Using metaphor and personification, the spring breeze is compared to the mother's hand to express the warmth of spring. From the aspects of smell, touch and hearing, the invisible, tasteless and colorless spring breeze is written as sound, smell, affection and meaning. Touch writes the warmth and gentleness of the spring breeze.
Blowing your face without cold willows, yes, like a mother's hand stroking you. "From the fifth paragraph of Zhu Ziqing's prose" Spring ":blowing your face without cold willows, yes, like a mother's hand stroking you. The wind brought the smell of new ploughing, mixed with the smell of grass, and the fragrance of various flowers, all brewing in the slightly humid air.
Birds nest in flowers and leaves. They are very happy. Calling friends proudly showed off her crisp voice and sang melodious songs, which set each other off in harmony with the light wind and flowing water. The piccolo of the shepherd boy on the cow's back rang all day at this time.
Sentence interpretation
This sentence describes the softness and warmth of the spring breeze. It uses metaphor and personification to express this feeling.
First of all, Blowing the Cold Breeze is a poem describing the softness of the spring breeze. The willow wind here refers to the spring breeze, because spring is the season when willows grow. The spring breeze blows and the willows sway, giving people a warm and soft feeling. And "blowing your face is not cold" means that the spring breeze is soft and warm, not as biting as the cold wind.
Then, touching you like a mother's hand is an anthropomorphic way to further describe the softness of the spring breeze. This sentence compares the spring breeze to the mother's hand and vividly depicts the warmth and softness of the spring breeze. Through this metaphor, readers can feel the kindness and warmth of the spring breeze, as if the spring breeze really touched you as gently as a mother's hand.
The whole sentence vividly depicts the softness and warmth of the spring breeze through metaphor and personification, which brings readers a comfortable and relaxed feeling. This description also expresses the author's love for spring.
Spring is full of endless poetry and painting. He integrated the "emotion" of personality beauty with the "scenery" of natural beauty, and created an artistic realm of blending emotion with scenery and scenery.
In this essay with only 30 sentences, Zhu Ziqing. More than 20 kinds of figures of speech are used, and the frequency is amazing. The work runs through the whole article with "spring" and consists of three parts: looking forward to spring, painting spring and praising spring, which are in-depth and interlocking. The author uses figures of speech as the "pigment" of spring and vividly depicts the colorful picture of early spring.