Zengbo Li translated at Song Feng Pavilion in Suliuchi.

Zengbo Li, Song Feng Pavilion is in Suliuchi, translated as follows:

The sedan chair tinkled to Jianmen Mountain. When spring is deep, people's bodies are particularly light and healthy. The mountain wind is rolling, which makes the peach blossom like red rain and full of fragrance; There is smoke in the distant mountains, as if entering the trace of burning incense and praying. You can't write a good poem when you enjoy the spring scenery, except for the thoughts of the journey, and there is also a light glass of wine. Elegant people will be very happy if they can connect with the pine wind, but don't let beautiful pear flowers enter my dream.

The first two sentences of the poem "Surine Song Fengting" roll up the shoulders and climb the sword door, and spring life is faster than running. It depicts the scene of the poet going to Jianmen Mountain in a sedan chair, and also shows the strong breath of spring and the poet's feeling of good health. Faster than running here does not mean the speed of travel, but refers to the poet's excitement and excitement about the beauty of nature.

The third and fourth sentence is that the wind turns to red rain and destroys the fragrant letter, and the mountain brings smoke into the burning mark. Described the mountain scenery, the red flowers were blown down by the mountain wind, and the blue mountains were shrouded in smoke, which constituted a beautiful and somewhat bleak picture. The fragrant letters here refer to the fragrant smell of flowers, while the burning marks refer to the traces of wildfires in the mountains, suggesting that the beauty of nature is short-lived and changeable.

There are no good sentences about neighbors in the fifth and sixth sentences, but they are very clear about travel. Expressed the poet's feelings about loneliness in the journey. Although the surrounding scenery is beautiful, the poet can't express his feelings with poetry, which makes him feel very depressed. In order to solve the loneliness in the journey, he can only drown his sorrows by drinking and anesthetize his mind by drinking.

The last two sentences, the host likes to meet the breeze, don't send pear flowers to the dream soul. Expressed the poet's love and pursuit of natural beauty. He hopes to be connected with the pine wind and integrate with nature, and at the same time warns himself not to let the loneliness and anxiety in the journey affect his mood.

The Creative Background of Suliuchi Song Feng Pavilion;

1. Background: Zengbo Li was an official and writer in the late Southern Song Dynasty. He lived through Song Lizong and Song Duzong dynasties. At that time, the Southern Song Dynasty was already sunset, foreign enemies invaded frequently, and the country was in chaos. This background has a far-reaching impact on Zengbo Li's poetry creation, and his poems often show concern for the fate of the country and people's lives.

2. Personal experience: Zengbo Li took part in the Imperial Examination when he was young, but failed to pass it. Later, he won an official position because of giving books, and became an official at the end of the Southern Song Dynasty. His personal experience made him deeply think and feel about life and society, which was fully reflected in his poems.

3. Natural environment: I wrote this poem when I lived in Songfengting, Liuchi on a spring night. The scenery of the Spring Festival Evening in the natural environment triggered Zengbo Li's awe of nature and cherish of life. At the same time, he also expressed his loneliness in his journey by describing natural scenery.

4. Religious belief: Zengbo Li is a devout Buddhist believer, and Buddhist images and thoughts often appear in his poems. In this poem, he described the natural scenery and loneliness in his journey, and expressed his understanding of life and Buddhist beliefs.