Appreciation of Dufu's Five Laws Against each other

Five-character rhythmic poetry gradually matured from the early Tang Dynasty and became the most popular poetic style in the prosperous Tang Dynasty. Influenced by his grandfather, Du Fu was particularly accomplished in five-character metrical poems and metrical poems. His arrangement rules are mainly used for work, mostly elegant and dignified. The composition varies from person to person, with rich words and perfect songs, which laid a solid foundation for his talent. The five laws are precise and concise, the weather is macroscopically released, and there are many famous articles. Such as "Looking at the Moon": the holy mountain of Mount Tai, how magnificent! ? Out of Qilu, green peaks can still be seen. The magical nature brings together thousands of beautiful mountains in the south and the separation between morning and dusk in the north. Caiyun lave? My mind is free and easy, birds fly back and forth before my nervous eyes ... trying to climb to the top of the mountain: it dwarfs all the peaks under our feet. This poem not only highly summarizes the magnificent scenery of Mount Tai, which symbolizes the great power and metabolic changes of nature, but also shows the lofty sentiments of integrating the great spirit of nature into the soul. In the process of seeing the famous mountains, I pinned my ambition to reach the top of my career and my optimism and confidence in Wan Li. Another example is a night abroad: the breeze rippled on the grass bank, passed through the night and blew to my still high mast. The endless plains are dotted with drooping stars. The moon runs with the river. I hope my art can bring me fame and liberate my sick old age from the office! . Flying around, what am I like? But sandpipers in the vast world! . Ye Ping in the starry sky reminds people of the eternity of the universe, and moonlight and rivers remind people of the passage of time. However, tiny and lonely things such as breeze, fine grass, danger and Sha Ou are placed in this boundless starry Ye Ping. The contrast of these scenery naturally sets off the lonely image of the poet wandering between heaven and earth. Deng Yueyang Tower: I have heard of Dongting Lake for a long time, and now I have finally boarded this building. The vast lake tore Wu Chu apart, as if the sun, moon and stars were floating in the water. There is no news from my friends or relatives. I am old and sick, drifting in a boat. The battle of the north gate began again, and I cried through the railing. This poem and Meng Haoran's Facing Dongting Lake are the swan song of singing Dongting Lake. If Meng's poems mainly focus on describing the vast water potential of Dongting Lake, then Du Fu has gone beyond the limitation of vision, focused on the terrain of Dongting Lake and the scale of accommodating Gankun, and created a more magnificent poetic realm than Dongting Lake with his creative brushwork and cosmic mind. His five laws are both ambitious and thoughtful. Such as "Delighting in Rain on a Spring Night": Good rain knows the season, when spring comes. Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright. Look at the red and wet place, the flowers in Jinguancheng are heavy. Describing the spring rain as a kind of human feelings, it floats into the night with the wind when people are unaware, carefully and silently moistening everything, vividly writing the gentle and delicate state of rain, and appropriately showing the joy that people usually expect timely rain in spring. The writing is delicate and vivid. Du Fu's quatrains are also changeable in style. Like other poets in the prosperous Tang Dynasty, he also has seven unique quatrains, such as Encountering the River, which is common in Qi Wang's family and Cui has heard several times before. Never thought, in this Jiangnan scenic area; It is the season of falling flowers, and I can meet you, an old acquaintance. Wang Qi was the fourth brother of Emperor Xuanzong of the Tang Dynasty, and Cui Jiu was a trusted minister of Emperor Xuanzong of the Tang Dynasty. Both of them died in Kaiyuan. During the Kaiyuan period, Li Guinian brothers were loved for their good music, and they often went in and out of the palace and the gates of princes and nobles. After the Anshi Rebellion, they went to Tanzhou. When the poet saw him in his later years, he couldn't help recalling the memory of Kaiyuan. Falling flowers are the real scene of late spring, which reminds people of all the prosperity, the sadness of ups and downs in the past, comfortable and silent. This poem is eye-catching, colloquial, implicit and full of charm, which is a typical example of the seven wonders of Kaiyuan. His quatrains also contain many masterpieces with bright colors and exquisite compositions, such as the famous four quatrains. Three, two orioles singing green willows, a row of egrets soaring into the sky. My window framed the snow-covered western hills. My door often says "goodbye" to eastbound ships, orioles are dotted among green willows, and egrets are arranged on the blue sky, forming a sharp color contrast; Although the snow in Xiling and the boat in Wan Li Bridge are both contained in the two frames of "window containment" and "door berth", the time and space expressed in the poem extends thousands of miles away. The "Eight Arrays" is very simple: the divided three countries are bound by his greatness, and the eight fortresses are built on his reputation. This river won't divert the stones from your disposal, and you will always regret that you will destroy Wu's unwise. Eight arrays are on the flat sand in Yupu, Kuizhou. Legend has it that Zhuge Liang is a stone pile for training. For thousands of years, it has remained motionless under the impact of rivers. The poet compares Zhuge Liang's achievements in establishing the Three Kingdoms with the reputation of the Eight Arrays, and the relics here push back Zhuge Liang's regret that he failed to complete the great cause of reunification because of his mistake in Wu. Every word is full of frustration and grandeur. Although Du Fu combines ancient and modern times and has various styles, his main style is profound, broad and tragic. The poet has always described the basic characteristics of Du Fu's poems as "depressed and frustrated". These four words were originally Du Fu's self-evaluation. "Depressed" refers to the profound meaning of literary thought, and "frustrated" refers to the melodious tone. But depression has another meaning, that is, depression and melancholy, so later generations use these four words to summarize his characteristics, which contain multiple connotations such as profound meaning, melancholy, rigorous rhythm, cadence and so on. Both he and Li Bai represent the highest level of poetry creation in the prosperous Tang Dynasty, but their styles are in sharp contrast with Li Bai. Li Bai's genius is unrestrained and there is no trace of tempering. Du Fu is rich in knowledge, rigorous in statutes and extremely meticulous in thought. Both of them are full of changes, but Li Bai's changes are in sound and emotion and rhetoric, while Du Fu's changes are in conception and format. Therefore, predecessors thought that Li Bai was a genius and Du Fu was the ultimate human ability. Calling Li Bai a "poetic immortal" and Du Fu a "poetic sage" really sums up their main differences.