Tan's landscape five-character poems are sometimes excellent, such as "Looking for Mountains at Night" and "Visiting Jiufeng Mountain", which are all lonely and have a cool and lofty style. His six-character quatrain "Shu Zhong Gu Ren Shu" is also fresh and interesting. There are also some poems, although accompanied by some beautiful sentences, but often use strange words to express the dangerous rhyme, and the sentences are chaotic, such as: "Fish is alto, flowers are blowing in the shadow" ("Sitting in the Spring in front of the Hall of Supreme Harmony"). This disadvantage is more prominent in his poem "Summer Night". Tan's landscape prose is also excellent, such as "A Journey to Nanyue", which describes the wonders of the sea of clouds seen at the top of Zhurong Peak: "The sky is like the top of the sea, the sky is like the sky, and the heart is empty; I feel lonely and make a sound. ..... As time goes on, clouds will move. In an instant, after catching up with the previous cloud, the cloud was not as good as the previous one, so it fell behind. Wan Yun took advantage of it and circled the mountain Zuo Fei; Flying every day, positioning heaven and earth, offering spring at the foot of the mountain; None of the four peaks can rise, and the lake is far away and the river is near, all white ... "The momentum is magnificent and the scenery is spectacular. The three "Longtan tours" describe the different seasonal characteristics and unique scenery of the three tours just right, but the artistic conception is not the same. Influenced by Li Daoyuan, his language is very expressive. The prefaces of his books, Fifty Essays on Finding Mother's Home, Duanshi Yanming and Song Embroidery, are also clean and meaningful. [2]?