Falling flowers is a natural phenomenon and law, but it is endowed with emotion and life in China's ancient poems. To sum up, the image of "falling flowers" has several meanings.
A. First, the fallen flowers are described as natural scenery, which constitutes a beautiful artistic conception.
Flowers are flying all over the sky in Spring City (Han Yi's Cold Food) gives people the feeling that the spring breeze is warm and sunny, and all kinds of flowers are dancing in the wind, which is wonderful.
"But now I remember that night, that storm, and I wonder how many flowers were broken." (Meng Haoran's "Spring Dawn"), with the sound of wind and rain and falling flowers everywhere, you can imagine the beauty of spring and the childlike interest of children.
B. first, in the face of falling flowers, sigh: sigh that time flies and the beauty is no longer there.
"Running water in spring is heaven and earth." (Li Yu's "Langtaosha") This shows the hatred and helplessness of the country's destruction.
"Flowers from Shui Piao to water, one kind of acacia, two places of leisure." (Li Qingzhao's "Pruning Plums") expresses a deep melancholy and a touch of lovesickness.
"People who bury flowers today are stupid. Who did he know when he was buried? " This is Lin Daiyu's funeral speech in A Dream of Red Mansions. Flowers have been buried, who will bury them, suggesting that their fate is not as good as falling flowers, exhausting the persistent sadness in their hearts.
C, there is also the spirit of falling flowers that symbolizes high spirits.
Yu Yue, the examinee of "Flowers Fall in Spring", had a second interview in the Ritual Department during the light years of Qing Dynasty. This sentence begins with a poem, which means that hope lies on earth.
"A pool of spring water surrounds the flower body, and the flower shadow is enchanting and occupies the spring. It is better to be blown into snow by the east wind than to be ground into dust by Nanmo." (Wang Anshi's "Apricot Flowers in the North") The hidden poet would rather die in the struggle with the die-hards than compromise and go with the flow. A, because water is soft and cold, it is often compared with tangible but difficult things such as moonlight.
"The day makes the night cool like water, sitting and watching the morning glory and weaving stars" (Autumn Night by Du Mu), the poet's indifference in borrowing water reflects the tragic fate of women in feudal times from the side.
B, because the constant cutting of water, endless water, coincides with endless sadness, so poets often use water as a metaphor for sadness.
"Although the water is still flowing, the knife is chopped, and the wine is drowned, the sorrow is still there" (Li Bai's "Secretary of Xie Tiao Villa in Xuanzhou"), which expresses the poet's strong sense of irreconcilable contradiction between reality and ideal. "How much sadness can you have? It's like a spring flowing eastward "(Yu Meiren, South Tang Ten Countries). After experiencing the pain of national subjugation, the poet tasted the bitterness of life. He used "a river of spring water" to express his sadness and hatred, which made readers see that sadness is like spring water, and Wang Yang is unrestrained and bitter as a note. A, caring about the family's warmth and coldness, sewing clothes for the whole family is one of the main responsibilities of ancient women. They have enough time to miss their relatives far away when they are doing the repetitive work of smashing clothes. The monotonous and long anvil sound helps to get rid of the troubles of the outside world, and the mind is single-minded, which plays a role in condensing and strengthening the feelings of missing. For these reasons, the action of smashing clothes and the sound of cleaning anvil related to it have become one of the most common images under the theme of "thinking about women" in classical poetry:
"Blowing the flower tube, the night is broken to the moon." (Li Bai's Yi Dao)
"I'm tired of smashing clothes. I'm deeply blocked." (Du Fu's "Yi Dao")
"Flying, beyond the anvil, forever moving towards Yutong." (Song Yan Dao Ji's Youth Journey)
B, the state of dressing under the moon, the sound of the wind sending the anvil, not only misses the injury of women, but also easily touches the feelings of wanderers, so the image of dressing is also one of the traditional homesickness images.
Du Fu's Autumn Flourishing expresses his yearning for his hometown in exile with the anvil sound of Baidicheng.
Yulu withered maple forest, Wushan Wuxia bleak.
Between the river and the sky, the waves are rough and the clouds are covered with fog.
Cong Ju shed tears the other day. She was alone in the boat.
Cold clothes push knives and rulers everywhere, and Baidicheng is anxious.
C, classical poetry shows the image of anvil beating, and also shapes this image. It not only infects and touches the thinking women and vagrants in the situation, but even ordinary poets often like to use this sound as the background music of their own poems to express various complex emotions:
"The deep courtyard is quiet, the small courtyard is empty, the cold anvil is intermittent, and the wind bursts. But the night is long and sleepless, and the sound of the moon comes to the curtain. " (Ten Poems in Southern Tang Dynasty, Li Yu's "Troupe")
"Anvil clear autumn lane, light white night hall cool. This means that no one will, and the city will be drunk. " (Lin Jingxi's Night Meaning) It is said that Hongyan can pass books. Li Yu said in Qingpingle: "Wild geese come without evidence." In spring, geese fly from the south to the north. When the hero saw the geese flying south, a glimmer of hope suddenly appeared in his heart. Maybe these geese will bring news from the south of the old country. After waiting for a long time, the geese flew by, but there was no news, leaving only deeper disappointment. He can't help blaming the goose for no reason.
In the ancient culture of China, the image of wild geese was often extended to the corresponding images of "array", "sequence of geese" and "flying geese". Emphasize the significance of flying together as a group. "Flying in a wild goose": refers to traveling in stages, such as the flight sequence of geese. There is a poem in the Book of Songs Yutian Zheng Fengshu, which says, "Two clothes are on the boat and two geese are flying". Preface to the Wild Goose: The order of flying geese. Du Fu has a poem "Tianchi": "The preface of autumn geese in September, Wan Li fish Weng." It is more useful to describe brothers with "Yan Lie". There is also "strict array": arrange geese when flying.
Formation. Jiao Yanshou's "Lin Yi Er Fu Wind" in Han Dynasty: "Nine geese array, and the females are not alone." These poems all emphasize the relationship between geese and geese. The so-called "Duan Hong" is a lonely goose that has lost its flock. There is a saying in Liu Yong's "A Collection of Poems on Midnight Music": "Tears condense, the road to the deep well is lost, and the sound is broken for a long time." Zhang Jiuling says, "A lonely swan flies from the sea." Also known as Du Yu, Zigui and Shu Bird. According to legend, Du Yu (Wang Di), the king of Shu, was forced to give way to his courtiers and live in seclusion in the mountains. After his death, his soul became a cuckoo.
A, because its voice is imitated by ordinary people as "it is better to go home" and its voice is miserable, the cuckoo in ancient poetry is often a symbol of desolation and sadness, and poets often use it to express homesickness and homesickness.
"When the flowers are gone, I heard that the dragon crossed the five streams" (Li Bai's "I heard that Wang Changling moved to the left, and the dragon has this saying"), the poet expressed his feelings of parting in the bleak natural scenery through the scene before him.
"Xiangjiang River sounds sad at dusk, and people who kill pedestrians return to the ship" ("Jianzhou defected to He Jingzhao Gong")
B, it is said that when cuckoo crows, deep red blood will flow out of its mouth, so cuckoo crows are often used to express the desolation of the environment.
"Cuckoo's blood cries, ape's sobs" (Bai Juyi's Pipa Trip)
"Zi Gui still cries blood in the middle of the night, and he doesn't believe in the east wind, so he can't call it back" (Wang Ling's farewell to spring)
"jathyapple, there is the melancholy sound of cuckoo again, worrying about the empty mountain" (Li Bai's "Difficult Road to Shu")
"In the residual photo of Wu Hua, a bird of Shu, I can't bear to see the residual wall" (Nian Nujiao by Wen Tianxiang in the Southern Song Dynasty)
C, it is also useful to compare loyalty with cuckoo weeping blood.
"Farewell Jiangnan Road forever and become a raven with blood" (Wen Tianxiang's Jinling Post in the Southern Song Dynasty) A. Its cry is imitated by ordinary people as "Don't go too far", which easily evokes the association of hard journey and full of parting thoughts.
"The setting sun is boundless in autumn, and the partridges are far away" (Li Qunyu's "Jiuzipo Smells the Partridges")
"The evening river is sad, and the mountains are deep in the smell of partridges" (Xin Qiji's "Bodhisattva Man, Building a Wall in Jiangxi")
B, the partridge's cry can also be used to gently persuade people not to travel far to express their feelings of missing.
"There are Jiangnan guests in the banquet, so don't sing partridges to Dongfeng" (Zheng Gu's "The Song Composer at the Banquet"), which expresses the poet's homesickness caused by the so-called "Jiangnan guests". Swallows become a symbol of love because they fly together.
"The falling flower is independent, and the swift flies in pairs" (Song Yan Dao Ji's "Fairy by the River"), the poet compares the sadness of "being independent" with the music scene of "flying in pairs", that is, seeing the swallow flying in pairs, thinking that he is alone, and the beloved person is not around, the pain of lonely thinking arises spontaneously.
B, because swallows have the habit of clinging to their nests, they become the sustenance of classical poems to express current events and personnel metabolism.
Liu Yuxi's "Xie Wang Tang flew into the homes of ordinary people in the old days" (Wuyi Lane) not only hinted at the prosperity of Wuyi Lane in the past, but also revealed the poet's infinite feelings in the face of changes in the past and the present.
"Reed flowers are everywhere, I am old, and swallows in my hometown are flying beside me" (Jin Ling Jun by Wen Tianxiang in the Southern Song Dynasty). Lu Yun, a native of A Jin, praised cicada for its five virtues in the preface to Ode to a Cold Cicada: a cockroach on its head is a gift; Only drink dew, lofty; It is honest not to eat whole grains; Not building a nest is frugal; Adapt to the climate
Season, this is credit.
Cicada often becomes the carrier of the poet's self-esteem, and Qiu Chan's life is at a critical juncture. After the autumn rain, the cicada gave a few intermittent groans. Therefore, chilling has become synonymous with sadness.
"Singing in the west, thinking in the south." (Don Robin Wang's Chanting Cicada), here "Western Regions" means "Autumn" and "Southern Crown" means "Prison". The poet was excited by the smell of cicada, and used the metaphor of cicada to render his deep homesickness in prison.
"Oh, this last broken breath, in the green indifferent trees! "(Li Shangyin's" Cicada "), the day is about to break, the cicada is hoarse, and the tree where it lives (figuratively speaking, the expected person) is still green, and it seems completely indifferent to the cicada's moan. The poet regards the cicada as his own.
What's more, it is likened to a curtain, and it is unfair to send people away, and it is still fettered by a thin official.
"The cold cicada mourns, the pavilion is late, and the shower begins to rest." (Song Liu Yong's "Lin Yuling"), parting is not directly described, and the feeling of "sadness" is full of readers' hearts, brewing an atmosphere that can touch parting.
"The autumn wind is cool, and the chilling sound is by my side." ("Give a White Horse to Wang Biao" by Cao Zhi. A, the moon in ancient poetry is often synonymous with homesickness and the carrier of acacia.
"Looking up, I found it was moonlight, sinking again, and I suddenly thought of home." (Li Bai's Silent Night Thinking)
"He knows that the dew will frost tonight, and how bright the moonlight is at home! . "(Du Fu's Moonlight Remembers Brothers)
"I don't know who Qiu Si will fall into tonight." (Wang Tangjian's "Sending Du Langzhong on the fifteenth night of the full moon")
"The moon is at sea now, and the horizon is at this time." (Don Zhang Jiuling's "Looking at the Moon and Thinking Far")
"The spring breeze is green in Jiang Nanan. When will the bright moon shine on me?" (Wang Anshi's "Dengguazhou")
"It is expected that every year will be heartbroken, moonlit and short matsuoka." (Su Shi's "Jiangchengzi")
B, the bright moon often contains the sadness of border people.
"The sand is like snow before returning to Lefeng, and the moon outside the city is like frost." (Tang's "Watching the Elephant Wall Night Cry").
"The moon was bright in Qin, closed in Han, and the Long March did not return." (Don Wang Changling's "The Embankment") tragic.
C sometimes the bright moon also contains the eternity of time and space.
"If the ancients were running water today, they would look at the bright moon." (Li Bai's "Drink Poison to Quench Thirst") The plunder of life by time and the helplessness of life in front of time are vividly demonstrated.
D, because the moon is characterized by shining all over the world, with a circle and a gap, the full moon can mean that relatives and friends get together and everything is fine; The lack of a moon can be compared to the separation of relatives and friends, and things are not satisfactory.
"People have joys and sorrows, and the moon is full of rain and shine." This is the truth.
"I hate you, not Jiang Louyue, east and west, north and south, north and south, only with no separation. Hate you like Jiang Yue. If it is full, it will still lose money. When will we be reunited? " These two characteristics of the moon refer to personnel.
E, love nature
"On the third night of September, the dew is like a pearl and the moon is like a bow." (Bai Juyi's Ode to Mujiang) These two sentences are about the night scene when the new moon rises on the third day of September. The poet lingered until the new moon rose and the dew fell. The scenery at this time is like a meticulous painting. Using "real pearl" as a metaphor for dew not only vividly shows its roundness, but also describes the shining luster of dew under the new moon. From describing the dusk of a river to praising the moon dew, there seems to be a lack of time connection, and the "night" in The Third Night of September virtually connects time. The upper part is connected with "dusk", and the lower part is connected with "dew" and "moon", which means that the poet enjoys the dew from dusk to the moon, including his joy and love for nature. "Poor", lovely. "True pearl", that is, pearl. A: In China's classical poems, there are many images to express the feeling of wandering, such as duckweed, Erigeron, and lonely goose. "Boat" is one of the most common images to express this feeling.
The ancients often said that "boats and cars are tired" and "land and water go hand in hand", which shows the important position of "boats" in ancient transportation. A boat with a leaf, the sky is vast, and it is getting smaller and smaller than people; People shopping in a foreign land on the road are more likely to cause infinite reverie. Poems written on ships, or poems written on ships, have become a quite spectacular tribe.
The image of "ship" in the following two poems is more integrated into the poet's sense of wandering:
Monkeys whimper in the dark mountains, and the river rushes in the dark.
The wind on both sides of the strait rustled the branches and leaves, and the moonlight reflected on the river, a boat on a river.
Jiande's scenery is good, but it's not my hometown. I still miss my old friends in Yangzhou.
Recalling those two lines of tears that I couldn't restrain, I looked at the west side of the west bank and sent sadness to Yangzhou.
-Meng Haoran's "From Tonglu to Yangzhou"
The leaves of trees have fallen, and the southeast is foggy and frosty.
Forests and mountains in the evening, the sky and the sea are blue.
The color changes for a long time, so does the autumn sound.
Lonely boat, still crossing the night alone.
-Liu E preface "The Yangtze River sends Meng Haoran in late autumn"
The theme of these two poems is very similar to that of image group: both poets are wandering in a foreign land, living in a guest boat, and the night wind blows the leaves on the shore, making a sad sound. When they were far away from home and lonely, the two poets remembered their former friends and wrote poems to express their feelings. As the central image of poetry, the former is "I sail alone across the moon" and the latter is "a lonely boat"
"Moon" emphasizes the combination of "moon" and "boat", especially the word "solitary". The poet uses acoustics (the sound of apes singing in autumn), colors (Cangjiang and Qingcang), moving scenery (sudden night flow and trees in succession) and still scenery (bright moon and sunset in the forest) to set off the image of a lonely boat in the moonlight, and integrates the feeling of wandering and the thoughts of old friends into the description of the scenery, which has touching artistic charm.
The most direct poem to express the sense of wandering is probably Li Shangyin's Magnolia:
At dawn, waves invade the clouds in Dongting Lake, and every day, sails are levied to send people away.
Looking up from Mulan's boat several times, I didn't know that Yuan was a flower body.
B, corresponding to the sense of wandering, another typical connotation of the image of "ship" in China's classical poems is "freedom".
The origin of this idea can be traced back to Zhuangzi, who said, "The skilled know what they are doing, and the unskilled want nothing. Swim when you are full, don't tie the boat, swim when you are empty. " Although his thoughts are negative, it has become an attractive life ideal for China literati to "have no power to bind chickens in one boat".
The following two poems expressing free feelings with the image of "ship" have been recited:
Fishing came back, but I was too lazy to tie the rope and let the fishing boat drift in the wind; At this time, the waning moon is already in the west, but I am sleeping soundly.
Even if the wind blows at night and the boat is blown away by the wind, it just stops on the shallow shore of the reed catkin beach.
-Sikong Shu's "Jiangcun is a thing"
Alone, grass grows by the stream, and orioles sing on the trees.
The spring tide brought the rain late and urgent, and there was no boat on the wild crossing.
-Wei Wuying's "Xixi on Chuzhou" The ancients said: Wise people enjoy water, and benevolent people enjoy Leshan. The tranquility and vastness of the mountains always attract China people.
A, Castle Peak image appears frequently in poetry, which is the poet's home of body and mind. As a symbol of hometown, the majestic and steady green hills make the wanderers feel very kind.
"Green hills are the same as clouds and rain, and the bright moon has been in two townships." (Wang Changling's "Send Wood to Serve the Imperial Palace")
"Pedestrians think infinitely in the autumn wind, and the green hills across the water are like their hometown." (Don Dai Shulun's "Governing Sichuan Landscape")
People who travel far away look at the green hills in other places and think about the scenery in their hometown. It is very comfortable for people who yearn for the distance to return to Qingshan alone and seek peace.
B, on the other hand, personnel exchange becomes metabolism, but the green hills remain unchanged and last forever. It is not only a spatial image, but also implies the time factor. It represents a kind of pressure and inspires the poet to reflect on life and history. It provides a coordinate for the poet to locate his image in history.
"Heroes go to luxury, only green mountains are like green mountains." (Xu Hun's "Jinling Nostalgia"), this sense of nothingness is repeatedly expressed in classical poetry. The Romance of the Three Kingdoms begins with a word "Linjiang Xian", which is known as "the first tune through the ages" because it condenses this feeling. Qingshan's broad mind provides people with a place to live, which makes people nostalgic and yearning. Whether the poet finds the shortness of life in the eternity of Qingshan and fears it, or transcends it, his body and mind are eager to return to Qingshan.
Tao Yuanming, who loves autumn mountains by nature, gave up his job "Picking chrysanthemums under the hedge and seeing Nanshan leisurely" ("Drinking") and completely entrusted himself to nature. Li Bai, who was ostracized by the imperial court, said, "Ask Yu if he wants to live in the blue mountain, but smile without answering his heart" (question and answer in the mountain).
Similarly, the image of "green hills" in poetry is often used to imply strong feelings.
"This is where your comrades have to leave you and turn at the foot of these purple mountains. I wonder when we will raise our cups again. Like we walked on the moon last night? . "(Du Fu's Farewell to General Yan at the Station)
"Wu, the mountain is green, and the green hills on both sides of the strait are greeted. Who knows the feeling of parting? " (Song Linbu's Sauvignon Blanc)
D. The endless green hills left a deep visual impression and imagination space for readers. The poet learned a skill very early, expressing certain feelings in the first half of the poem and putting the image of "green hill" at the end.
"Facing the mist on the water, I still waved and cried. Because the birds disappeared in the space outside the desolate green hills "(Liu Changqing's" Watching Wang Nangui "), the figure of friends disappeared from tears like birds, and the green hills still stood in front of us, and the constant separation added sadness and melancholy. Qian Qi, a poet in the Tang Dynasty, wrote in the examination room "Try Hunan flavor, drum and harvest", which is the most successful example ending with the image of "Castle Peak". At the request of the examiner, in the first half of the poem, he described the drum and harp of the goddess Xiang Shui. The beauty of melody is rare in the world, and he ended the poem with the following four sentences: "Running water spreads a small pool, and I hate Taiwan crossing the Dongting. At the end of the song, people disappear, and there are several peaks on the river. " After the song ended, Xiangling disappeared, and Hattori painted a river and several green hills, presenting readers with an extremely clean picture with a sad soul and a pair of eyes for recourse. The open ending of "When the song ends, the river peaks green" has always been appreciated by people. Throughout the ages, poems and songs about flowers are mostly about plum, with unique charm, beautiful charm, elegant style or dignified integrity. "Jingzhou Ji" contains a poem by Lu Kai, a poet from Southern Liang Dynasty: "Fold plum blossoms and send them to the dragon head. What's in Jiangnan? Talk about giving a plum. "
A, cold plum, no longer a common natural thing, has become a symbol of hometown, full of poetry and typicality. This cold plum naturally became the concentrated sustenance of my homesickness. So, Wang Wei asked alone, "Leaning against the window and opening the first cold flower tomorrow?" . Just like "I heard a broken willow in the song tonight" and "Ask where the plum blossoms fall, and the wind blows all over the mountain overnight" (Gao Shi). When listening to songs, I think of plum blossoms in my hometown, but when I think of the autumn of plum blossoms, there is a feeling of homesickness in the sentence.
B, most of Yongmei's poems in Tang Dynasty were about in my heart forever, conveying friendship and supporting life experience. After the Song Dynasty, expressing in my heart forever's meaning through Mei Chuan's friendship gradually stopped, but writing about the beauty of his image and praising his character. The former is represented by Xiao Mei in Lin Hejing's Mountain Garden, while the latter is represented by Yongmei in Lu You's Bu Operator. Lu You loved Mei all his life, love, love as a metaphor of Mei. He praised Mei as "the highest integrity among flowers", just like Mei's bosom friend, Mei's incarnation: "How can you incarnate hundreds of billions and a plum blossom?" (Lu You's Plum Blossom Poems) The poems after Yongmei only developed the charm of the Song people. Beautiful and elegant, the fragrance attacks people and deceives frost and snow. Flowers are gorgeous after withering, so they don't compete with others. In poetry, it is often a symbol of natural and unyielding noble character.
"Drink Mulan dew early and eat autumn chrysanthemum late." ("Li Sao" Chu Quyuan in the Warring States Period), the poet symbolizes his noble character by drinking dew and eating flowers.
"The bushes in autumn are like Taoist priests, and the edges around the fence are more and more inclined. It's not that chrysanthemums are preferred in flowers, but that this flower is even more flowerless. " (Tang Yuanzhen's Chrysanthemum) expresses the poet's pursuit of loyalty and noble character.
"It is better to hold incense on the branches and die than to blow in the north wind" (Zheng Sixiao's "Cold Chrysanthemum")
Poems such as "The lonely east hedge is wet and the sand shines before the gold" (Fan Chengda's "Two Chrysanthemums after Chongyang") all use chrysanthemums to express the poet's lofty spiritual quality, and the chrysanthemums here undoubtedly become a portrayal of the poet's personality. Lotus is also called lotus, hibiscus, hibiscus and lotus.
A, because "lotus seed" means "Reiko Kobayakawa", "pity" means "love" and "son", and the second person calls "Reiko Kobayakawa" his beloved, there are many poems about lotus flowers in ancient poems to express love.
"Nantang autumn picking lotus, lotus over the head; Bow your head to get lotus seeds, which are as green as water. " (Western Zhou Song by Yuefu in the Southern Dynasties) Here, truth and reality coexist, and the meaning is pun. The rhetorical device of homophonic pun is used to express a woman's deep yearning for the man she loves and the purity of love. "The fog hides the hibiscus, but the lotus is not clear." (Thirty-five of Jin's "Forty-two Midnight Songs") The dew in the fog hides the true face of the lotus, and the lotus leaf is visible but not very clear. This is also a homophonic pun, writing about a woman who vaguely feels that the man loves her.
B, because the lotus leaves the mud but is not stained, clear but not demon, it is also regarded as a symbol of noble people who still maintain integrity in the turbid world.
Other poems about "Lotus"
"Lotus can be picked in Jiangnan, and lotus leaves are sweet" ("Jiangnan" Han Yuefu)
"The east wind brings misty rain, and the wheels outside the Lotus Pond faint" (Li Shangyin's Untitled Four Poems)
"The Yangtze River is green in spring, and the lotus leaves are as big as money" (Tang Zhang's Spring Biequ) A. Bamboo is modest, introverted, rooted, firm, chic and tall, so most of the poems are symbols of "faithfulness", "elegance" and "honesty". Poets use bamboo to express their aspirations and express their feelings, which contains profound philosophy.
"Eating without meat is better than living without bamboo, which makes people thin and vulgar" (Su Shi's Tale of Green Bamboo) shows the elegance of literati.
"Asserting that Qingshan does not relax, the roots are broken. Thousands of blows are still strong, and the wind of east, west, north and south "(Zheng Qing Banqiao" Bamboo Stone ") highly praised the nature of bamboo that is not afraid of adversity and thriving;
"Hsinchu is taller than the old bamboo branches and is completely supported by the old poles. There will be many new students next year, and ten dragons and grandchildren will go around the phoenix pond "(Hsinchu in Banqiao, Zheng Qing), which eulogizes the virtues of bamboo in respecting the old and loving the young, passed down from generation to generation.
B, the days when the wind is high and the clouds are light.
"Naturally, Ziyou is partial to Er, and he is humble and honest in the cold and frost" (Liu Jian's Hsinchu).
C, tenacious vitality.
"Stay in the snow after paraquat" (Bai Juyi's title "Li Ciyun Window Bamboo").
D, show loyalty.
"Began to pity the window of Youzhu Mountain and treat me without changing the shade" (Qian Qi's "Returning to the Old Cottage in the Late Spring") and so on. Pine trees are hardy and do not wither in winter. The ancients said: "When the cold comes and the summer goes, you will know that the pine and cypress are withered." (The Analects of Confucius Zi Han) Therefore, it is often regarded as a symbol of integrity and moral integrity.
"I hope that the seniors will be relaxed and be careful not to be full of peaches and plums." (Li Bai's Book Gift) Wei always flatters powerful people, and Li Bai writes poems to persuade him to be an upright person.
"Don't be cold, pine and cypress are natural." (Three Kingdoms, Serina Liu's My Brother's Gift), the poet used this sentence to encourage his cousin to be as loyal as pine and cypress, and to maintain noble quality under any circumstances.
17, Indus River
Indus is a symbol of desolation and sadness.
"Golden well buttonwood leaves are yellow, and the bead curtain does not roll frost at night. The smoked jade pillow has no color, and you can listen to the Nangong for a long time. " (Don Wang Changling's poem "Autumn Long Letter") is about a girl deprived of her youth, freedom and happiness. In a desolate and lonely palace, she was alone, lying listening to the palace leak. The first sentence of the poem is based on a yellow-leafed sycamore tree by the well, which sets off a bleak and cold atmosphere.
"A phoenix tree sounds like autumn, and a small banana sounds a bit sad, dreaming of the third night." (Xu Yuan rethinks "Double Tone, Water Fairy and Night Rain"), hitting banana with the fallen leaves and rain of phoenix tree, and writing down all my worries.
"Peach and plum bloom, the spring breeze blows down, after the autumn rain" (Bai Juyi's "Song of Eternal Sorrow"), the cold rain in autumn hits the plane leaves, and the bitterness can be imagined. Others such as:
"One leaf makes a sound, and the empty steps fall to the light" (Wen, "More Leakage");
"Platanus acerifolia is more drizzly, and it drips at dusk" (Southern Song Dynasty, Li Qingzhao's "Slow Sound"). Generally express such feelings. First, Liu started from the Book of Songs, "I often go, sing Liu's love for the first time, and use Liu to hurt others. There are thousands of trees in the world, "Chang 'an is devoted to infinite trees, but weeping willows are in charge of parting".
Don't insist on folding willows and writing willows. This is because "there is another village", which is full of affection and affection. The ancients took its meaning to show their reluctance to part with Liu. "Liu" and "Liu" are homophonic, so "folding Liu" stays with each other to express sincere farewell. Folding willows to bid farewell has been around since the Han Dynasty. In the Yuefu of the Southern Dynasties, there were folk songs such as "Don't push the whip when you get on the horse, turn your back on Yang Liuzhi, play the flute on the plate, and worry about killing the walker", which reflected that when you left, you turned over the willows when you got off the horse. Ordinary Yang Liuyi evokes feelings and associations that people have never clearly realized. In the poem, the young woman "doesn't know what to worry about" went upstairs to enjoy the scenery, and when she touched the "willow color", she left her sorrow: "I suddenly saw the strange willow color and regretted teaching my husband to find a title." (Don Wang Changling's in my heart forever)
C, willow has a graceful charm ("a small willow, an inch of tenderness"), so it is endowed with endless sadness. This feeling coincides with the sadness of parting. "Liu is reluctant to part" and "Liu is reluctant to part" is probably the reason why poets like to enter poetry with Liu.
In addition, the common images in classical poetry are: using "floating clouds" to compare wandering wanderers (such as "I should think of you in the floating clouds, so I think of me in the sunset" (Li Bai's "seeing my friends off"); The maturity of "plum" is a metaphor for a girl's desire for love (such as "looking back by the door, but smelling plum" (Li Qingzhao's "Dianjiang Lip"); Use "steed" as a metaphor for ambition (for example, "Xiao Teng is so rampant" Du Fu's poem "Cao Zai Huma"); Use "lilac" to mean sadness or complexity (for example, "I have been worried about seeing lilac knots since Nanpu Bie" (Niu Qiao's Thanksgiving); "Red beans" symbolize love or acacia {such as "when those red berries come in spring, they flush on your southern branches; May you take more as a symbol of our love. " (Don Wang Wei's Acacia)}; Write "Huayang" and leave love (for example, "In detail, it's not Huayang, it's a little tear" (Su Shi's Shui Long Yin); Use "grass" as a metaphor to retain hatred (for example, "retaining hatred is like spring grass, which can be born farther away" (Li Yu's Qing Ping Le); Write parting thoughts with "Rain Beats Banana" (for example, "How much leisure worries, dreams chase banana rain" (Ge Zhongsheng's "Lips drooping"); Use crows to express the bleak atmosphere (for example, A Crow with a Dead Vine in Zhiyuan, Outside the clear sand, the sun sets in Western jackdaw at ten thousand o'clock, and the water flows around the lonely village, People, etc.). There are Moss, Yangtze River and Jade Bird.