought-provoking. Chen Daofu combined cursive script with freehand brushwork, creating a new style of freehand brushwork flower-and-bird painting. And Xu Wei, who is a little later than him, is also called Ivy Bai Yang.
The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Want to see more quatrains and ancient poems? Please enjoy Yu's beautiful sentences.