Mangroves and green hills are dying, and grass in the long suburbs is endless.
Visitors, no matter how old they are, will walk to the front of the exhibition hall in spring.
Label: Spring's poetic emotion
The third translation of Feng Le Ting You Chun is full of red flowers and green hills, and the sky is already west. The vast countryside, green grass, can not see the edge.
People who swim in spring are interested, so who cares if they will go in spring? In front of Fengle Pavilion, people come and go, and flowers fall everywhere.
Note 1. Mangroves: trees with red flowers or trees reflected by sunset, not red leaves in autumn.
2. Long suburbs: vast countryside. Boundless: Boundless.
3. Old: passed away. A "do". Spring will grow old: spring will pass.
Appreciation of Fengle Pavilion Spring Tour III Fengle Pavilion is located at the northern foot of Fengshan in the southwest of Chuzhou (now Chuxian County, Anhui Province), on Langya Valley Spring. This pavilion was built by Ouyang Xiu when he was a magistrate. He wrote an article "Fengle Pavilion", describing the natural scenery near the pavilion and the process of building it. Su Shi wrote a book and carved stones. Beautiful scenery, beautiful words, beautiful books and three beauties have become famous tourist attractions since then.
The scenery around Fengle Pavilion is beautiful all year round, but this group takes the most typical spring scenery from the four seasons and describes it first. The first one is about cherishing spring, the second one is about reveling in spring, and the third one is about loving spring.
The first two sentences of the first song say: the branches and leaves of trees with swaying green shadows are connected, and birds are singing happily in the mountains. The warm spring wind in the sun gently blows the branches, and many fallen flowers dance with the wind. "Crossing" means that the trees are lush and densely planted, so the branches and leaves overlap and form a shade. The word "rippling" describes the spirit of spring breeze fluttering in the green hills and valleys, and the happy mood of tourists in the sultry spring. Beautiful spring scenery is fascinating. As for the poet, wild birds chirped and flowers flew about, but he didn't smell anything, and he also entered his hometown where he was drunk and dreamy. The next day, I woke up drunk, without a breath of spring, and I had quietly returned. The fourth sentence, "Tomorrow's wine wakes up the spring", on the surface, is drunk for a day, but in fact it is drunk for the whole spring. This sentence contrasts the charm of spring with the brevity of spring in exaggerated language, with a strong sense of regret.
The first two sentences of the second song say: the sky is the rising sun and the sky is clear in Wan Li; On the ground, the spring grass is lush and full of vitality, welcoming the skirts of tourists; Poplars and catkins flying all over the sky are scattered on the spring clothes of tourists, "they are all full after brushing." The word "provoke" shows the thriving trend of spring grass, actively "provoke" people, showing the sultry feeling of spring; With a word "stroke", I vividly described my love for spring. Compared with Bai Juyi's famous poem "Spring Tour in Qiantang Lake", this sentence "Flowers are more and more colorful, shallow grass can have no horseshoe", and the skill of knowing the enemy can bring spring scenery to life!
The third and fourth sentence is about the excitement of tourists, who come to Fengle Pavilion and meet Ouyang Taishou in the west of Pavilion. What is a satrap? His sideburns and skirts are full of flowers, and he is drunk in a bamboo sedan chair. The basket is a bamboo sedan chair. He doesn't sit in the official sedan chair, but in the rickety and creaking bamboo sedan chair, which shows his free and easy character. Because of the open bamboo sedan chair, people can get a glimpse of this dashing and heroic posture.
The third song is about Qingshan mangrove forest, which sinks to the west during the day and grows green grass endlessly. It's dusk and spring will come back. But enthusiastic tourists still ignore these and walk in front of Fengle Pavilion to enjoy the beautiful scenery in late spring. Some notebooks use the word "old" as "gold", which has similar meanings, but the word "old" is more vivid than the word "gold". This poem describes the attachment to spring, which is both lingering and hearty. Of course, the poet himself is also included in this group of tourists who cherish spring. Ouyang Xiu is an expert in writing about the feelings of cherishing spring. He has a line in a poem "Butterfly Lovers": "Tears ask flowers for silence, and red flies over the swing", which is really heartbreaking; The sentimental tourists in this poem "Walking in front of the Pavilion" also disappointed the readers.
Look at three poems. The first two sentences describe the scenery and the last two sentences are lyrical. The scenery is colorful; Lyric, clear, vivid and meaningful. The ending sentences of the three poems are all lingering and lingering. Ouyang xiu is deeper than emotion, and the ancient prose is also feminine, with a sigh. If we appreciate this group of poems in combination with his famous prose "Zuiweng Pavilion" and "Fengle Pavilion", they will set each other off and become interesting. Appreciation 2 expresses the feelings that tourists love and loathe to give up. Poetry is inseparable from the description of scenery, and the artistic conception of poetry is expressed through scenery. Therefore, to appreciate the artistic conception of a poem, we can start with the scenery described in the poem. Ouyang Xiu's Spring Tour in Fengle Pavilion describes the scenery around Fengle Pavilion in late spring and the feelings of tourists on a spring tour. This kind of artistic conception is expressed through the scenery of "mangrove", "green hill", "green grass" and "fallen flowers" in the poem This article is about cherishing spring. The beautiful spring is coming to an end, and there are flowers all over the place next to Fengle Pavilion. As the sun sets, tourists are still reluctant to go, lingering in front of the pavilion and enjoying the scenery in late spring. These two seemingly heartless but affectionate words have the same feeling as what he said in The Play Answers Yuan Zhen: "I used to be a guest in Luoyang, and Ye Fang didn't need to cry at night", and what he said in Birds Singing: "I am afraid of birds falling", which is the same feeling: this is nostalgia and pity for a beautiful spring. Creative background of the related contents of "Spring Tour of Fengle Pavilion Volume III" Author: Anonymous Ouyang Xiu built Fengle Pavilion in the forest outside Chuzhou for six years (1046), and wrote this group in March of the following year. Fengle Pavilion, built in the valley at the northern foot of Fengshan in Langya Mountain Scenic Area, is the best scenery in Fengshan. ...
Ouyang Xiu (1007- 1072), the author of Three Springs in Fengle Pavilion, was born in Yongfeng, Jizhou (now Yongfeng County, Ji 'an City, Jiangxi Province), a writer and historian in the Northern Song Dynasty, and was politically famous. Because Jizhou originally belonged to Luling County, it called itself "Ouyang Xiu of Luling". Wenzhong, nicknamed Ouyang Wenzhong. Later generations also called him "the four great writers of the ages" with Han Yu, Liu Zongyuan and Su Shi. Together with Han Yu, Liu Zongyuan, Su Shi, Su Xun, Su Zhe (Sansu), Wang Anshi and Ceng Gong, they are called "eight great masters in Tang and Song Dynasties". Ouyang Xiu lost his father at an early age and studied under the care of his widowed mother. Song Renzong was a Jinshi in the eighth year of Tiansheng (1030). He worked in Xijing, made friends with Mei and made peace with poetry. Later, Ouyang Xiu was demoted because of the incident. He accused Gao Ruone, an admonisher, of being demoted to Yiling county magistrate, transferred to Dexian county magistrate and changed to Guan Ge, an admonisher. He was transferred to Jixian School, known as an admonition officer in history, and served as a direct bachelor of Longtuge, and was transferred to Hebei. Because of the incident, he learned about Chuzhou, Yangzhou, Yingzhou and Kaifeng. Later, I worshipped the Hanlin bachelor and the minister. Ouyang Xiu was the leader of the poetry innovation movement in the Northern Song Dynasty. He inherited and developed Han Yu's ancient prose theory, advocated that prose should be based on Ming Dow, opposed to "abandoning everything regardless of heart" (answer to Wu Chong's Scholar's Book), advocated that literature should be applied, opposed to "approaching from afar" (with Zhang Xiucai's Second Book), emphasized the combination of literature and Taoism, paid equal attention to introducing natural literature, and opposed to grandiose style of writing. His political and historical essays, such as On Friends, Advice to Gauss, The History of the New Five Dynasties: Biographies of Lingguan, etc., either criticized the current disadvantages or learned lessons, and lyrical essays, such as Zuiwengting Ji, Qiusheng Fu, etc., or lyrical, or lyrical by taking advantage of the scenery, fluent and euphemistic. (Image source overview:)
Ouyang Xiu's Other Works ○ Zuiweng Pavilion
○ Raw tea is Yuan Xi.
How deep are the nearest flowers and courtyards?
wood thrush
○ Lou Yuchun Zun Qian intends to say the date of return.
○ Ouyang Xiu More Works