The poem about reality is 1. What are the ancient poems about the combination of reality and fiction?
Poems that combine reality with fiction include Du Fu's Moonlit Night, Wang Wei's Mountain Holiday Silu Brothers, Chen Tao's Longxi, and Wang Changling's Lotus Inn and Xin Jian's Parting.
The words that combine reality and fiction are: Yu Meiren by Li Yu and Wulingchun by Li Qingzhao.
Specific analysis: such as Wang Changling's "Parting with Xin Jian at Furong Inn"-
Misty rain enveloped Wu's day overnight; Send you in the morning, lonely and sad in Chushan!
Friends, if my friends in Luoyang invite me; Just say I'm still Bing Xin Okho, and stick to my faith!
This poem was written after the 29th year of Emperor Xuanzong of the Tang Dynasty (74 1). Wang Changling was a native of Jiangning (now Nanjing) and had just arrived in Jiangnan from Luoyang. I just worked hard to return to Luoyang, so I worked hard to write this poem for my friends.
The first two sentences are the first layer of the poem, indicating the time and place of farewell. It's like using a huge ink-and-wash landscape painting as the background, lined with the high hibiscus building and the running river, like a woven cold rain, connecting the sky with the river. Friends, tall buildings and the whole land of Wu are shrouded in a misty cold rain, which adds a bit of sadness to the upcoming departure. Chu Gushan is not only a description of real life, but also a portrayal of the poet's lonely mood. Wang Can Changling, which has always been heroic, how can it be so lonely after a parting and a cold rain? Originally, the poet was demoted to Lingnan, and Wang Changling, who was very conceited, was very dissatisfied with officialdom.
Another example: Li Qingzhao's "Wulingchun";
The wind has stopped the dust, the fragrant flowers have blossomed, and I am tired of combing my hair at night. Things are people, not everything, and tears flow first.
It is said that Shuangxi Spring is still good, and it is also planned to make canoes. I'm afraid the ship can't carry much worry.
In her later years, Li Qingzhao wrote this word when she was ruined and exiled overseas. Uptown focuses on the real shape with real words: the poetess is locked at home by ruthless wind and rain and is very depressed; It's a pity that the fallen flowers have turned to dust after it clears up. Her husband Zhao Mingcheng died in the chaos because of the nomads from the south. She lives alone in Jinhua, Zhejiang. She witnessed Chunguang and her husband's relics and the suicide note "Stone", and felt that things had been changed and everything was over. She got up very late in the morning and didn't bother to comb her hair. Sometimes she even wants to talk, but the tears are already in her eyes.
Shang Juan only used the "language of desire" in the fourth sentence, which seems simple, but it has an extremely subtle meaning: showing an uncontrollable state of grief, full of sadness and excitement!
Going to the pool focuses on inner exploration: the poetess heard that Shuangxi in Jinhua suburb is beautiful in spring, and tourists are weaving, and they also come to travel and prepare to go boating. But I'm afraid the canoe is too small to carry many of my worries.
In the first three sentences, three groups of function words, namely "Wen Shuo", "Yi Shu" and "for fear", are used successively as the turning point of meaning, and the effect is touching with the expression of real words. The real word "canoe" paves the way, sets off the "sorrow" behind, makes the "sorrow" heavy, and is also the unparalleled affection of the female poet! It also makes the abstract "troubles" concrete and sensible, and becomes "incredible"! No wonder some people commented that Li Yu, the former owner, turned "sorrow" into water, Qin Guan turned "sorrow" into something that died with the water, Li Qingzhao further put "sorrow" on the boat, and Dong Jieyuan, who wrote "The West Chamber", unloaded "sorrow" from the boat and put the camel on horseback. Like this, I don't blame Li Qingzhao for lamenting in despair at the end of the word "slow voice", moaning helplessly, making people cry, and writing down "sorrow"-"What a sad word this time!"
2. Poetry about truth and falsehood
Mao Zedong's "Qinyuan Spring Snow": "Mountain dancing silver snake, original wax elephant" is the real scene; "It must be sunny to see plain clothes in a red dress" is a virtual scene.
Yongmei: "There are hundreds of feet of ice on the cliff and beautiful flowers" is a real scene; "When she was in bloom, she was laughing among the flowers" is an illusory scene.
Zhu's Sailing in Shuikou: "It rained on the ship last night. What about the stormy night?" At present, just looking at the test paper, there are still many green mountains and green waters. The wind and rain in the poem are always temporary, the wind and rain will always calm down, the green mountains and green waters will always be eternal, and the vitality of all beautiful things can't be suppressed after all. The poet's landscape painting narrative contains the philosophy of life and is illusory.
Li Chen's poem Waterfall: "Thousands of rocks and valleys spare no effort, and only from a distance can the source be high. If a stream can stay, the sea will eventually make waves. " The poem describes the majestic waterfall image that eventually ran to the sea through bumps. This is an objective landscape and reality. In this poem, the poet entrusts himself with the idea that he will never be satisfied with the status quo, not afraid of difficulties, and will never give up until he reaches his goal. This is his ambition.
The words that combine reality and fiction are: Yu Meiren by Li Yu and Wulingchun by Li Qingzhao.
This book is very angry with this poem.
Shufen
Author: Lu You
When I was a child, I knew that the world was unbearable and the Central Plains looked like a mountain.
It snowed all night in the building, and the autumn wind dispersed in the iron horse.
Stuck on the Great Wall and make an empty promise, the sideburns in the mirror have long faded.
When you debut, you can say your real name, but you can't fight for a thousand years.
"When I was young, I knew that the world was difficult, and the Central Plains looked like a mountain." When the hero is useless, he will return to the memory of Ma Tiejin Ge. At that time, the poet looked north at the Central Plains, and the heroic spirit of recovering lost land was like a mountain. How energetic! Did the poet ever think it would be so difficult to kill the enemy and serve the country? I thought that if I dedicated myself selflessly and served my country wholeheartedly, my country would be fulfilled by me. I didn't expect traitors to obstruct and destroy me and be deposed many times. At the beginning of the poem, the poet asked himself how depressed and angry he was.
The sentence "Story of the Building" describes Song Bing's resistance to the nomads from the southeast and northwest, and it is also a summary of the poet's past travels. In the thirty-first year of Shaoxing, Song Gaozong (1 16 1), Yan Hongliang, the gold owner, invaded the south, and Song Jun refused to defend it in Guazhou, and then the army of nomads retreated. This is what the last sentence refers to. In the eighth year of Ludao (1 172), Luyou attended the Wang shogunate in Nanzheng. The poet and Wang Yan actively planned to invade Chang 'an, once crossed the Wei River and passed the three passes with the Nomads Normal University. The next sentence refers to this. The glorious past summarized in these two sentences is in sharp contrast with the present situation of "intentional killing of thieves and inability to return to heaven". "I am afraid to wait for me and hate him for another year." Why does the poet cry when he wants to return to the Central Plains? From the perspective of poetic art, these two poems also show Lu You's great poetic talent. When the "building ship" (magnificent warship) is combined with the images of "night snow", "iron horse" and "autumn wind", it is two open and magnificent battlefield scrolls. Image selection is very clean and typical.
In the sentence "On the Great Wall", the poet uses allusions to express his ambition. Tan Daoji, a famous Liu and Song player in the Southern Dynasties, once called himself "the Great Wall of Wan Li". The emperor wanted to kill him. He said, "Destroy the Great Wall of Wan Li." Lu You made a promise to himself, showing that he was magnificent when he was young, defending his country and showing off his force in the frontier. Who else? However, what about now? The poet's unfinished anguish hangs on a word "empty" Ambition failed, struggle failed, everything failed, but looking in the mirror, I was the first to fall, and my head was bald! Compared with the two, how sad is it? Think again, this ending is not caused by my disappointment, not by my failure to do my best, but by my mistakes and the world grinding me! I have a heart, God forbid. Sorrow is depression and anger.
Look at the tail chain. I also use code to express my ambitions. Zhuge insisted on the Northern Expedition. Although he is a "true teacher", he is famous all over the world. "No one is as good as Millennium". After thousands of years, who can compare with it? Obviously, the poet's code deliberately condemns the mediocre villain in charge of the ruling and opposition parties, which indicates that his ambition to restore the Central Plains will also be "famous in the world". The poet can't find comfort in reality, so he has to put his soul longing for comfort in the future, which is naturally helpless. The poet has to pour out his frustration when he is depressed. Through Zhuge Liang's allusions, I pursue the achievements of the sages, indicating that my patriotic enthusiasm will never change, and I am eager to emulate Zhuge Liang and display my ambitions.
Looking back at the whole poem, we can see that every sentence is full of energy, and every word is full of energy. Poetry is full of anger.
4. What are the poems that combine reality and fiction in ancient poetry?
What is empty? That is, empty, nothing; What is reality? That is truth and reality.
Starting from the traditional expression of "Fu, Bi and Xing", Wu Qiao analyzed the combination of reality and fiction in copying ancient poems and expounded the dialectical relationship between reality and fiction. He said in the poem "Poems Around the Furnace": "Bixing is an empty sentence, and Fu is a real sentence. With metaphor, the true sentence becomes a living sentence. Without metaphor, the empty sentence becomes a dead sentence. " There is also a cloud that "the article is done in practice, in vain." Elegant praise and more fu, is real, Sao is more than xing, is virtual, Tang poetry is more Sao, so wonderful. "
The emptiness and reality of poetic theory usually include four connotations: 1, reality refers to the entity image described by the poet; Virtual refers to the blank image implied by the entity image. 2. Reality refers to an objective and tangible object; Virtual refers to subjective intangible activities. 3. Reality refers to a specific description; Virtual refers to abstract discussion. 4, stereoscopic, refers to the fundus scene; Virtual refers to the scenery in your mind. In short, the idea of seeing is believing is empty; It's already true, and it's empty before it happens; Being there, looking up and looking down is true. After a thousand years of thinking, Wan Li sees nothing. For example, Mao Zedong's "Qin Yuan Chun Xue": "Mountain dancing silver snake, original wax elephant" is a real scene; "It must be sunny to see plain clothes in a red dress" is a virtual scene. Another example is "Operator Yongmei": "There are hundreds of feet of ice on the cliff and beautiful flowers" is a real scene; "When the mountain road is full of flowers, she laughs among the flowers" is a virtual scene. Most of the imaginary scenes in his old man's poems are images before they happen.
Remember to adopt it, dear. I wish you progress in your study.
5. Ancient poems combining reality and fiction.
A lot of "reality" refers to the scene you see before your eyes, and "emptiness" refers to the product of imagination and association, the transposition of subject and object (mutual imagination), writing dreams and so on. Here's a small example: a well-known poem: being in a foreign land, I miss my family twice every holiday. I know from a distance that one person is missing everywhere where my brother climbs. Here, the author imagines that his brother is at home. Show homesickness from two aspects. Another example is: every winter solstice, I sit in front of the lamp with my knees in my arms. If I want to sit at home late at night, I should also talk about travelers. In a few words, I wrote "homesickness" in front. What is touching is that the scene he imagined when I was homesick was the family's yearning for myself. This winter solstice, I am at home, because I am not at home. what did you say ? This leaves readers with a broad imagination. Everyone who has enjoyed family happiness and had similar experiences can think a lot according to their own life experiences. This technique (subject-object translocation) is called "thinking on behalf of others", which makes emotional expression more subtle, tortuous and moving. Another example is Wang Changling's farewell to Wei Er: Biejianglou is drunk with oranges and pomelo, and the river wind draws rain into the boat to enjoy the cool. What are the benefits of the last two sentences? The author imagined that his friend was tossing and turning alone on the water in Hunan, worried about listening to apes, which made his reluctance and concern for his friend's departure more profound and touching.