Release date: 20 13-07-23 00:00
Author: Ji Jianxun
Before coming, Teng stood on the edge of the Ganjiang River, adjacent to the surging river, echoing the distant mountains, meditating on the wind and rain, and silently opening a window for climbers.
In 675 AD, when it was still September, it belonged to Sanqiu, a young man with a strong chest and an introverted spirit. He appeared on the coast of Peng Li and in Pu, Hengyang. It was the wedding and a group of talents arrived. When young people soar in the sky, they feel that the sky is vast, the universe is boundless, life is small, the future is uncertain, their thoughts are full of enthusiasm, and they are full of surprises. Since then, Tengwangge has become famous and carried the life of literature.
Behind Wang Tengting is the intersection of mountains and long water, and there are thousands of pavilions, large and small. These pavilions, like the Wang Teng Pavilion, are a foothold for the role transformation of ancient China literati after China's entry into WTO. These pavilions are completely surrounded by the natural landscape, but it seems that people's whereabouts are inadvertently flashed. When boarding the ship, you can get carried away, with your back against the mountains, overlooking the running water and enjoying the natural scenery. The breeze is born under your arm, and the sun and the moon are in the sky. But it is inevitable to touch the scenery, so I look at the scenery, enjoy the world, write poems and couplets, and express my feelings about heaven and earth. There are countless poems and couplets. As poets travel around asking questions, these poems are scattered everywhere, and there are inevitably high and low points. Because of its important interpretation of China culture, Wang Bo's Preface to Wang Tengting won the championship in one fell swoop.
At this time, Wang Teng Pavilion is no longer just a building beside the Ganjiang River, but an important cultural symbol. The Preface to the Wang Teng Pavilion has nurtured countless students, and the Wang Teng Pavilion has also become a fairy pavilion in the imagination of countless people. Thousands of literati, in the fun of chanting, inspired their interest in boarding Wang Tengge and set out from all over the world to worship the attic by the river.
It was also in the sunset that our party set foot on the steps of the Wang Teng Pavilion. All I can think about is the words of Preface to Wang Teng Pavilion. I hope every word can be found in this pavilion. Therefore, when you look from a distance, you look greedily from the corner of each building; When we approach, we will not fall behind the scenery covered with leaves; Go up step by step, use all brain cells, and strive to make the Wang Teng Pavilion into a three-dimensional picture; In the cloister, in the hall, in front of the murals, stop quietly, let yourself sink down, immerse yourself in it, and appreciate and experience the romantic moon thousands of years ago.
However, in fact, when I was far away, I was already confused. Walking halfway across the city to the front, I feel that this pavilion is completely different. You can also watch the water, the mountains, the sunset and the lonely people, but the scenery is not that scenery and the weather is not that weather. In the steel jungle, the view of the attic has been divided and the weather has been blocked. When you board the attic, you can see the clothes hanging on the balcony of the opposite building. The attic is surrounded by roads and horses and chariots. "Yamahara is full of vision, Kawasawa is full of vision". Where is it? Where is it? Where is the spiritual temperament of preface to Wang Teng-ting?
I took some photos in a hurry, left a lonely and silent Wang Teng Pavilion, stood in the boundless twilight, and watched our figure disappear in the noisy urban life. Perhaps, the pavilion is suitable for night, and it can filter the noise during the day. For thousands of years, scholars who have come here by admiration can get rid of the shackles of the daytime and stay away from the case, studying pen and ink with hot wine and singing songs, echoing each other. There are songs and dances, and the bamboo is ethereal. If you can meet Wang Bo, gently tell him that the literary spirit of Preface to Wang Teng-ting is quite low. ...
What remains unchanged is the wind and rain, and what changes is the world. With nostalgic thoughts, you are bound to hit the high wall of reality. Because of its special cultural and artistic value, Wang Teng Pavilion has been destroyed, restored, rebuilt and expanded many times in history. Wang Tengting's styles in past dynasties are diverse, which all reflect the styles and bearing of each dynasty, such as the atmosphere of the Tang Dynasty, the exquisiteness of the Song Dynasty and the introversion of the Ming Dynasty. At present, Wang Teng Pavilion has a solemn and lofty spirit, which also reflects the cultivation of construction decision makers. Because of the historical development, Wang Teng Pavilion, a "flying pavilion without land", is going to the market. Today, the high-rise buildings folded on three sides have forced Wang Tengting to hold his breath, leaving only the Ganjiang River in the north, which can be regarded as the exit of breathing.
I have to admit that today's Wang Teng Pavilion is just a scenic spot, and its cultural weight is different. Preface to Wang Teng Pavilion is more and more like a good dish made of Chinese characters, but this dish can only be tasted and enjoyed by imagination.
Perhaps, it is not history that is sad, but people who look at history.