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Flowers of white bones
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At that time, I didn't know why this article commemorating Mr. Lu Xun was named Xiao Yi. Recently, I feel that the material in the article is "less" and "more", so I call it "trivial". Moreover, the material in the article is what the author has heard, seen and experienced personally. So it is called "memory", which gives people a sense of intimacy. At the same time, the idea of this paper is to show the great personality of Lu Xun through these "trivial" things, so that the selection and composition of materials are trivial and comprehensive, trivial and orderly.
The article revolves around seven dialogues between the author and Mr. Lu Xun: one generation was scolded; Criticize those who boast of "vast territory and abundant resources"; Encourage those who feel ashamed and shallow; Mending shoes for others and evolution theory; Obsessed with the story of a rich man; Attacks prohibit men and women from swimming together; The emperor took off his hat. The author skillfully links them into an organic whole.
At the beginning of the article, Mr. Lu Xun's two poems, "Look at her husband's finger coldly, bow your head and be a willing ox", give scattered trifles a central place and clear clues. After quoting these two poems, the author immediately said, "This is a portrayal of himself and the embodiment of his whole personality as a great writer." It sets the tone for the characterization of Mr. Lu Xun, so these two poems are the outlines and clues of the full text, and all the materials to be written are under control. And this sentence "this is his own portrayal, but also the embodiment of his whole personality as a great writer." The "portrayal" in the book is that Mr. Lu Xun painted a portrait of himself, which means in terms of image. The word "embodiment" means that something embodies a certain spirit, especially in spirit.
Fierce-browed, I coolly defy a thousand pointing fingers, Head-bowed, like a willing ox I serve the children. The two poems are two of the Seven Laws (Self-mockery) written by Lu Xun 1932. The original text is:
What do you want from the delivery of the canopy, but you dare not turn over and meet each other.
A broken hat covers the downtown, and a leaky boat carries wine.
Fierce-browed, I coolly defy a thousand pointing fingers, Head-bowed, like a willing ox I serve the children.
Hiding in the small building into a unified, regardless of winter Xia Chunqiu.
President Mao Zedong praised Lu Xun's lifelong loyalty to serving the people and his spirit of resolute struggle against the enemy, and gave a good explanation of these two poems. He said: "Lu Xun's two poems,' Look on with cold eyes and fingers, bow your head and be a willing ox', should be our motto." The "thousand people" here refers to the enemy, and we will never give in to any vicious enemy. The "dutiful son" here refers to the proletariat and the masses. All * * * party member, all revolutionaries and all revolutionary literary and art workers should follow the example of Lu Xun, be the "cows" of the proletariat and the masses, and do their best until they die. Lu Xun's first four conversations in the article showed the spirit of "bowing down and being a willing ox", which reflected Lu Xun's concern, love and help for young people. The last three dialogues epitomize the spirit of "Leng Mei pointing at his husband coldly" and reflect his determination and fighting style against the enemy. Together, the two sides show Lu Xun's great personality. On the whole, Lu Xun's concern and love for young people is emphasized. Of course, the first four conversations were like this. Although the last three dialogues are all about the struggle against the enemy, the author still emphasizes the inspiration and education he got from them, which makes people feel Lu Xun's concern and love for the youth.
The article is mainly narrative, with occasional comments and lyricism, and some general words and sentences praising Mr. Lu Xun are inserted into the narrative. For example, the evaluation after quoting two poems at the beginning plays a role in pointing out the theme; The discussion about whether Lu Xun is "inaccessible" paved the way for writing the first meeting; The lyrical discussion on Mr. Lu Xun's "mature thinking" not only deepens the content of "approachable", but also goes deep into the exploration of the development of Lu Xun's thought, revealing the class connotation and characteristics of the times of his "bow" spirit; The lyrical discussion at the beginning of the second part, focusing on the fighting style, deepens the understanding of "fighting style" and then transitions to writing Mr. Lu Xun's conversation; The lyricism in the last paragraph expresses the author's gratitude to Mr. Lu Xun. Love and nostalgia. These lyrical comments can make the theme more focused and clear, and also help the cohesion and transition of all parts. If these sensational comments are removed, there will be only a few trivial things left in the full text.
When talking about many contacts with Mr. Lu Xun, the author described the portrait of Mr. Lu Xun, that is, "thick black beard, bright eyes, full of stubborn clusters of straight hair." This description shows Mr. Lu Xun's firm, calm, brave and tenacious warrior character and unyielding fighting spirit. This sketch portrait depicts Lu Xun's stubborn character and unyielding fighting spirit by means of transfer and symbol. Interspersed in Mr. Lu Xun's approachable chapters, the purpose is to write "approachable", but the key point is to write his "stubbornness" Isn't that contradictory?
The author wrote: "However, this does not prevent him from being approachable", and "only hate can love" is the answer, which shows that Mr. Lu Xun's approachability is not determined by his personal character, but because he approaches and cares about the youth from the height of cultivating the youth strength to fight the reactionaries. It reveals the class connotation and characteristics of the times of Lu Xun's spirit of "bowing his head", which is an important symbol of the maturity of Lu Xun's thought.
When describing Lu Xun's anatomy of his own ideological changes, the article is interspersed with a portrait description: "Mr. Lu Xun is silent and looks far away." "It shows Mr. Lu Xun's deep anxiety about reality and deep hope for youth. When Lu Xun exposed the enemy's "outward surrender and inward surrender", he interspersed with action descriptions: "Mr. Lu Xun stood up, took a few steps around the room, turned to hold the back of the chair and stopped. "Lu Xun condescended in front of the enemy, and his unhurried attitude was vividly written, showing his extreme contempt for the enemy. The author has described Lu Xun's appearance and behavior many times, which makes readers see that he is a person and makes his personality more vivid.
The metaphors of lions, pigs, sheep, streams and mud ponds in the article are very meaningful. Lions refer to powerful countries, pigs and sheep refer to weak countries, streams refer to young people, and mud ponds refer to boastful scholars. Through metaphor, it is vividly explained that China was in a situation of political corruption, weak national strength and backward economy at that time, and it was extremely dangerous to claim to be a big country. Young people are simple and enthusiastic. Although they don't have much experience, they are positive and enterprising, which is much better than a boastful and mysterious scholar to scare people. At the same time, it also strongly proves that the tone of Lu Xun's dialogue with young people is consistent.
In Xiao Yi, the author deliberately wrote how Lu Xun was approachable. Especially for young people, he is warm and considerate, patient and helpful, and really takes good care of them.