Zhu Yunming's calligraphy
Zhu Yunming, a great calligrapher in the Ming Dynasty, is known as the four great talents in Wuzhong together with Tang Yin, Wen Zhengming and Xu Zhenqing. Because he had an extra finger on his right hand, he came from Haozhi Mountain. Zhu Yunming has been gifted since childhood. He has shown talents beyond the reach of ordinary people since he was a child. He was able to read and write at the age of five. He has a rich family background. He can write magnificent articles and splash ink. His calligraphy is as graceful as a dragon. .
Zhu Yunming’s calligraphy
Zhu Yunming has studied hard and practiced calligraphy since he was a child. His calligraphy combines the strengths of various calligraphy schools and took the lead in the Ming Dynasty. He absorbed the essence of the calligraphy of Chu Suiliang and Zhao Meng, the masters of regular script, learned the charm of Wang Xizhi and Wang Xianzhi's running script, and promoted the momentum of Tang Huaisu's cursive calligraphy. He integrated it and became his own family. Kuang Cao is known as "the best calligrapher in the Ming Dynasty", and Zhu Yunming, Wen Zhengming and Wang Chong are known as the "three masters of calligraphy in the mid-Ming Dynasty".
Zhu Yunming’s calligraphy journey began with his grandfather Xu Youzhen. Xu Youzhen is good at cursive writing. His cursive writing has the style of Huai Su and Mi Fu. His writing style is straightforward and gorgeous, with a very quaint air. Zhu Yunming has learned the true legacy of his grandfather. Zhu Yunming believes that to write good calligraphy, you must pay equal attention to "nature" and "gong". "Xing" refers to the human spirit, and "gong" refers to the ability and kung fu of calligraphy creation. Both are indispensable, and they must have both. Reach the final destination of "spirit".
Zhu Yunming's main achievements in calligraphy lie in Kuang Cao and regular script. His regular script is quite rigorous, directly following Wang Xizhi and Wang Xianzhi, while his cursive script is powerful, elegant and unrestrained, mainly from Huaisu and Zhang Xu, and closer to Huangshan Valley.
Zhu Zhishan’s calligraphy has been praised throughout the ages. The more representative works include "Luo Shen Fu Volume", "Chibi Fu", "Kong Hou Yin" and so on. Zhu Yunming Xiaokai
Whether it is ancient China or modern society, calligraphy is undoubtedly the most convenient way for literati to show their style. Many people who like to watch TV know the names of the four great talents in Jiangnan. As we all know, the Zhu Zhishan in the TV series is the Zhu Yunming we mentioned today. In fact, the main reason why Zhu Yunming became a talented scholar in the south of the Yangtze River is his outstanding achievements in calligraphy. Today we will take a look at Zhu Yunming's small regular script that is praised by everyone.
Zhu Yunming's small regular script
Zhu Yunming was born into a scholarly official family. Influenced by his family since childhood, he was proficient in calligraphy, painting, and poetry. His maternal grandfather was a Jinshi during the Xuande period, so he was naturally talented. He said that it is said that he was also a famous calligrapher at that time. His father-in-law was proficient in calligraphy and was a famous calligrapher. Zhu Yunming grew up in such a bookish environment, and this environment resulted in Zhu Yunming's subsequent historical achievements.
Among Zhu Yunming’s small regular scripts, I have to mention the Thousand-Character Classic. The Thousand-Character Classic was written by Zhu Yunming when he was 27 years old. It should be regarded as his early work. Zhu Yunming’s small regular script has a unique style and meaning. Judging from the dripping and joyful feeling in his writing, he has the feeling of referring to Er Wang, but he is not completely rigid to Er Wang. Judging from the body and charm, he already has his own style.
"Before and After" is one of Zhu Yunming's more famous representative works in regular script. It is also a work that is familiar and appreciated by our young people. In fact, whether it is a thousand-character essay or "Before and After", the reason why it is so popular The frequent copying and writing are entirely based on Zhu Yunming's extremely high attainments in small regular script. Do you now understand Zhu Yunming's small regular script? What are the stories of Zhu Yunming?
Zhu Yunming, a famous calligrapher and poet in the Ming Dynasty, was born in 1460 AD and died at the age of 67. His courtesy name was Xizhe and his name was Zhishan. He was known as one of the "Four Great Talents in Wuzhong" together with Tang Yin, Wen Zhengming and Xu Zhenqing. Because he served as the general judge of Yingtian Mansion after passing Jingzhao, the world also called him "Zhu Jingzhao".
Stills of Zhu Zhishan in "The Four Talented Men of Jiangnan"
Zhu Yunming grew up in a scholarly and official family since he was a child. His maternal grandfather, Xu Youzhen, was a prime minister of the Ming Dynasty. He was highly respected and had many friends. His grandfather, Zhu Hao, was eloquent and humorous. Zhu Zhishan had been influenced by them for a long time. Moreover, he was gifted and intelligent since he was a child, and was taught by two great Confucian scholars. He could read at the age of five, compose poetry at the age of nine, and had read all the books at the age of ten, and was good at writing articles. When he was fifteen years old, his teacher Wang Jiazhong won third place in the imperial examination. Zhu Yunming was deeply influenced by him, so he studied hard and practiced calligraphy hard. Among the four great talents in Wuzhong, Zhu Yunming's calligraphy is the most outstanding, and together with Wen Zhengming and Wang Chong, he is known as the "three masters of calligraphy in the mid-Ming Dynasty".
Zhu Yunming was free and easy, bohemian, and liked to travel around the world without sticking to trivial matters. He was very good friends with celebrities such as Tang Yin, Wen Zhengming, and Shen Zhou, but his official career was bumpy. He was selected to be elected at the age of thirty-three, but was still not employed after the age of fifty. He was very anxious and often drank to drown his sorrows. At the age of fifty-five, he was appointed as the magistrate of Xingning County, Huizhou Prefecture, Guangdong Province. Zhu Yunming worked hard to govern and used strategies to make the people unruly. Xingning County has greatly improved. At the age of sixty-three, he was appointed as the general magistrate of Jingzhao Yingtianfu. However, he had no choice but to bear the darkness of the officialdom, so he resigned and returned to his hometown due to illness.
Zhu Yunming was a man of justice and had a good personal relationship with Tang Bohu. When he was thirty-seven years old, he advised Tang Yin to study and seek an official position, but God's will played a trick on him. The year after Tang Yin passed the exam, he was implicated in a cheating case and was banned from entering the official position for life. The two of them felt sorry for each other and comforted each other. When Tang Yin passed away at the age of sixty-four, Zhu Zhishan was deeply saddened and wrote two poems "Crying for the Son of Fear", with grief and pity revealed between the lines.
Zhu Yunming's Ancient Poems
Zhu Yunming, a famous calligrapher and poet in the Ming Dynasty, was born in 1460 AD and died at the age of 67. Zhu Yunming, whose courtesy name was Xizhe and whose name was Zhishan, was known as one of the "Four Great Talents in Wuzhong" together with Tang Yin, Wen Zhengming and Xu Zhenqing. Because he served as the general judge of Yingtian Mansion in Jingzhao, the world also called him "Zhu Jingzhao".
Zhu Yunming Interactive Encyclopedia
Zhu Zhishan is funny, free and talented. He loves to travel and enjoy the landscape, and he is informal. During his hard study, he made many good teachers and friends. His masters, Shen Zhou and Liu Yu, were all famous people in Suzhou. He wrote poems, sang and discussed poetry with Tang Yin, Wen Zhengming and others. Especially, he became close friends with Tang Yin. Zhu Zhishan advised Tang Yin to study and seek official positions. When they were implicated in a cheating case and banned from entering the official career for life, the two fell in love with each other. When his friend Tang Yin died, Zhu Zhishan wrote "Zi Wei Zai". There is a sentence in the poem: "When we were young, we cherished the wonders of the world, and we also expected to be born in middle age." After Tang Yin's death, Zhu Zhishan was in unbearable grief and wrote another poem "Crying for the Son of Fear", in which he wrote, "Since Zhoushan cannot tolerate the divine wind, why should Luye cry to death Lin".
Zhu Zhishan has been enthusiastic about his official career throughout his life, but he has repeatedly failed to achieve his goals and his official career has been bumpy. It is inevitable that I will feel anxious and often drink to drown my sorrows. There is a poem in "Jiayin Dragon Boat Festival" that says, "There is less clarity in the sky and earth, and life is more difficult." There is a poem in "Short and Long Journey" that says, "The length of cloud and sunshine cannot be asked, and everything has been uncertain since ancient times." He wrote " "Idle Life in Autumn", there is a line in the poem "It's easy to live in seclusion in life, but it's more difficult to live in seclusion than to seek fame." After that, there are two ancient poems "Tears", "Renshen Summer Night Sleepless", "Drunk" and other poems, which are full of melancholy.
Zhu Zhishan also likes mountains and rivers. In "New Spring Day", "A plum blossom blooms at dawn, and the spring air reaches Mao Ci. There are flowers, wine and chanting, which is the time when scholars are rich and noble." Zhu Yunming's Peony Ode
"Peony Ode", Zhu Yunming's famous running cursive work, is 30.6 cm long and 529.6 cm wide. It is now in the Palace Museum. This volume of cursive script was written by Zhu Yunming when he was sixty-five years old. There is a self-titled line: "Looking at the sun in the third month of spring in the spring of Jiashen, I passed Tang's West Garden to watch the peonies blooming. The court drank wine and came out with paper to read Shu Yuanyu's peony poem." The book will be returned and it will be clear."
"Peony Ode" by Zhu Yunming
Zhu Yunming, a native of Changzhou, Jiangsu (now Suzhou, Jiangsu), was a calligrapher and poet of the Ming Dynasty. Zhu Yunming was able to write poetry and calligraphy throughout his life, and his calligraphy skills in particular were the first in the Ming Dynasty. Later generations commented that "Tang Bohu's paintings are the calligraphy of Zhu Zhishan's poems", which can be seen in his calligraphy.
This work of "Peony Ode" is elegant, graceful and graceful. It is very different from the majestic and majestic cursive calligraphy of Zhu Yunming in the past. It has been fully demonstrated that Zhu Yunming has studied all kinds of calligraphy and has multiple adaptability in his creation. Zhu Hegen of the Qing Dynasty wrote in "Linchi Xinjie" that "Zhu Jingzhao's grass is deeply understood by Youjun's spiritual principles, and sometimes reveals its aura; the grass is pure and gentle, and the rows are dense, and it is as abundant as Xiao Yuan's. Comparable to Chu Gong." "Peony Fu" is Zhu Yunming's favorite calligraphy work, which was widely circulated and copied by later generations.
Zhu Yunming’s calligraphy was inspired by his grandfather Zhu Hao. Zhu Hao was proficient in poetry and was especially good at writing cursive script and was famous far and wide. His maternal grandfather Xu Youzhen was a Jinshi during the Xuande period. He was extremely talented and knew astronomy at the top and Xiaoxiao at the bottom. Geography, calligraphy with deep Huai Su style. Zhu Yunming was influenced by his eyes and ears, and was constantly influenced. Zhu Zhishan gathered the achievements of various calligraphers and led a generation of calligraphers. He was one of the "three masters of calligraphy in the mid-Ming Dynasty" among the Wumen School of Calligraphy. In the process of writing calligraphy, Zhu Zhishan summarized "nature" and "gong" and believed that calligraphy ultimately belongs to "spiritual spirit" and has a profound influence on future generations.